Saturday Night Live
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Adam Epstein Talks Editing for SNL and “The Cutting Edge” Workshop
Adam Epstein is a freelance editor. For the last five years, he’s worked with the Saturday Night Live film unit, editing parody pieces of all kinds. He’s just begun a nationwide workshop tour with “The Cutting Edge Post-Production Tour,” a day-long seminar covering techniques, theories and editing insights. We recently spoke to Epstein about editing, working on SNL and the workshop tour. Filmmaker: How did you become an editor? Epstein: In my experience, it’s never a direct path. I started out in school, working on a student-run sketch comedy show, and we were able to get our hands on some of the […]
by Michael Murie on Jul 30, 2014 -
“It’ll Never Make a Movie:” Animal House at 35
“No one wants to make this movie.” That’s what studio chief Ned Tanen told John Landis in the mid-70s about this vulgar frat house comedy called Animal House. Thursday night, Landis was reminiscing at the movie’s 35th anniversary at Toronto’s TIFF Bell Lightbox with producers Ivan Reitman and Matty Simmons, plus co-stars Stephen Furst (Dorfman) and Martha Smith (Babs). Based on stories that ran in The National Lampoon magazine, Animal House pits a dysfunctional fraternity against an uptight university administration. Made for $2.7 million in 1978, Animal House was a box-office smash that made a star of John Belushi and […]
by Allan Tong on Jul 22, 2013 -
4K is Coming, Ready or Not
When 3D TVs were the rage, I was convinced it was just a cynical push by the electronics manufacturers to sell TVs and nothing else. To me, 3D was a fad that would be used for a few things, but was unlikely to become mainstream. I’d seen the future before; I saw Jaws 3D when it was first released. So when the manufacturers started talking up 4K cameras, with promises of 4K TV sets, I was convinced that this too was a push to sell new TV sets that wouldn’t amount to much. Sure filmmakers with a big budget will […]
by Michael Murie on Nov 28, 2012 -
Alex Buono on Cinematography
Alex Buono, the cinematographer for the Saturday Night Live film unit, recently spoke at an event in Boston. (See: Alex Buono: Shooting for Saturday Night Live.) In addition to discussing his work on Saturday Night Live, he also talked about gear, technology, and his philosophy of shooting. Part of the reason Alex gave the presentation was to demonstrate and talk about the Canon C300, but he was careful to stress, as Roger Deakins said, “Cinematography is more than a camera,” or as Alex put it: “Filmmaking is not a science project.” Here are some of the topics he touched on: […]
by Michael Murie on Aug 17, 2012 -
Alex Buono: Shooting for Saturday Night Live
Alex Buono is perhaps best known for his work with the Saturday Night Live Film Unit. He shot the current opening for SNL, as well as many of the fake commercials seen on the show, but his passion is documentary and making independent films. “I’m always trying to get the next one off the ground,” says Buono, “and SNL, as much as I like it, it’s a lot of fun and I really like who I’m working with, [but] it’s this great day job I do while I’m trying to get a movie [going].” Most recently, Alex worked on the […]
by Michael Murie on Aug 16, 2012 -
“THESE AMAZING SHADOWS” | directors, Kurt Norton & Paul Marian
[PREMIERE SCREENING: Saturday, Jan. 22, 3:00 pm — Redstone Cinemas 8] We were really surprised by the extraordinarily wacky and absurdist humor of early filmmakers. Our documentary, These Amazing Shadows, focuses on the National Film Registry, so naturally we immersed ourselves in the incredible diversity of the 550 films on the list (Hollywood classics, avant-garde, documentaries, animation, home movies, silents and more). What quickly jumped out was that Monty Python, Saturday Night Live and Seinfeld have nothing on early filmmakers. Let’s just take two silent films as examples (I know some of you are thinking, “Silent films are boring!” but come […]
by Filmmaker Staff on Jan 22, 2011
