This year’s edition of CineKink NYC, now in the final day of its Kickstarter fundraising drive, wastes no time heating up, opening on February 26 with a cinematic bang in the form of Wiktor Ericsson’s The Sarnos: A Life in Dirty Movies, a stellar pic about softcore pornographers with a love story at its heart. (The festival’s gala kickoff party is the day before, February 25.) The titular elderly couple at the center of this doc are the legendary porn director Joe — the “Ingmar Bergman of 42nd Street” — and his longtime wife and support system (and sometime actress) […]
by Lauren Wissot on Feb 22, 2014Mars is a lonely, spiritually bereft place in Philip K. Dick’s science-fiction classic The Three Stigmata of Palmer Eldritch. Colonists live inside, away from the planet’s harsh elements and unexpected predators, whiling away the hours by playing a hallucinatory role-playing game called Perky Pat. Using little figurines — avatars, really — and a psychoactive drug, they transport themselves into a consumer fantasy world back on Earth. I thought of Dick’s book as I walked past an exhibit at SXSW Interactive this year. A company was demonstrating its 3D-printing prowess by making little plastic figures based on your Facebook photo — […]
by Scott Macaulay on Apr 23, 2013Two of the events I was most looking forward to seeing this year at SXSW Interactive were Jason Brush’s talk, Filmmaking as User Experience and Michel Reilhac’s “Meet the Insiders” panel, “Storytelling + Interactive.” Brush teaches at UCLA’s Department of Film, Television and Visual Media and is Executive Vice President of Creative & UX at POSSIBLE. Reilhac, who I have written about before at Filmmaker, is an independent transmedia director, story writer and consultant, and one of the most passionate and eloquent voices for new forms of interactive storytelling. Unfortunately, as is often the case at SXSW, once I put […]
by Scott Macaulay on Mar 27, 2013It’s no secret that the independent film industry has been irrevocably altered by the modern financing and distribution landscapes. With new technologies rendering traditional media — both film itself and releasing platforms — obsolete, filmmakers have managed to weave the presence of such nostalgias and tropes into their work. In Josh Johnson’s Rewind This!, which had its world premiere at SXSW, the effects of the home video revolution are dissected by collectors, fanatics, programmers, and critics alike. Andrew Bujalski’s Computer Chess, which screened at SXSW following its world premiere at Sundance, is a comedic period piece in which programmers and […]
by Sarah Salovaara on Mar 15, 2013As screenings continue and the music folks roll into town, SXSW last night announced the winners of its 2013 Film Festival. At the Paramount Theater, Destin Cretton’s crowd-pleasing Short Term 12 and Ben Nabors’ African-set, sustainable energy doc William and the Windmill took the top juried prizes. Audience prizes will be announced at the festival’s conclusion. A complete list of winners follows: Feature Film Jury Awards DOCUMENTARY FEATURE COMPETITION Grand Jury Winner: William and the Windmill Director: Ben Nabors Special Jury Recognition for Cinematography: Touba Director of Photography: Scott Duncan Special Jury Recognition for Directing: We Always Lie To Strangers […]
by Scott Macaulay on Mar 13, 2013Every festival has its bright spots, especially important ones like the SXSW Film Conference & Festival, but this year they were perhaps harder to find than in years past. I would have stuck around to see the lovely Destin Daniel Cretton and his indie tearjerker Short Term 12 accept the top prize for narrative (or Ben Nabor take the doc prize for his look at a Malawian windmill architect, William and the Windmill), but the weirdly tone-deaf, sycophantic awards ceremony — during which festival honcho Louis Black railed about how he “didn’t care about money” at this for-profit festival and the all-white […]
by Brandon Harris on Mar 13, 2013Winner of the Narrative Grand Jury Prize at the 2013 SXSW Film Festival, Destin Cretton’s Short Term 12 is a warm, generous drama about counselors and youth at a group home for troubled teens. A feature expansion of his 2009 short of the same name, winner of the Best Short Award at the Sundance Film Festival, Cretton’s new picture has a low-key authenticity — the writer/director worked himself in such a facility, and his experiences inspire some of the subplots here — as well as the classic values of good, character-based storytelling. (At the premiere’s post-screening Q&A, Cretton cited One […]
by Scott Macaulay on Mar 13, 2013Jillian Lucas and Lucas Leyva, two of our “25 New Faces” from 2012, are back at SXSW with their new short #PostModem after making their name at the fest last year with the mind-blowing Life and Freaky Times of Uncle Luke. Here they talk with Romain Thomassin as part of the Motionmaker series of Young Guns interviews with emerging filmmakers.
by Nick Dawson on Mar 12, 2013Having established himself as a painter, photographer, and sculptor, Carter continues to expand his art repertoire with his newest feature film, Maladies. After working with James Franco on his directorial debut, Erased James Franco, Carter decided to write another film with Franco in mind. Maladies follows the relationship of a former actor who befriends a family of artists. All equally eccentric, their interactions explore the struggle artists often have with creativity. The movie also stars Catherine Keener, David Strathairn, and Fallon Goodson, who also acted as a producer. Maladies premiered at the Berlin Film Festival in February and makes its North American debut […]
by Alexandra Byer on Mar 12, 2013On this special episode of Shooting With John, we shoot M1911’s with Geoff Marslett and talk to the crew of Loves Her Gun about the role guns play in cinema. Check out Loves Her Gun this week at SXSW: Monday, March 11th 1:45PM – 3:24PM Topfer Theatre at ZACH Tuesday, March 12th 11:15AM -12:54PM SXSatellite: Alamo Village Friday, March 15th 4:00PM – 5:39PM Topfer Theatre at ZACH
by John Yost on Mar 11, 2013