Stranger Things
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“They Referred to a Letter They’d Gotten from Spielberg”: DP Caleb Heymann on Stranger Things‘s Season 4
In the penultimate season of Stranger Things, the characters find themselves scattered beyond the small town confines of Hawkins, Indiana for the first time, spread out to different, countries and cliques. Winds of change swept into the camera department as well. After three seasons of Red cameras and Leica lenses, the latest batch of episodes employed the Alexa LF paired with rehoused vintage 1960s glass. The cinematographers wielding those tools have changed too. With original series cinematographer Tim Ives not returning, Caleb Heymann shot seven of the nine episodes, sharing the season’s work with Brett Jutkiewicz (Scream and the upcoming […]
by Matt Mulcahey on Jun 9, 2022 -
Show Us the Money
For anyone who follows the TV business, the end of HBO’s Game of Thrones this year has raised all kinds of big, potentially era-defining questions. Will Thrones be the last series that tens of millions of people around the world watch together each week? Can HBO find another zeitgeist-y hit that fans flock to social media to discuss? Will the network have to make major changes if it doesn’t? And, perhaps most important: Will anyone again ever make another show that looks so staggeringly expensive? We don’t talk about television enough in terms of money: not just which shows and […]
by Noel Murray on Jun 19, 2019 -
An Invitation to Continue Watching
The fine folks at Filmmaker recently invited me to launch a new biweekly column. I’ve been a fan of Filmmaker forever, not to mention a sporadic contributor and employee over the years. Heck, back in my “just barely not an intern” days, I worked in the Filmmaker office mailing out replacement copies of the magazine to people who wrote in complaining that their subscriptions never arrived. At one point I could actually tell you how much each of the last eight issues cost in postage. But I digress… A regular column! I was honored, and the timing couldn’t have been […]
by Jane Schoenbrun on Aug 3, 2016 -
Watch: ’70s and ’80s Films Referenced in Stranger Things
A surprise critical hit for Netflix, the twisty sci-fi/horror/thriller/etc. series Stranger Things has also gained a great deal of attention for its knowing, deliberate references to classics of ’70s and ’80s genre films. Ulysse Thevenon has put together this split-screen video essay, with Stranger Things on the left and its reference point on the right. For another thorough overview in written form, check out Scott Tobias at Vulture.
by Filmmaker Staff on Jul 26, 2016 -
Ron Eyal and Eleanor Burke on Stranger Things
Ron Eyal and Eleanor Burke’s elegant and evocative Stranger Things, which won Slamdance’s Narrative Competition Grand Jury Prize in 2011 is a moody and clear-eyed drama from a pair of our 25 New Faces in Independent Film, as tranquil and refreshing as an autumn afternoon along the rural British coast, where much of its story is set. A young, lonely woman named Oona (Bridget Collins), coping with the recent death of her mother (with whom she was clearly not close) and hoping to sell the house the deceased woman spent her last years making art in, returns to the home’s seaside village to […]
by Brandon Harris on Apr 5, 2013 -
SEE YOU YESTERDAY: MORE IFW SNAPSHOTS
We’re halfway through Independent Film Week, and time has started to play tricks. Days seem to stretch on forever, but at the same time, hours go by like minutes. Today I accidentally said to someone, “I’ll see you yesterday.” Here are some more snapshots of Film Week in action: The creative forces behind IFP’s 2011 Narrative and Documentary Lab projects share the stage at the end of Tuesday night’s Lab Showcase at the Walter Reade Theater. Writer/Director Gillian Robespierre discusses her screenplay Obvious Child with the Sundance Institute’s Rachel Chanoff. Writer/Director Harrison Witt (Sister Sarah) helps actor […]
by Jane Schoenbrun on Sep 21, 2011 -
PARK CITY CRITIC’S NOTEBOOK #3: GEMS FROM THE OTHER FESTIVAL
While introducing a screening one afternoon this week in the Treasure Mountain Inn’s cramped banquet hall that the Slamdance Film Festival converts into its main cinema every year, Slamdance Co-Founder and expert hat-wearer Dan Mirvish remarked with a bit of awe that this was the 17th annual event, meaning that Slamdance, once referred to pejoratively as Sundance’s “parasite” by Robert Redford, had now been around for over half Sundance’s life span. Continuing, Mirvish claimed that “about a third” of the participants in Sundance’s 2011 lineup were Slamdance alumni. “The inmates have taken over the asylum,” Mirvish joked. Someone sitting behind me […]
by Brandon Harris on Jan 28, 2011 -
“STRANGER THINGS,” “MARWENCOL” WIN WOODSTOCK
I was very excited to see the list of Woodstock Film Festival winners over at Indiewire. Two Filmmaker favorites picked up the top prizes. You’ve read about Jeff Malmberg’s Marwencol on the site before (see Alicia Van Couvering’s blockquote interview with the director here), and if your memory is good you’ll remember that I picked Stranger Things directors Eleanor Burke and Ron Eyal for our 2009 “25 New Faces” after seeing the rough cut of this very same feature. I think this is a beautiful, delicate, and extremely well directed and acted film, and I’m really happy that it’s now […]
by Scott Macaulay on Oct 2, 2010
