Matt Ross
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Filmmaking and Filmmaker: Advice for First-Timers from a Journalist-Turned-Director
After shipping the Fall 2006 issue of Filmmaker, where I had been the managing editor for nearly four years, I moved to Los Angeles to start my career as a movie director, the only thing I had ever wanted to do with myself. I had just turned 30, and I was behind schedule. At the time, my expectations didn’t seem so delusional. To begin with, I had found the story I needed to tell, something in a voice that was uniquely my own, and I wasn’t alone in my enthusiasm. I had a top agency and management company behind me, […]
by Matt Ross on Dec 14, 2017 -
Hits & Misses: The Theatrical Performance of the Sundance Class of ’16
How do you measure success these days? When more than two million people vote for you over the other guy and you still lose? When you receive no endorsements from a single major newspaper, your party’s leadership practically ignores you, and you still win? Or, perhaps, when your heralded Sundance acquisition earns a whopping $15.8 million at the box office, but you spend more than twice that in acquisition fees and prints and advertising costs to release it? (i.e., The Birth of a Nation). How about if your film isn’t released in theaters at all, but Netflix paid $5 million […]
by Anthony Kaufman on Jan 18, 2017 -
Ken Loach, Xavier Dolan Top Surprising Cannes Awards Ceremony; Andrea Arnold’s American Honey Wins Jury Prize
One of the more surprising Cannes awards ceremonies has just ended, with Ken Loach becoming a two-time Palme d’Or winner with his I, Daniel Blake, about a 59-year-old carpenter battling England’s health care system following a heart attack, winning the top prize. (The director’s The Wind that Swept the Barley won the Palme in 2006.) I, Daniel Blake, while not one of the buzzier titles in the Competition, was generally well received; the same can’t be said for the jury’s Grand Prix, awarded to Xavier Dolan’s It’s Only the End of the World. Variety’s Guy Lodge tweeted, “Giving Xavier Dolan […]
by Scott Macaulay on May 22, 2016 -
“Time Is Not Your Friend”: Director Matt Ross | Captain Fantastic
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? The secret story of Captain Fantastic is that – on paper – it looked deceptively simple. Everyone […]
by Soheil Rezayazdi on Jan 27, 2016 -
Five Questions with 28 Hotel Rooms Director Matt Ross
Matt Ross’s directorial debut is an inventive look at an affair between a married account (Marin Ireland) and a novelist (Chris Messina) that unfurls within the walls of 28 hotel rooms across the country. Dictated by checkout times and the call of the “real world,” their truncated encounters are marked by a growing sense of urgency, as their physical connection turns emotional. Ireland and Messina shoulder the challenge of being the sole recipients of Doug Emmett’s lens with magnetic grace, crafting their characters’ dimensions in varying increments of restraint and ebullition. 28 Hotel Rooms, currently streaming on iTunes and VOD, […]
by Sarah Salovaara on Nov 8, 2012 -
“TWENTY-EIGHT HOTELS ROOMS” | writer-director, Matt Ross
[PREMIERE SCREENING: Saturday, January 21 5:30 pm –Prospector Square Theatre, Park City] The most truthful answer I can come up with as to why my story is told as a film (and not a novel or a play) is this: the most profound narrative experiences I have had have been in a dark movie theatre. One of the first films I can remember seeing was Jaws. I must have been about five. The experience was seared into my brain. It was horrifying, primal. Even now, as an adult, so many years later, every time I swim or surf in the […]
by Filmmaker Staff on Jan 21, 2012 -
NAME THIS BRET EASTON ELLIS SHORT FILM
Filmmaker (and former Filmmaker Managing Editor) Matt Ross made this short film updating the European trip montage from Rules of Attraction to material taken from and inspired by all of Ellis’s books, including his new Imperial Bedrooms. It stars Kip Pardue, James Van Der Beek and Tara Summers, and it was conceived of, shot, and edited in ten days. And, oh yeah, it has no name. You can take part in a contest by naming the film at the Knopf website.
by Scott Macaulay on Jun 25, 2010
