Actress, activist and blogger Lynn Chen has just wrapped production on her directorial debut, I Will Make You Mine. Below, she contributes this guest essay on the common but rarely discussed post-partum blues that directors can feel after wrapping any film, but particularly their first. To learn more and donate, visit the project’s Kickstarter page. — Editor The post-wrap blues. The first time I felt them, I was eight. I was in a production of Maurice Ravel’s L’enfant et les sortileges, a one-act opera where a bratty kid gets sent to his room, and a bunch of inanimate objects come […]

What’s a non-religious, non-observant Jew doing making a movie called The Rabbi Goes West, in which the main character is a Torah-following Hasidic Orthodox rabbi? And who is now, between beloved corned beef sandwiches, in the middle of a $40,000 Kickstarter campaign through August 10 to finish it? Click here to go our Kickstarter page. Glad you asked. I’m a long-time film critic (The Boston Phoenix) and one-time actor (Computer Chess) who turned to filmmaking (For The Love of Movies: the Story of American Film Criticism). My last documentary, Archie’s Betty, was appreciated by the thousand people who saw it, […]

Catherine Coulson gathered her closest family and friends to help her survive her terminal illness just long enough to play the Log Lady on Twin Peaks: The Return, a character she had created decades ago with her lifelong friend, David Lynch. Why? Why must the show go on? What drives us as artists to overcome the obstacles, both real and within our heads, to finish the work? Lynch did seven years of newspaper routes delivering the Wall Street Journal till dawn to buy film to shoot Eraserhead, while Catherine took waitress jobs to feed him and everyone else on the crew. Why? I […]

This year marks the 25th anniversary of Alexandre Rockwell‘s landmark indie In The Soup, which is currently crowdraising funds for a badly needed restoration and re-release. We’re happy to share this interview with Rockwell, conducted by Factory 25’s Matt Grady. Click here to learn more and check out the Kickstarter campaign, and here for a video interview for more from Rockwell.  What’s so unique about how you made In the Soup? One of the most defining things about In the Soup is its look. The stellar cinematography of Phil Parmet comes across in a rich, high-contrast look, deeply saturated blacks and brilliant […]

In early 2015, Kino Lorber mounted a successful crowd-funding campaign for Pioneers of African-American Cinema. The campaign raised over $53,000, far surpassing its original $35,000 goal. Now Kino Lorber is hoping to repeat that success with its new Kickstarter campaign for their upcoming release Pioneers: First Women Filmmakers. So far, they’ve raised more than $20,000 towards the $44,000 goal. “You wouldn’t know it looking back at the last 90 years of film history, but at one time, it was not uncommon to have women behind the camera in Hollywood,” says writer-director Ileana Douglas in the campaign video (above). Presented in association with the […]

As Hollywood is rightfully called out on its underemployment of women, virtual reality companies like Mechanical Dreams Virtual Reality (MDVR) are actively courting underrepresented voices. The Seattle-based virtual reality content company housed by the University of Washington and the start-up incubator CoMotion is producing six innovative 360 films, five of them directed by women. The company’s first production, Tracy Rector’s Ch’aak’ S’aagi (Eagle Bone), one of the first VR pieces ever by a Native American filmmaker, was recently selected as one of five VR projects to screen at TIFF as part of its inaugural POP VR section at the festival. MDVR is currently raising money on […]

Producers Dan Schoenbrun and Vanessa McDonnell have launched a Kickstarter campaign for The Eyeslicer, a new variety series by and for indie filmmakers. Among the filmmakers set to contribute are David Lowery, the Zellner Brothers, Lev Kalman & Whitney Horn, Yen Tan, Calvin Reeder, Shaka King, Ornana, John Wilson, Jennifer Reeder, Leah Shore, Colin Healey, Lauren Wolkstein, and Chris Radcliffe The campaign is aiming to raise $28,000 to fund season one and if all goes smoothly, the 10-episode, 10-hour first season will launch in January. Schoenbrun (a contributor to Filmmaker) and McDonnell recently collaborated to create collective : unconscious, an anthology feature film where they […]

Last Thursday, in a fortune telling shop in Manhattan’s West Village, a woman around my age told me the Evil Eye was on me and my family. She told me she was afraid for my life, and I needed to give her $500 right then so that she could burn a candle for me. When I told her I didn’t have the money, she asked if I had an ATM card and could bring her the money quickly. I said “thank you” and left. I wasn’t worried about the “Evil Eye,” but it was an eerie brush with the city’s […]

Led by IFP founder Sandra Schulberg, who serves as its president, the nonprofit IndieCollect is working to conserve independent cinema. In just two years, the company has rescued and archived more than 3,500 film negatives, according to Schulberg, the president of IndieCollect. IndieCollect recently located the master picture and sound elements for eight of the shorts Vachon and Haynes produced in the ’80s and ’90s with Barry Ellsworth under their non-profit Apparatus banner. Apparatus backed a number of other directors, including Suzan-Lori Parks, Mary Hestand, Susan Delson, Brooke Dammkoehler, Larry Carty, and Evan Dunsky. Now the company has launched a Kickstarter campaign with hopes of raising […]

Editor’s note: the following is a guest post from Jesse Klein, director of the drama We’re Still Together, which will be having its world premiere at Karlovy Vary. A Kickstarter to raise funds for deliverables, travel, accommodations and other necessary expenses can be found here. In thinking about my film We’re Still Together and what could be said that the film itself does not say, I thought of my older brother Joey. The movie starts with him in every way. In the fall of 2012, I was back in Montreal after finishing an MFA in filmmaking at UT-Austin without an idea of […]