NYU Film School
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“Everything We Could Embrace about Motherhood Happened Through the Making of this Movie”: Director Ash Mayfair on Her Vietnam-Set Debut, The Third Wife
The Third Wife marks the ambitious debut of Vietnamese director Ash Mayfair, who gained her MFA from NYU. Set in the late 19th century, her film tracks the fortunes of 14-year-old Mây (Nguyễn Phương Trà My), who is selected as the third wife of a much older man, who expects her to bear him a son. Her life in rural Vietnam becomes further complicated as she begins to develop feelings for the second wife Xuân (Mai Thu Hường) and as pressure builds in the family. Shot by Chananun Chotrungroj (Pop Aye, Hotel Mist), the film largely uses natural light and […]
by Amber Wilkinson on May 17, 2019 -
From NYU to Cannes: Egyptian Filmmakers A.B. Shawky and Dina Emam on Their Debut Feature, the Competition Title Yomeddine
Egyptian writer/director Abu Bakr (A.B.) Shawky and his filmmaking and real-life partner Egyptian producer Dina Emam made an impact weeks before their first feature, Yomeddine, even screened in Cannes. Theirs is the rare first-time feature to screen in what is most certainly the most prestigious launchpad for any movie: the festival’s Main Competition. Meaning “Day of Judgment” in Arabic, the film centers around a man with leprosy (Rady Gamal, “Beshay”) who goes in search of his family across Egypt with all of his possessions loaded on a donkey. Together with a young orphaned boy (Ahmed Abdelhafiz, “Obama”), the two fend […]
by Tiffany Pritchard on May 12, 2018 -
Parsing DIY Distribution with the CRI Virtual Toolbox
Need to make a snap decision about a crowdfunding or DIY distribution platform? Then check out the Virtual Toolbox from NYU’s Cinema Research Institute. The Cinema Research Institute at NYU Tisch School of the Arts’ Graduate Film Program selects four fellows a year who “engage in the entrepreneurial exploration of the film business and initiate valuable research to be leveraged by the film community at large.” This year’s fellows have explored everything from dynamic pricing models to modeling film investment, but while we wait to learn more about their work, recommended and available online now is the Virtual Toolbox, created […]
by Scott Macaulay on Jul 8, 2014 -
Second Annual NYU Purple List Announced
Last year, in order to spotlight the talents emerging from NYU’s graduate film program, students Ash Bhalla and Shandor Garrison created the Purple List, the university’s answer to the Blacklist. The notable success of the 2012 Purple List was Shaka King’s stoner comedy Newlyweeds, which premiered this January at Sundance and was picked up for distribution by Phase 4 Films. The 2013 list was announced this morning, and was chosen by a panel of judges including Sundance Labs’ Rachel Chanoff, IFP’s Amy Dotson, actor Peter Dinklage, filmmaker Karyn Kusama and cinematographer Andrij Parekh. The scripts honored by the 2013 Purple […]
by Nick Dawson on Mar 14, 2013 -
Fuller: On Great, Boring Movies and Cultural Vegetables
Unless you are a very serious basketball player — at minimum serious intramural league level, or one of those Wall Street guys who absolutely must blow off a ton of steam by playing their hearts out on the court or else they’ll absolutely lose their soul — there is a very distinct qualitative difference between what it feels like to play basketball for a while and to run for a while. After you finish playing basketball for a while you feel good, you’ve gotten some good cardio, but that cardio is intermittent, the game being filled with plenty of pauses […]
by Zachary Wigon on Jun 7, 2011 -
Sets and the City: On the History of Smithereens
Susan Seidelman’s landmark 1982 debut feature, Smithereens, recently made its Cable VOD debut on Cinetic’s FilmBuff channel. It will soon be made available on iTunes, Amazon VOD, and more. Seidelman reflects on the origins of her Manhattan indie classic as it finds new audiences today. I moved to New York City in the mid 1970s, to go to NYU film school. At that time the grad school was housed in a funky building on East 7th street and Second Ave — a space it shared with a rock club called the Fillmore East. The mid-to-late ’70s was a transitional time […]
by Jason Guerrasio on Oct 8, 2009 -
Tatia Rosenthal, $9.99
ALBERT (VOICED BY BARRY OTTO) AND THE ANGEL (VOICED BY GEOFFREY RUSH) IN DIRECTOR TATIA ROSENTHAL’S $9.99. COURTESY STRAND RELEASING. Being an independent filmmaker is difficult enough without adding the further challenges of animation, so it’s always a pleasure to see the emergence of a visionary talent like Tatia Rosenthal. The Israeli writer-director and stop motion animator was born in Tel Aviv in 1971 and explored some very diverse avenues before deciding on her current profession: Rosenthal was in the Israeli Defense Force for two years, spent a period of time at medical school and then studied photography in Paris […]
by Nick Dawson on Jun 19, 2009 -
Daryl Wein, Sex Positive
RICHARD BERKOWITZ IN DIRECTOR DARYL WEIN’S SEX POSITIVE. COURTESY REGENT RELEASING. Most young filmmakers quickly define themselves in terms of both their creative roles and genre specialties, however Daryl Wein has so far benefited from doing exactly the opposite. Born in Santa Monica in 1983, Wein grew up in Connecticut and commuted to auditions in New York City as he pursued a career as a child actor, mostly in commercials. At the same time, Wein’s father’s interest in chronicling their family life on home video lead the young thespian to become fascinated with being on the other side of the […]
by Nick Dawson on Jun 12, 2009 -
Damian Harris, Gardens Of The Night
EVAN ROSS AND GILLIAN JACOBS IN DIRECTOR DAMIAN HARRIS’ GARDENS OF THE NIGHT. COURTESY CITY LIGHTS PICTURES. Coming from a family of actors, Damian Harris went against the grain when he chose to become a writer-director. Harris is the son of Richard Harris, the legendary British screen thespian, as well as the stepson of Rex Harrison and the brother of Jamie and Jared Harris, who are also actors. He got his first taste of the movie game when, at the age of 10, he acted alongside Tom Courtenay and Romy Schneider in the comedy Otley (1968). That experience, however, made […]
by Nick Dawson on Nov 7, 2008 -
Peter Sollett, Nick And Norah’s Infinite Playlist
KAT DENNINGS AND MICHAEL CERA IN DIRECTOR PETER SOLLETT’S NICK AND NORAH’S INFINITE PLAYLIST. COURTESY SCREEN GEMS. For all the current talk of the sky falling on American independent cinema, you don’t have to look any further than Peter Sollett’s recent experiences to see how tough things have become for even the most gifted indie writer-directors. Thirty-two-year-old Brooklyn native Sollett grew up in an Italian-Jewish neighborhood in Bensonhurst and studied film at NYU’s Tisch School of the Arts, graduating in 1998. In 2000, he directed and co-wrote, with his partner Eva Vives, the short filmFive Feet High and Rising, about […]
by Nick Dawson on Oct 3, 2008
