How did I miss this article that came out in 2007? Conor Friedersdorf, filling in for Andrew Sullivan at his blog, linked to an old Vanity Fair article today as an example of “Slow” (i.e. long) journalism he especially likes. I read the piece over dinner. Normally when I read an article that I think will be of interest to Filmmaker readers, I’ll offer a quick summary and then excerpt a couple of particularly interesting paragraphs that capture the flavor of the piece. When it comes to “Pat Dollard’s War on Hollywood,” by Evan Wright in the March, 2007 Vanity […]

Yesterday on the blog we asked what films inspired young viewers (in their 20s or below) to identify with the independent film movement. Here are responses from filmmaker, critic and Filmmaker Contributing Editor Brandon Harris. Short Cuts (1993) – Saw it on cable TV sometime in 1994. I was too young to understand its significance at the time, but I believe it was the first American Independent film I ever saw. The fact that I watched it all at that age probably explains alot about me. Clerks (1994) & Chasing Amy (1997) – Saw both of these during winter break, […]

A powerful statement from U.S. directors calling for the release of director Jafar Panahi from prison in Iran has been issued. I’ll let the petition speak for itself, but kudos to the organizers for taking action and assembling this illustrious group. New York, NY (April 30, 2010) – Jafar Panahi, an internationally acclaimed Iranian director of such award-winning films as The White Balloon, The Circle, Crimson Gold and Offside, was arrested at his home on March 1st and has been held since in Tehran’s notorious Evin prison. A number of filmmaking luminaries have come to Mr. Panahi’s defense and “condemn […]

Now in its 13th year, the documentary-only Full Frame Film Festival (April 8-11) takes place in my hometown of Durham, North Carolina. The city of Durham is historically a tobacco town, moving slowly but steadily towards an uncertain future: while its tobacco warehouses are being converted to swank lofts, downtown office space is readily available with a seemingly high vacancy rate. The festival is very much a cultural cornerstone for the city, and as a result Full Frame means a lot to Durham. As of late, however, Durham also means a lot to Full Frame: while in previous years the […]

Even big time festivals goof up sometimes, Steven Soderbergh has finished his documentary on Spalding Gray and buzz builds for Tom Ford’s A Single Man.

Jamie Stuart continues his series of shorts from the 46th New York Film Festival with an appearance from Steven Soderbergh and a chance encounter with a woman in distress… or is she? Approximate running time: 6:02. Download the short here by right clicking and choosing Save Target or Save Link. (35M) Please visit Jamie’s site at www.mutinycompany.com. To see all the videos in this series please go to http://filmmakermagazine.com/nyff46.php.

I know as a blogger I’m supposed to ferret out obscure links from publications you’ve never heard of. But here I go again — two links in a row from the New York Times. Still, if you’re a producer you’ll be interested in this sobering piece about Steven Soderbergh and George Clooney’s Section 8, proving that the producing biz is a tough one even if you’re an Oscar-winning director and matinee-idol movie star. An excerpt: “[Says Soderbergh,] ‘I think you could make an argument that it is not important to have too much taste as a producer if you are […]

Years ago, before I worked in film, I was a curator and programmer at The Kitchen, New York’s center for contemporary performance and video. In my first year there, the organization produced a one-off TV special entitled “Two Moon July,” and in it David Byrne performed a work of solo performance art that involved the Talking Head running in giant circles through The Kitchen’s Soho loft space, chanting out the names of future movies culled from the AFM issue of Variety. It might sound a bit slim, but it was a nice piece — there is something oddly poignant and […]