Sean Baker
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Childhood After Dark: Shih-Ching Tsou on Left-Handed Girl
Taipei first appears in Shih-Ching Tsou’s Left-Handed Girl glimpsed indistinctly through a little girl’s kaleidoscope. A vivid, swirling combination of colors and shapes, it’s a fittingly vibrant entrance for Taiwan’s capital, a cultural center that Tsou—making her solo directorial debut more than 20 years after co-writing/-directing 2004’s Take Out with Sean Baker—captures as a layered panorama of neon-lit alleyways and crowded streets. Following a single mother and two daughters who return after several years in the countryside to carve out a new life for themselves in the big city, the film has been described by Tsou as a “neo-melodramatic tapestry,” […]
by Isaac Feldberg on Sep 17, 2025 -
Anora, Didi and Baby Reindeer Are Multiple 2025 Film Independent Spirit Award Winners
Sean Baker’s Anora was the big winner at the 2025 Film Independent Spirit Awards, held yesterday at California’s Santa Monica beach. The film, about a stripper’s ill-fated marriage to a Russian oligarch’s son, picked up prizes for Best Film, Best Director and, for Mikey Madison’s lead performance, Best Lead Performance. Other films and TV shows picking up multiple wins were A Real Pain (Best Screenplay and Best Supporting Performance), Didi (Best First Feature and Best First Screenplay) and Baby Reindeer (Best Breakthrough Performance in a New Scripted Series, Best Lead Performance in a New Scripted Series, Best Ensemble Cast in […]
by Scott Macaulay on Feb 23, 2025 -
DP Drew Daniels on “Anora”
In Anora, a stripper (Mikey Madison) at a Manhattan club marries the irresponsible 21-year-old son of a Russian oligarch after a whirlwind romance, only for his family to quickly attempt to get the union annulled. In an ode to the “Russian-ness” of the story, cinematographer Drew Daniels paired 35mm film with the flavorful Soviet-era Lomo anamorphic lenses. For further inspiration, Daniels and writer/director Sean Baker turned to the New York City movies of the 1970s. “Some of my favorite films are New York films. The city gives you such a unique canvas,” said Daniels. “I feel like every cinematographer has […]
by Matt Mulcahey on Jan 9, 2025 -
“There’s Only One Life, and I Believe in Tarantino’s Idea of a Strong, Solid Filmography”: Sean Baker on His Oscar-Winning Anora
With Sean Baker’s Anora winning five Oscars (Best Picture, Best Director, Best Editing, Best Original Editing and Best Actress) last night at the 2025 Academy Awards, we’re reposting our Fall, 2024 cover story interview with Baker. “Tonight, this could be the greatest night of our lives/let’s make a new start/The future is ours to find.” The lyrics of Take That’s 2008 hit “Greatest Day” burst from the soundtrack at the start of Sean Baker’s exhilarating, Palme d’Or–winning eighth feature, Anora. Drew Daniels’ camera tracks across a row of strippers and customers at a Manhattan club before cutting to handheld shots […]
by Scott Macaulay on Sep 18, 2024 -
Cannes 2024: Awards, Anora, Emilia Pérez, The Substance, The Seed of the Sacred Fig
In my awards-wrap piece for last year’s Cannes, I complimented jury president Ruben Östlund and his deliberators on a deliberation well done. They chose to award mostly the films Vadim Rizov and I had already covered in prior dispatches, granting me the freedom to go longer on my thoughts about The State of the Festival, as well as highlights from the Quinzaine des cinéastes sidebar (a.k.a. The Directors’ Fortnight), which had just finished unveiling new artistic director Julien Rejl’s inaugural edition. No such luck this year—not because Greta Gerwig gave ungreat prizes (au contraire, her jury’s picks were about as […]
by Blake Williams on May 30, 2024 -
Watch: Sean Baker’s Palme d’Or Acceptance Speech for Anora
American independent filmmaker Sean Baker was, for us at Filmmaker, the thrilling winner of the 2024 Cannes Film Festival Palme d’Or for his forthcoming NEON release, Anora, a comedy about a sex worker, played by Mickey Madison, and her relationship with a Russian oligarch’s son. “This literally has been my singular goal as a filmmaker for the past 30 years,” Baker said on accepting the award from the Greta Gerwig-led jury, “so I’m not really sure what I’m going to do with the rest of my life. But I do know that I will continue to fight for cinema because right […]
by Scott Macaulay on May 26, 2024 -
Trailer Watch: Sean Baker and Shih-Ching Tsou’s Take Out
Sean Baker’s debut feature was 2000’s Four Letter Words, but it was his second (following his work on TV’s Greg the Bunny), Take Out, directed with Shih-Ching Tsou, that is the most clear antecedent to the neorealist-inflected work he practices today. When I interviewed Baker in 2012 about his Starlet, we began with his origin story, which included this section on Take Out: I was a bit discouraged. I was seeing these filmmakers I’d gone to school with — Todd Phillips, Marc Forster — start to make waves. Their careers were taking off. I wanted to get back to my […]
by Scott Macaulay on Oct 31, 2022 -
23 Days, Ten Crew Members, Two Lenses and One Joker: DP Drew Daniels on Red Rocket
“I really love to embrace limitations,” says cinematographer Drew Daniels. “I try to limit some of my choices on any film I do.” With Red Rocket, the opportunities to welcome constraints were plentiful. The latest from Tangerine and The Florida Project filmmaker Sean Baker, Red Rocket was shot in 23 days entirely on practical Texas locations with a supporting cast largely populated by local first-time actors. The crew boasted 10 members, including producers doing double duty as assistant directors or costume designers. The grip/electric department was a literal one man band, armed with Digital Sputniks, a few Astera tubes and […]
by Matt Mulcahey on Mar 15, 2022 -
Red Rocket, The Bad News Bears in Basic Training and Claude Chabrol: Jim Hemphill’s Home Video Recommendations
My first recommendations this week are two Blu-rays that are worth picking up not just because they’re terrific movies, but because they come with superb audio commentaries packed with useful information. They’re both comedies, though the first, Sean Baker’s Red Rocket, leaves a bit of a rough aftertaste thanks to the sly way in which Simon Rex’s revelatory performance sneaks up on the viewer. His recent Independent Spirit Award win was well-deserved, as I can’t think of many actors who could have so skillfully walked the line between playfulness and predation; as fading porn star Mikey, Rex beautifully projects an […]
by Jim Hemphill on Mar 11, 2022 -
“Embracing the Male Gaze”: Sean Baker on Red Rocket
Red Rocket throws a curveball to viewers who think they know what to expect from a Sean Baker movie. There are surface commonalities connecting it to his previous works—docu-realistic stylings, detailed worldbuilding and the centering of marginalized communities. Yet, unlike his last three pictures Starlet, The Florida Project and Tangerine—which marinated in the humanity of, respectively, a young female porn star, transgender sex workers and a family living with invisible homelessness—the man under the magnifying-glass this time is an increasingly disturbing presence. Washed-up adult movie star Mikey Saber (played with real verve by Simon Rex) is selfish to the point of […]
by Sophie Monks Kaufman on Dec 9, 2021
