Azazel Jacobs’ profile has grown steadily since he made his striking, black-and-white debut feature, Nobody Needs to Know, in 2003. He followed it in 2005 with the delightfully quirky and inventive The GoodTimesKid, a film which found a devoted audience on the film festival circuit and was eventually released theatrically in 2007. Jacobs’ third feature, Momma’s Man, a poignant tale of adult regression into childhood, had its world premiere at Sundance. It became one of the hits of the 2008 festival, and played in theaters later that year to universal acclaim. Jacobs, the son of experimental filmmaker Ken Jacobs, grew […]
by Nick Dawson on Jan 18, 2011No political season is complete without politicians taking up the case of tort reform. Greedy litigants are blamed for everything from clogging up our justice system to running up our medical bills as tort reform advocates take advantage of the fact that everyone hates a lawyer until they need one. With so much misinformation out there, what’s a lawyer to do? Well, if you’re Susan Saladoff, longtime lawyer, first-time filmmaker, you pick up a camera. Using the infamous “McDonald’s coffee case” as her prime example, her debut feature, Hot Coffee, investigates how and why corporations spend millions of dollars drumming […]
by Mary Anderson Casavant on Jan 18, 2011[PREMIERE SCREENING: Thursday, Jan. 20, 6:30 pm — Egyptian Theatre] The biggest surprise for me occurred during preproduction. There was a scene in the screenplay where the three villains rendezvous at an amusement park and discuss the day’s events while waiting to ride on a rollercoaster. The scene with the screwball nature of the film was set in an actual amusement park in a seaside town in County Galway, Ireland, our location for the shoot. However little did I know that when the rollercoaster is out of use (during the non-summer months) it is packed up and shipped off to […]
by Filmmaker Staff on Jan 18, 2011[PREMIERE SCREENING: Thursday, Jan. 20, 9:30 pm — Egyptian Theatre] When you embark on any historical documentary or film about events that have already run their course, the biggest prize you’re after is visual images and archive [materials] showing elements of your story. On Project Nim, which is the life story of a chimpanzee who was brought up like a human child, we knew from various contributors that there was going to be sufficient archive of the chimp to embark on the film but we didn’t know the extent of it. Often the biggest surprise on a film project is […]
by Filmmaker Staff on Jan 18, 2011For the independent film industry, January isn’t just the start of a New Year, it’s also exam season. At this very moment, documentary filmmakers around the world are in edit rooms deep into the night, hoping to ace the Sundance finals. The reward for those late night cram sessions is certainly worth it: the most gifted alumni of previous festival’s have been awarded the best graduation gift of all — a career as a working filmmaker. To find out more about this year’s class, I spoke to David Courier, Senior Film Programmer at the Sundance Institute. Filmmaker: I noticed a lot […]
by Mary Anderson Casavant on Jan 18, 2011[PREMIERE SCREENING: Thursday, Jan. 20, 9:30 pm — Eccles Theatre] The biggest surprise associated with making Pariah came after watching the first rough cut when we discovered that this was not a “black lesbian” movie. We had fought this BRUTAL uphill battle in funding the film with financiers and investors balking at the story because it was “too small and specific” (which is code for “too black and too gay”). After we screened the first cut, one of our early advisors went so far as to describe it as “commercial.” We didn’t know whether to slap them or celebrate. After […]
by Filmmaker Staff on Jan 18, 2011Originally printed in our Winter 2011 issue, grab a free issue of Filmmaker at Sundance to be a part of Pandemic 1.o. When the phone rings I’m feeling a bit nervous. The voice on the other end is slow and calculated. “We can do 30,000 but it will take 10 weeks. In order to get it in time for Sundance we need to order 500,000 and ship from China… We’re going to have to find another way.” Not quite your normal Sundance prep conversation, especially when the items in question are bottles of water. But these are not regular bottles […]
by Lance Weiler on Jan 18, 2011The Sundance Institute has announced the films that will be screening as part of Sundance Film Festival USA. On Thursday, January 27, 2011 nine different cities will screen films from the Sundance 2011 slate. The full list of titles and theaters involved in Sundance USA are listed below. Tickets are available through individual theater’s box office. See the complete list of Sundance Film Festival competition titles here and out-of-competition titles here. The festival will take place Jan. 20-30, 2011 in Park City, Salt Lake City, Ogden and Sundance, Utah. Sundance Film Festival USA Win Win / U.S.A. — Ann Arbor, […]
by Jason Guerrasio on Dec 8, 2010The Sundance Institute has announced the short films that will be screening at the 2011 Sundance Film Festival. The full list of titles are below. See the complete list of competition titles here and out-of-competition titles here. The festival will take place Jan. 20-30, 2011 in Park City, Salt Lake City, Ogden and Sundance, Utah. U.S. NARRATIVE SHORTS After You Left (Director: Jef Taylor; Screenwriters: Jef Taylor and Michael Tisdale) – A man in his mid-thirties searches for meaning in the aftermath of a relationship. Andy and Zach (Director and Screenwriter: Nick Paley) – When Zach decides to move out, […]
by Jason Guerrasio on Dec 6, 2010The Sundance Institute has released the films screening in the out-of-competition sections of the Sundance Film Festival and have announced that the closing night film will be Dito Montiel‘s The Son of No One (pictured right). The film, set in a post-9/11 New York, follows two men as their lives unravel due to incidents from their past. It stars Channing Tatum, Al Pacino, Katie Holmes, Tracy Morgan, Ray Liotta and Juliette Binoche. Other highlights from the list include George Ratliff‘s Salvation Boulevard, Morgan Spurlock‘s The Greatest Movie Ever Sold, Joshua Leonard‘s The Lie (which will play in the fest’s NEXT […]
by Jason Guerrasio on Dec 2, 2010