While the line “I want to believe” is most associated with The X-Files, today’s onslaught of conspiracy theorists and ravenous fact-deniers change that mantra to the more desperate “I need to believe.” After all, who needs objectivity or visual proof to confirm a preconceived notion that we wish to be true when some dude on Reddit can easily prove it for you? With a flare for endless questioning, tinfoil hat conspiracies and alternative views of history, Justin Benson and Aaron Moorhead’s two-hander, the 2022 Sundance Film Festival NEXT selection Something in the Dirt, burrows in and digs deep. Here the […]
by Erik Luers on Nov 9, 2022After premiering at Sundance earlier this year, Justin Benson and Aaron Moorhead‘s Something in the Dirt now has a trailer ahead of its theatrical release. It’s the fifth feature from the filmmaking duo, who previously helmed Resolution (2012), Spring (2014), The Endless (2017) and Synchronic (2019). Like much of their filmography, Something in the Dirt features a strong sci-fi slant, this time focusing on a man named Levi (Benson) who moves into a shady no-lease apartment in the Hollywood Hills. He quickly befriends his neighbor John (Moorhead), and the two begin investigating a seemingly paranormal presence that has manifested in […]
by Filmmaker Staff on Oct 17, 2022Something in the Dirt is the fifth feature by Justin Benson and Aaron Moorhead, indie multi-hyphenates who directed, wrote, shot, co-edited, and produced the story about a pair of fast friends who attempt to turn an encounter with the supernatural into fast money. Co-editor Michael Felker discusses how the film’s form enabled him to take risks and creatively approach the editing process. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Felker: I’ve been the editor for Benson and Moorhead’s […]
by Filmmaker Staff on Jan 23, 2022Something in the Dirt is the fifth film that Justin Benson and Aaron Moorhead have directed together, but this one is paradoxically the most ambitious and the most intimate. Shot during the COVID pandemic, it by necessity made almost entirely by Benson and Moorhead, as well as their producer, David Lawson, and a production designer, Ariel Vida. Below, Moorhead discusses how they incorporated the isolation mandated by COVID into the film and disguised the conditions of the shoot with a bit of movie magic. Filmmaker: How and why did you wind up being the cinematographer of your film? What were […]
by Filmmaker Staff on Jan 23, 2022The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? From a purely creative standpoint, it seems the last couple of years have rapidly changed how we receive and interpret genre film ideas as an audience, […]
by Filmmaker Staff on Jan 23, 2022