After appearing on our 25 New Faces list in 2012, director, writer, producer and actor Jim Cummings has popped into the page of Filmmaker from time to time, offering advise on making and marketing short films and what filmmakers can learn from South Park. Cummings, who is a producer of two of the past year’s best independents (Krisha and The Grief of Others), has an intriguingly hard-to-pin down filmmaking personality. So, when he suggested that Filmmaker partner with him on a series of videos documenting the journey of his new short, Thunder Road, to Sundance, we quickly agreed. Of course, […]
by Scott Macaulay on Jan 23, 2016Ben Weissner and the gang at Ornana — Filmmaker 25 New Faces in 2012 — have just passed along this video for “The Girl in the Yellow Dress,” a single from Pink Floyd guitarist/vocalist David Gilmour’s new solo album. Explains Weissner about the video’s hand animation: His creative team had seen Confusion Through Sand (which has been re-edited to play at his live concerts) and were drawn to the dimensionality and movement in that style, so they asked if we’d bring a similar technique to their song. The music video is made of about 9.000 frames of animation that were […]
by Scott Macaulay on Oct 13, 2015ornana’s latest short form outing, All Your Favorite Shows, might just be my favorite yet. Length notwithstanding, it features some of the most exacting and exhilarating editing you’re likely to see anytime in the near future, as it seamlessly shifts from film clips to Danny Madden’s original animation in the blink of an eye. I asked Madden to elaborate on his collaboration with editor Mari Walker in designing the film and stringing together its “found imagery”: The clip selection began at the storyboards. I laid out these high energy action moments that followed as many modern film and television tropes as I could […]
by Sarah Salovaara on May 11, 2015Yesterday at SXSW, ornana producer Jim Cummings gave a 15 minute extrapolative talk on his Medium article, “We’re the Bad Guys.” In an impassioned plea for better popular content, Cummings explains how Hollywood has reduced their output to a derivative franchises, geared towards a young adult age bracket that are somehow consumed by mass demographics. There isn’t the symbiotic relationship between creator and audience that should, and often does, exist in independent film. His mini keynote is available online, and well worth listening to in full, but I’ve outlined a few of his points below. Traditional film advertising is obsolete, so […]
by Sarah Salovaara on Mar 17, 2015Nearly a year after its SXSW premiere, ornana’s Confusion Through Sand will have its PBS premiere tonight, ahead of Dan Krauss’ The Kill Team. The animated short will be available for free on Vimeo tomorrow, but for the time being, you can watch a behind the scenes video of the collective’s creative process. Filmmaker spoke to director Danny Madden and producers Jim Cummings and Ben Wiessner about the trajectory of their latest film, from a joint Kickstarter campaign, through division of labor, and securing distribution. Filmmaker: You packaged your Kickstarter campaign as a sort of two for one deal, raising post funds for euphonia and production funds for Confusion Through Sand. […]
by Sarah Salovaara on Jan 19, 2015Earlier this year, we released an exclusive stream to former “25 New Face” Ian Clark’s MMXIII, which functioned as an experimental self-portrait, partially related through Clark’s Oregon environs. From the celestial-driven imagery of said film, Clark devised a sci-fi alien abduction follow-up, A Morning Light, that’s now sourcing funds on Kickstarter. Produced by fellow 25 New Faces Jim Cummings and Ben Wiessner of ornana, and starring filmmakers Zach Weintraub and Celia Rowlson-Hall, the film looks at a pair of estranged exes who experience inexplicable phenomena. For those interested in lush and aesthetic low-budget genre, it’s not a bad bet. Below, copied from […]
by Sarah Salovaara on Jul 28, 2014Short films are a peculiar enterprise. They are well regarded as an investment vortex, with nearly zero prospects for return and lots of prospects for expense. Many are made and vanish after a run on the festival circuit, if they are even seen at all. But they are also an essential tool for honing one’s craft, and, given the bitesized format, ripe for cultivating an audience. I was impressed by the intelligence and honesty Jim Cummings displayed in his talk on the digital recession at SXSW, so I asked if he’d be interested in doing a quasi-followup for Filmmaker. Given ornana’s […]
by Jim Cummings on Mar 27, 2014“Our degrees cost us about $90,000 a piece, and in the last five years of making movies, the three of us together have made about $5,000 from our work.” That’s ornana producer Jim Cummings speaking at his Future 15s New Media talk at SXSW last Sunday. Drawing from his article series over at Ted Hope’s Truly Free Film, Cummings gave a micro-keynote on what he calls “The Digital Recession,” the supersaturation of content and what can be done to effectively combat the glut. Cummings made the common observation that nowadays, any old person is encouraged by “camera companies, film festivals, and arts […]
by Sarah Salovaara on Mar 14, 2014Though the film only debuted at SXSW last month, Ornana’s euphonia is already out in the world, with the six-man collective we selected for our 2012 “25 New Faces” opting to generously stream it for free on Vimeo. I’ve been a huge fan of the film since I saw it in rough cut last summer, and it solidified my conviction that director Danny Madden and his collaborators — wh0 had previously made the charming animated short (notes on) biology — were on to something special. To further whet you appetitite, here’s Scott’s take on the film from SXSW: A real […]
by Nick Dawson on Apr 22, 2013When the filmmaking collective Ornana (led by director Danny Madden) was chosen for Filmmaker‘s “25 New Faces” last summer, it was their charming and inventive animated short about a robot elephant, (notes on) biology, that first attracted our attention and admiration. However, it was group’s radically different follow-up project, euphonia (then still in rough cut), which assured us of Madden and co.’s genius. The 50-odd minute live-action film, which was first planned as a short, tells the tale of a high schooler (Will Madden, Danny’s younger brother) who buys a digital sound recorder and becomes increasingly fixated with capturing the sounds around […]
by Nick Dawson on Mar 8, 2013