The opening night movie of the Los Angeles Film Festival — Woody Allen’s To Rome with Love — was announced three weeks ago (along with screenings of Sundance winners Middle of Nowhere and Beasts of the Southern Wild), but today the rest of the line-up was unveiled, with the headline news being that Steven Soderbergh’s male stripper romp, Magic Mike, starring Channing Tatum and Matthew McConaughey, will close out the June fest. In the narrative competition, there are notable entries from Cory McAbee (The American Astronaut), Jared Moshé (a familiar name as a producer, making his first film as director), […]

For many supposedly serious cinema folk, there is no secret pleasure more pleasurable than the disaster film. What makes the genre so familiar – predictable plotlines, one-dimensional characters and an ever-present threat that only kills the people who deserve it – is also what makes it so damn fun. In the late ’90s, people cheered when the alien spaceship blew up American monuments. A full decade after September 11th, it’s still hard to imagine that happening now. During the past decade, disaster films have become more serious, less The Towering Inferno and more District 9, but it is only in the […]

Steven Soderbergh has dubbed Contagion his “Irwin Allen movie,” but if his pandemic thriller shares something with the films of that great creator of ‘70s melodramatic spectacle, it has more to do with financing and star power than emotional content. In Allen’s films, Hollywood A-/B+ royalty were introduced in varying stages of personal turmoil — crises that earthquakes, burning buildings or capsized ocean liners resolved in assorted manners (including that ultimate resolution, death). Despite their carnage, Allen’s films were humanist at their core. Appropriately for our de-humanized, digital age, Soderbergh’s coolly professional film deploys real movie stars — you won’t […]

In an interview with the L.A. Times, Matt Damon, currently shooting Contagion with Steven Soderbergh, says the director is seriously considering retiring from the film business within a couple of years. For anyone who watched the director’s world-weary interview in the extras to the Criterion Che set, this might not come as a surprise. Around the same time, he told Esquire that he wanted to retire by 51. In the L.A. Times piece, Damon elaborates on Soderbergh’s thinking with quotes that also provide a nice corrective to the indie-film bromide that “it’s all about the story.” For many of our […]

How did I miss this article that came out in 2007? Conor Friedersdorf, filling in for Andrew Sullivan at his blog, linked to an old Vanity Fair article today as an example of “Slow” (i.e. long) journalism he especially likes. I read the piece over dinner. Normally when I read an article that I think will be of interest to Filmmaker readers, I’ll offer a quick summary and then excerpt a couple of particularly interesting paragraphs that capture the flavor of the piece. When it comes to “Pat Dollard’s War on Hollywood,” by Evan Wright in the March, 2007 Vanity […]

Yesterday on the blog we asked what films inspired young viewers (in their 20s or below) to identify with the independent film movement. Here are responses from filmmaker, critic and Filmmaker Contributing Editor Brandon Harris. Short Cuts (1993) – Saw it on cable TV sometime in 1994. I was too young to understand its significance at the time, but I believe it was the first American Independent film I ever saw. The fact that I watched it all at that age probably explains alot about me. Clerks (1994) & Chasing Amy (1997) – Saw both of these during winter break, […]

A powerful statement from U.S. directors calling for the release of director Jafar Panahi from prison in Iran has been issued. I’ll let the petition speak for itself, but kudos to the organizers for taking action and assembling this illustrious group. New York, NY (April 30, 2010) – Jafar Panahi, an internationally acclaimed Iranian director of such award-winning films as The White Balloon, The Circle, Crimson Gold and Offside, was arrested at his home on March 1st and has been held since in Tehran’s notorious Evin prison. A number of filmmaking luminaries have come to Mr. Panahi’s defense and “condemn […]

Now in its 13th year, the documentary-only Full Frame Film Festival (April 8-11) takes place in my hometown of Durham, North Carolina. The city of Durham is historically a tobacco town, moving slowly but steadily towards an uncertain future: while its tobacco warehouses are being converted to swank lofts, downtown office space is readily available with a seemingly high vacancy rate. The festival is very much a cultural cornerstone for the city, and as a result Full Frame means a lot to Durham. As of late, however, Durham also means a lot to Full Frame: while in previous years the […]

Even big time festivals goof up sometimes, Steven Soderbergh has finished his documentary on Spalding Gray and buzz builds for Tom Ford’s A Single Man.

Jamie Stuart continues his series of shorts from the 46th New York Film Festival with an appearance from Steven Soderbergh and a chance encounter with a woman in distress… or is she? Approximate running time: 6:02. Download the short here by right clicking and choosing Save Target or Save Link. (35M) Please visit Jamie’s site at www.mutinycompany.com. To see all the videos in this series please go to https://filmmakermagazine.com/nyff46.php.