Production
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The Microbudget Conversation : Jamie Heinrich Says, Just Do It
This column usually focuses on one subject per post that tackles one specific aspect of micro-budget filmmaking. I never wanted it to be a place where we talk about the latest gear or tips on how to get a film done; There are other awesome sites for that. However, after talking with filmmaker Jamie Heinrich, about no-budget filmmaking, he sent me the list of important things to remember below. Jamie recently completed his film I Like You, and after seeing the trailer I can’t wait to check it out. Jamie’s advice is funny, to the point, and no nonsense. I […]
by John Yost on Apr 5, 2011 -
LCD SOUNDSYSTEM LIVE FROM MADISON SQUARE GARDEN
I just figured out I can embed this… Their last NYC show. Wish I was there… but running this through my PS3 to my TV is not bad. (If you don’t see the video, click the headline above.) UPDATE: Sorry I didn’t see the show live; it was amazing. The live stream was surprisingly good, though. Here’s a clip — Arcade Fire guesting on backing vocals for “North American Scum.” SECOND UPDATE: Here’s the whole show. Thank you, LCD Soundsystem and Pitchfork.
by Scott Macaulay on Apr 2, 2011 -
SARAH PALIN DEFENDS FILM TAX INCENTIVES
In my review of 2010 in film, appearing in the Winter issue of Filmmaker soon to depart newsstands, I predicted controversy in 2011 over state film tax credit and incentive programs. That controversy has today landed on an unlikely target: Sarah Palin. First, here’s what I wrote: In December, Wall Street analyst Meredith Whitney made waves when she predicted a wave of municipal bond defaults, highlighting the perilous financial position of recession-strapped state and local governments. Indeed, independent filmmakers might find their beloved film incentive and rebate programs impacted in 2011. The seeds of this began in late 2010, with […]
by Scott Macaulay on Mar 30, 2011 -
CONDITION ONE REINVENTS WAR JOURNALISM IN LIBYA
At the end of my profile of filmmaker Danfung Dennis in our 2010 “25 New Faces” feature, I touched on what was then his next project. After completing Hell and Back Again — winner of the World Cinema Jury Prize and World Cinema Cinematography Award at the 2011 Sundance Film Festival — Dennis embarked on Condition One, which he told me “will use a network of journalists, filmmakers and servicemen to send a stream of high-quality video to millions of mobile devices.” Danfung’s new venture now has a website, a Facebook page and a proof-of-concept video that’s also 90 seconds […]
by Scott Macaulay on Mar 27, 2011 -
Fanny, Annie & Danny — A Hammer to Nail Review
(After winning multiple awards during its festival run — including the Emerging Filmmaker Award at the 2010 Starz Denver Film Festival — Fanny, Annie & Danny screens for one night only, Tuesday, March 29, 2011 (for *free*, no less!) at the reRun Theater in New York City. Visit the film’s official website to learn more.) If there’s one universal truth about families, it’s that as cozy and loving and supportive as they can be, they can also be cruel and irritating and patronizing and infuriating and maddening and fisticuffs-inducing and… that will suffice for now. That truth is ratcheted up […]
by Michael Tully on Mar 24, 2011 -
Breaking Down Ed Burns’ $9,000 Shooting Budget
While procrastinating working yesterday, I was following Ed Burns’ Twitter stream, in which he detailed the no-budget nature of his latest film, Newlyweds. With a shooting budget of $9,000, Burns worked with a three-person crew, shot on the Canon 5D (which he owns), had the actors wear their own clothes and do their own hair and make up, and worked without lights (except an occasional china ball) and sound mixer (the actors wore lavs). Tweeted Burns, “Sound is important but don’t let it slow you down. The Italian Neo-realists didn’t and they made some pretty great films…. No disrespect to […]
by Scott Macaulay on Mar 18, 2011 -
Josh Radnor, happythankyoumoreplease
Josh Radnor, the writer-director-actor of, happythankyoumoreplease, has a day job: he stars on the hit CBS sitcom, How I Met Your Mother. (Radnor plays the titular “I”— perhaps the most famous “I” in pop-culture since Withnail & I.) happythankyoumoreplease is an immensely likeable New York ensemble film about young people trying to negotiate love and responsibility, and its Audience Award win at Sundance in 2010 marks Radnor, who makes his directorial debut with the movie, as a filmmaker to watch. happythankyoumoreplease features a number of outstanding performances by actors including Malin Akerman, Tony Hale, Zoe Kazan, Kate Mara, Pablo Schreiber, […]
by James Ponsoldt on Feb 28, 2011 -
Brent Green on Gravity Was Everywhere Back Then
Brent Green is a self taught filmmaker and artist who lives and works in the Appalachian hills of Pennsylvania. His unique hand drawn and stop motion short films have played venues including the Sundance Film Festival, the L.A. Film Festival and the International Film Festival Rotterdam. He was also one of Filmmaker’s 25 New Faces in 2005. Recently he wrapped up filming his first feature-length film, Gravity Was Everywhere Back Then. Shot entirely in stop motion using human beings, the film tells the true story of Leonard and Mary Wood, two people joyously brought together but separated through forces far […]
by Webadmin on Feb 17, 2011 -
A DAUGHTER’S TALE: DEBRA GRANIK’S “WINTER’S BONE”
This piece was originally printed in the Spring 2010 issue. Winter’s Bone is nominated for Best Picture, Best Actress (Jennifer Lawrence), Best Supporting Actor (John Hawkes) and Best Adapted Screenplay (Debra Granik & Anne Rosellini). The Ozark mountain holler that is the setting for Debra Granik’s fierce and extraordinary Winter’s Bone seems carved away from much of what signifies as “contemporary America” in cinema today. The movie, which won the Grand Jury Prize at Sundance this year, dwells in a landscape that imbues it with the starkness of classic Western frontier drama. Seventeen-year-old Ree Dolly is the single-minded heroine who […]
by Scott Macaulay on Feb 14, 2011 -
The Map
Alice Munro wrote a short story once called “Deep Holes,” and it’s as fitting a title as any when one considers her body of work. Munro has made a career out of writing the same short story over and over again, but because that story is shot through with an incredible amount of depth, with endless bottoms of nuance and complexity and minor shifts and adjustments each time, it constantly amazes. Jonathan Franzen (who himself rewrote his 2001 classic novel The Corrections as the even better Freedom), reviewing Munro’s 2004 collection Runaway, nailed it: I like stories because it takes […]
by Zachary Wigon on Feb 14, 2011
