Rachel Weisz
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Costume Designer Sandy Powell on Dressing Yorgos Lanthimos’ The Favourite
The career of costume designer Sandy Powell spans more than 30 years and three Oscars (for Shakespeare in Love, The Aviator and The Young Victoria) and shows a remarkable range, from period films like the beloved Carol to the mad modern world of The Wolf of Wall Street. Her costumes for this year’s The Favourite, a fiendish vision of Stuart England directed by Greek iconoclast Yorgos Lanthimos (Dogtooth, The Lobster), represent some of the most creative work that Powell has ever done. “I knew that Yorgos would not be doing a conventional costume drama,” she says, “which was what made […]
by Farran Smith Nehme on Dec 17, 2018 -
Rachel Weisz, Jon Kamen to Receive Tributes at the 2018 IFP Gotham Awards
IFP, Filmmaker‘s publisher, announced today that Rachel Weisz and Jon Kamen will receive, respectively, the Actress Tribute and Industry Tribute at the 2018 IFP Gotham Awards, to be held November 26 at Cipriani Wall Street, New York City. From the press release: “We are thrilled to be honoring Rachel with the Actress Tribute this year. Throughout her career she has carefully chosen projects ranging from thought-provoking independent films to thrilling studio blockbusters. Rachel consistently seeks out complex roles and delivers unforgettable portrayals of spirited and intelligent characters. We look forward to celebrating her lasting contributions to the art of film,” […]
by Filmmaker Staff on Sep 14, 2018 -
TIFF 2015 Critic’s Notebook #2: High-Rise, The Lobster and Anomalisa
Toronto seemed the perfect place for Ben Wheatley’s High-Rise to have its world premiere. The J. G. Ballard adaptation stages a class-war in an ultra-modern high-rise, and the theater where it played Sunday night is only about a mile from the luxury condo developments that tower over Toronto’s waterfront, which suggest a modern Eden in shiny glass and steel but have instead exacerbated the city’s homelessness problems and real-estate bubble. Another felicitous detail to the evening: the screening was sponsored by Visa and before you could take your seat to see Wheatley’s commentary on class and capitalism, there was a […]
by Whitney Mallett on Sep 16, 2015 -
BETWEEN THE DEVIL AND “THE DEEP BLUE SEA”
Hester Collyer (Rachel Weisz) appears to have everything. The 40-ish protagonist of Terence Davies’s new film, The Deep Blue Sea, set in London in 1949-50 and adapted by Davies from Terence Rattigan’s 1952 play, she is stunning, wealthy, cultured, intelligently opinionated, and articulate. But her inability to make the distinction between love and lust proves to be her downfall. Most of us learn to know the difference. Although it might be difficult for someone in 2012 to fathom, Hester is a creature of her times. This daughter of an Anglican vicar married according to class expectations. Her husband was a […]
by Howard Feinstein on Mar 22, 2012 -
Terence Davies, The Deep Blue Sea
One of the United Kingdom’s most lauded stylists, Terence Davies has carefully crafted a body of work that fits squarely into the class-conscious, post-neorealist tradition of British cinema, working without much fanfare or regard for the exigencies of commercial filmmaking that the age and his stature would seem to demand. Now in his mid-sixties, Davies has in the last 30 years quietly established himself as one of the finest British filmmakers of his generation. He is not a cinephile and his lugubrious, sublimely photographed and insidiously hard-hearted narratives — such as 1988’s Distant Voices, Still Lives, which will screen as […]
by Brandon Harris on Mar 21, 2012 -
Rian Johnson, The Brothers Bloom
ADRIEN BRODY, RACHEL WEISZ AND MARK RUFFALO IN DIRECTOR RIAN JOHNSON’S THE BROTHERS BLOOM. COURTESY SUMMIT ENTERTAINMENT. When his first film was released in 2005, Rian Johnson became an overnight sensation; but, as is so often the case, that “overnight” success took many years of work to achieve. Johnson was born in 1973 in Silver Spring, Maryland, and grew up in Denver, Colorado, and San Clemente, California. He came from a family of film lovers and by the time he was in seventh grade he was making movies, taking his Super 8 camera with him whenever he could. When he […]
by Nick Dawson on May 15, 2009
