Robert Greene
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“How Would Frederick Wiseman Order This Procession of Images?”: Making Robert Kolodny’s The Featherweight
Robert Kolodny’s Venice-premiering The Featherweight is the dramatic story of real-life boxer Willie Pep as he exits retirement to attempt a comeback in the ring — all as he’s shadowed by a documentary crew. The film’s action occurs two decades after Pep’s 1940s heyday, with Kolodny and his team, who include producer and screenwriter Steve Loff and editor Robert Greene, convincingly replicating the look and rhythms of 1960s verite documentary to meditate on both the past as well as the boxing film’s durability in the present. Wrote The New Yorker’s Richard Brody in his review, “It’s an instant classic of […]
by Scott Macaulay on Sep 28, 2024 -
Reckonings: Margaret Brown on Her Netflix Documentary, Descendant
Filmmaker Margaret Brown’s second feature documentary, 2008’s The Order of Myths, about segregated Mardi Gras ceremonies in Mobile, Ala., is structured around a historical trauma with present-day resonance. The ancestors of Black Mardi Gras queen Stefannie Lucas were brought to Alabama on the Clotilda, the last known ship to land on U.S. shores with enslaved Africans (well after the practice had been outlawed); the white queen, Helen Meaher, was descended from the Alabama family that owned the boat. As the community and historians undertook a mission to locate the remains of the Clotilda, which they successfully found in 2019, it […]
by Filmmaker Staff on Oct 11, 2022 -
“We Found Ways to Combine Drama Therapy with Filmmaking into Something New”: Director Robert Greene on the Netflix Documentary Procession
At the root of the word “procession” is “process” — really a fitting description for any Robert Greene film. But the title of the nonfiction veteran’s latest foray into character-collaborative doc-making has other meanings. It nods specifically to the Holy Spirit’s procession and also to the dictionary definition of people moving forward, a march that includes the risk-taking filmmaker himself. Procession (which premiered at Telluride and just hit Netflix November 19) is perhaps Greene’s boldest cinematic move yet. Once again the director (and “filmmaker-in-chief” at the University of Missouri’s Murray Center for Documentary Journalism) blurs the lines between narrative and nonfiction, […]
by Lauren Wissot on Nov 22, 2021 -
Transformations in Non-fiction Filmmaking: The SCAD Savannah Film Festival presents the 8th Annual Docs to Watch Roundtable
This year’s SCAD Savannah Film Festival – the “largest university-run film festival in the world,” which ran from October 23-30 – was a conveniently hybrid event that also marked my own return to the in-person festival circuit. Admittedly, as someone residing in a blue state with a strict mask mandate in place, traveling to the Deep South was a somewhat disorienting experience. And a stark reminder that the U.S.’s politicization of a global pandemic really is a war within – and specifically within the states themselves. On the one hand, Georgia’s Republican Governor Kemp issued an executive order back in […]
by Lauren Wissot on Nov 4, 2021 -
Trailer Watch: Robert Greene’s Procession
In films like Actress, Kate Plays Christine and Bisbee ’17, filmmaker Robert Greene has explored the interstices between documentary and fiction storytelling, particularly how the latter’s dramatic strategies can shape issues around self-knowledge and historical memory found within the former. In his latest, Procession, which had its premiere at the Telluride Film Festival, this exploration is undertaken with the most direct and wrenching of intents as it involves the work of a group of men using drama therapy and role play to confront memories of their childhood abuse. In reporting from the Camden International Film Festival, Pamela Cohn wrote in […]
by Scott Macaulay on Oct 26, 2021 -
Critic’s Notebook: The 2021 Camden International Film Festival
Nothing quite conjures good storytelling like a campfire (and maybe a bottle of whiskey to pass around). This knowledge is not lost on the Camden International Film Festival. Among its many strengths, which have carried the autumnal non-fiction showcase into its 17th year, is its homegrown conviviality and collegial informality. The vibe of “just a bunch of doc people sittin’ around talkin’” survives even a second year of pandemic-necessitated precautions and mixed “real life” and virtual screenings. At the end of Penny Lane’s stimulating and slyly hilarious Listening to Kenny G., the online screening of the movie segues into just […]
by Steve Dollar on Oct 14, 2021 -
Rubbing Shoulders with Beauty: After a Pandemic Year, Acts of Looking at the Camden International Film Festival
In La panthère des neiges/The Velvet Queen, a feature directed by Marie Amiguet based on an idea by renowned wildlife photographer Vincent Munier, French writer and traveler Sylvain Tesson accompanies Munier to the Sanjiangyuan nature reserve on the Tibetan plateau, hoping for a glimpse of the elusive snow leopard. “Not everything is made for the human eye,” Tesson says at one point, a sentiment that is both a lesson in filmic observation—searching for the unseen in order to record it—as well as a commentary on the responsibilities inherent in that act. In the beginning of his expedition with Munier, Tesson […]
by Pamela Cohn on Oct 11, 2021 -
The Sound of a Panic Attack: Composer Keegan DeWitt on Her Smell
What does self-destruction sound like? In Her Smell, the sixth film from Alex Ross Perry, it takes many forms: a nasty laugh, a frenetic synth loop, a warble of radio static. The sounds come hard and relentless. A raw sound wave, warped to mimic the syncopations of a demented drum machine, serves as its palpitating heartbeat. For reasons I can’t fully explain, it’s a sound that induces instant anxiety. Her Smell sounds, and unfolds, like a panic attack. The urge to self-destruct hounds its central character, Becky Something (Elisabeth Moss), just as music dogs viewers for most of its 134 […]
by Soheil Rezayazdi on Apr 9, 2019 -
Grasshopper Film Acquires Robert Greene’s Bisbee ’17
Grasshopper Film announced today the acquisition of US distribution rights to Bisbee ‘17, the latest documentary from filmmaker Robert Greene. Following its theatrical release, Bisbee ‘17 will be released on Blu-ray, DVD, and streaming platforms this spring, as well as on the non-theatrical market. From the press release: Bisbee ‘17 follows several members of a close-knit community as they attempt to reckon with their town’s darkest hour. In 1917, nearly two-thousand immigrant miners, on strike for better wages and safer working conditions, were violently rounded up by their armed neighbors, herded onto cattle cars, shipped to the middle of the New Mexican desert, and […]
by Filmmaker Staff on Jan 18, 2019 -
Pre-Course Work
With most incoming film students being required to make shorts during their undergraduate or graduate studies, what exemplars of the form should they look to for inspiration? Filmmaker asked a number of friends—all filmmakers—who teach filmmaking at a cross-section of institutions to list the short films they think all incoming students should check out and be inspired by. Howard A. Rodman, professor, USC School of Cinematic Arts: I consistently recommend to my students—whose films often lead with cinematography, visual effects and sound mix—that they see Andrea Arnold’s Academy Award–winning 2003 short film Wasp. Adequate direct sound, wobbly cam, minimalist VFX, yet […]
by Filmmaker Staff on Jun 11, 2018
