First, to introduce myself: I’m Kate Barker-Froyland, a Brooklyn-based writer/director. For the past several years I’ve been making short films and music videos. My new project in development is called Song One, a narrative feature I wrote about music and falling in love. The movie’s set in New York, and it’ll be my first feature. I was really excited when I found out I’d be a part of the first year of the Film Society of Lincoln Center’s/IFP’s Emerging Visions program, happening all day tomorrow. Each of us (25 filmmakers) has been paired up with a mentor who we’ll be […]

The New York Film Festival is “the most famous and prestigious in the country,” according to the website of the Film Society of Lincoln Center. It may well be–though I think San Francisco and Telluride might balk at the statement. And the term the country only technically leaves out Toronto. Superlatives aside, this 49th edition, quite a good one overall, is nothing if not admirably ambitious. No longer can the NYFF be accused of replicating Cannes, or of including a disproportionate number of gallic films. What is called the Main Slate, the core of the festival, is, however, top-heavy with […]

The Film Society of Lincoln Center has announced more titles to the 49th New York Film Festival, including Joe Berlinger and Bruce Sinofsky‘s Paradise Lost 3: Purgatory, with the much publicized new ending that surrounds the release of the West Memphis 3 (pictured). Oliver Stone will also have a sneak peak preview of his 10-part documentary for Showtime, The Untold History of the United States, which will air in 2012. Also announced are Masterworks and Special Anniversary screenings. Read the new slate of titles below. NYFF will take place this year Sept. 30 – Oct. 16. See closing night and […]

The Film Society of Lincoln Center announced today that Alexander Payne‘s The Descendants (pictured) will be the closing night film for this year’s New York Film Festival. NYFF’s main slate was also unveiled and includes David Cronenberg‘s A Dangerous Method and Pedro Almodóvar‘s The Skin I Live In, which both will be screened as special gala presentations; Simon Curtis‘ My Week With Marilyn, which will have a centerpiece screening; and Roman Polanski‘s Carnage, which will open the fest. Read the complete lineup below. NYFF’s 49th edition will take place Sept. 30 – Oct. 16. General public tickets will become available […]

American independent films of the narrative variety are rarely hard art films. But in the case of Alastair Banks Griffin’s Two Gates of Sleep, which bowed at last year’s Directors’ Fortnight in Cannes before finding its way to AFI Fest last Fall, one should be ready to enter a long-take heavy, unspeakably gorgeous dirge that is sure of its influences and even more sure that it has something deeply resonant to express to you. It’s the type of movie that, as the cliche goes, requires the audience to “do some work,” that isn’t going to bend over backwards to entertain […]

In We Are What We Are, first time Mexican helmer Jorge Michel Grau creates a deeply unsettling portrait of contemporary Mexican urban life which steady grows into many things all at once: a sincere family drama, an earnest exploration of the moral implications of cannibalism and a ribald satire of the seemingly intractable political and economic corruption that is haunting present day Mexico. All moody nighttime vistas and grim, claustrophobic interiors, Grau’s film manages both social commentary and grisly, bone-chilling terror the old-fashioned way, but it still manages to have a depth of human feeling that isn’t the stock and […]

This year the Museum of Modern Art’s Film Department launched a year long retrospective of a prominent octogenarian documentarian. On opening night of the series, with the filmmaker present, the curator of the series asked during a Q&A, “do you think you’ve mellowed a bit with age?” Frederick Wiseman responded, “why does one have to mellow?” In fact, at eighty, he hasn’t at all. Yes his films have grown a touch more lyrical and perhaps one could even say tender as he enters his sixth decade as our country and perhaps the world’s most vital documentarian. Since bursting on the […]

Jamie Stuart’s NYFF 48 is the latest in his annual cinematic trips to the New York Film Festival, “a 13-minute impressionistic juxtaposition of modern film’s evolution and man’s progress.” Turn your lights out, crank your speakers and watch. With appearances by David Fincher, Clint Eastwood, Olivier Assayas, Joe Dante, Charles Ferguson, Frederick Wiseman, and others. The 720p file can be downloaded here. Visit Jamie at Mutiny Company.

Jamie Stuart’s video of the 48th New York Film Festival will be live next week. For now, a trailer…. Download this trailer here in Quicktime.

Like a bitch-slap to those who have accused it of excessive reverence for French fare over the past 48 years, the 2010 New York Film Festival is bookended and centered on American movies—oddly enough, all from the big studios. David Fincher‘s The Social Network (pictured above) opens the event September 24; Clint Eastwood’s Hereafter is the October 10 Closing Night selection; and Julie Taymor’s The Tempest, the Centerpiece. I’ve seen none of them, but early reviews of The Social Network have been very positive, not surprising from the director of Se7en and Fight Club. Evaluations of Hereafter have been much […]