When Steven Soderbergh was 13 years old, his father enrolled him in an animation class taught by Louisiana State University students. Soderbergh could draw but quickly became bored with the tedious process of bringing those drawings to life. Instead, he pulled the film camera off the copy stand and began shooting whatever he pleased. From the very beginning, Soderbergh had no interest in doing things as prescribed. Whether alternating between the commercial and the experimental, challenging traditional release conventions or embracing new technologies in a quest to expedite the filmmaking process, Soderbergh has spent his career upending the status quo. […]
by Matt Mulcahey on Mar 18, 2025Updating the themes of The Conversation and Blow Out for the pandemic era, 2022’s Kimi, Steven Soderbergh’s thriller about the panoptic world of voice assistants, marked the director’s first realized collaboration with veteran screenwriter David Koepp, whose filmography is noteworthy for his many scripts written for legendary auteur directors, including Brian DePalma (Carlito’s Way, Snake Eyes, Mission Impossible), Steven Spielberg (Jurassic Park, The Paper), and David Fincher (Panic Room). And that’s in addition to his direction of his own scripts, including Stir of Echoes and Ghost Town. Now, with another fleet, multi-layered thriller, Presence, Koepp continues his collaboration with Soderbergh, […]
byWhen you look at the illustrious career of Clive Owen, you see choices made based on the depth of the roles (Closer, Children of Men, Hemingway and Gellhorn, The Knick), not on trajectory or star power. His two latest projects, Monsieur Spade and A Murder At The End of The World, are quality television series where he’s able to settle in and deliver the grounded, nuanced work we’ve come to expect from him. On this episode, he explains why he needs time to prepare a role, and the “marination” process that is required. He talks about the qualities found in […]
by Peter Rinaldi on Jun 11, 2024An experiment in shooting a movie entirely from a first-person POV, Steven Soderbergh’s Presence has conceptual precedents but no meaningful ones in terms of the camera’s weight and the operator’s resulting physical relationship to it. 1947’s Lady in the Lake tried nonstop subjectivity with a bulky 35mm camera; 2009’s Enter the Void eliminated the embodied camera in its second half of weightless drifting. More recently there’s Hardcore Henry, which strapped GoPros to its protagonist’s head for a bouncy embodiment of a stuntman’s hardest workday. In Presence, Soderbergh’s longtime practice of acting as his own cinematographer and operator takes on an […]
by Vadim Rizov on Jan 21, 2024“Unfortunately, because aging is so common and natural, we tend to think of it as destiny or something we should accept,” says biologist and researcher David Sinclair. And while the scientist’s work on aging and epigenetics is tied to discoveries in biology from the mid-20th century onwards, within the arts the theme of immortality goes back centuries. Filmmaker Eddie Alcazar, who appeared on our 25 New Faces list in 2011, is the latest to tackle man’s search for eternal life, doing so at a time when interest in longevity and even avoidance of death is contemplated by tech community thinkers […]
by Scott Macaulay on Oct 17, 2023Although his new miniseries Full Circle just premiered on Max, Steven Soderbergh has announced today that another episodic project—which he allegedly made between Magic Mike’s Last Dance and Full Circle—will be ready to watch by next week. Command Z, an eight episode sci-fi project that’s roughly 90 minutes overall, will launch on Soderbergh’s website, Extension 765, this Monday, July 17. As of right now, a trailer for Command Z is available to watch on the site. Command Z takes place sometime in the distant future and revolves around a mission that a lead scientist (Michael Cera, appearing only via screen) […]
by Natalia Keogan on Jul 14, 2023If every film is a document of its own making, then Lodge Kerrigan’s Keane, shot in real locations in and around New York City in 2004, is also a depiction of the period in which it was made. Viewing the film on the occasion of a new digital restoration by Grasshopper Film that begins a theatrical run at Film at Lincoln Center today, I was struck by the numerous billboards and posters placed atop taxi cabs that the film’s lead character, William Keane (Damian Lewis), obliviously walks by. Short of pointing at the screen, Leonardo DiCaprio-style, as I noticed a […]
by Erik Luers on Aug 19, 2022Want 87 minutes of something bright and beautiful with a cool kind of “hotness?” Try Kimi, a minimalist thriller in which Steven Soderbergh’s camera and an electric-blue-haired Zoe Kravitz move in sync like two rare birds in flight. Kravitz plays Angela Childs, a data stream analyst for a company behind “KIMI”, a more responsive version of the ALEXA smart audio device, that’s about to go public. The movie opens with a sleazy-looking guy doing a Zoom presser from his kitchen (COVID remote rules, a sketchy company or both?) explaining that KIMI is better than other devices because its communication skills are […]
by Amy Taubin on Feb 9, 2022The first rule of documentary film? “Lie to everyone.” This from no less an authority (and anti-authority) than Christine Choy, the Oscar-nominated filmmaker (Who Killed Vincent Chin?) and educator (NYU, Cornell, Yale, etc.), founding director of Third World Newsreel, and straight-shooting (no pun intended) civil rights rabble-rouser. (Once during the US Film and Video Festival – soon to be rebranded Sundance – Choy even pulled Robert Redford aside to bluntly ask what was up with all the white people and white snow.) And now she is the cigarette-puffing central character in Violet Columbus and Ben Klein’s The Exiles, which executive produced […]
by Lauren Wissot on Jan 21, 2022