The official trailer has arrived for writer/director Nikyatu Jusu’s Nanny, which is set to hit theaters this fall before heading exclusively to Amazon Prime Video. Jusu, a former 25 New Faces of Film, makes her feature debut with Nanny. The film premiered earlier this year at the Sundance Film Festival, where it picked up the Dramatic Grand Jury Prize—the first time the award has been granted to a horror film, and only the second time it has gone to a feature directed by a Black woman. Nanny follows Aisha (Anna Diop), a Senegalese woman who is hired as a domestic […]

The panels have been announced for the 2022 Gotham Week Conference, the first time the event will occur in person since 2019. The panelists include Jenny Slate and other team members behind Marcel the Shell With Shoes On, director of Bodies Bodies Bodies Halina Reijn and co-directors of The Janes Tia Lessin and Emma Pildes. Slate, who voiced the title character and co-wrote the script, will be joined by Marcel director Dean Fleischer Camp and animation director Kirsten Lepore. Other panelists at the 2022 Gotham Week Conference include Adamma and Adanne Ebo, the respective director and producer of Honk For Jesus. […]

The Sundance Dramatic Competition entry Nanny, a horror story about an immigrant domestic child-care worker in New York who’s saving to bring her own young son over from Senegal, is the first feature produced by New York-based Nikkia Moulterie. It’s her reunion with writer/director Nikyatu Jusu after producing the writer/director’s excellent 2019 short, Suicide by Sunlight, and it follows a decade-long career producing shorts, UPM’ing features and producing commercials and music videos. Below, Moulterie discusses the way she met and bonded with Jusu, the challenges of producing a feature during the COVID-19 pandemic, and the advice she’d give to new producers […]

West African mythology is an integral facet of Nikyatu Jusu’s filmmaking. Whether in her directorial stint on an episode of The CW’s Two Sentence Horror Stories or the melanated day-walking vampires in her short film (and 2019 festival circuit hit) Suicide by Sunlight, the Sierra Leonean-American writer/director has made it her mission to introduce American audiences to the folklore of her heritage. If she also manages to revamp tired (and overly Eurocentric) monster tropes while she’s at it, then so be it. It’s fitting, then, that Jusu’s feature debut Nanny manages to do a little bit of both.  When a […]