SXSW Film Festival
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All Eyes on Me
Lena Dunham and Caveh Zahedi are among a surprisingly small group of filmmakers who make themselves the subjects of their own films. Whether it’s a man dealing with his sexual urges (Zahedi’s I Am A Sex Addict) or a girl searching for her place in a post-collegiate world (Dunham’s Tiny Furniture), their sometimes painful honesty makes audiences both laugh and cringe. We had them sit down to talk about the joys, frustrations and creative rewards of making autobiographical films.
by Filmmaker Staff on Oct 23, 2010 -
SIMON RUMLEY, “RED WHITE & BLUE”
Lurking about the less reputable precincts of Texas’ capital, Erica (a terrific Amanda Fuller) at first seems like another aimless, sexually adventurous young woman who in the city that embraced mumblecore would find herself in a pedestrian drama of mid twenties malaise. Living for free in a dusty co-op, she trolls the seedy side of Austin, scoring a new suitor every night for a bout of casual, unprotected sex. Clad in denim cut-offs and white cowboy boots, she drifts through days and nights with an anomie that is only enhanced by the arty, elliptical rhythms of Veteran UK helmer Simon […]
by Brandon Harris on Oct 6, 2010 -
The New Year Writer/Director Brett Haley
A young woman works at the shoe counter at a Pensacola, Florida bowling alley. Having abandoned the ambitions of her youth, she takes care of her ailing father, who painfully struggles with cancer. With the return of a rival from high school into her long-standing social circle, the stillness that has taken over her existence breaks, leaving her to consider the possibility of a new direction, one which seems tantalizingly close and yet ever elusive. This is subject matter than might seem too comfortably within American independent cinema’s wheelhouse, but in thoughtful hands, even the most seemingly pedestrian yarns can […]
by Brandon Harris on Jul 28, 2010 -
MICHAEL PAUL STEPHENSON, “BEST WORST MOVIE”
The most unlikely act of cultural excavation and redemption, Michael Paul Stephenson’s Best Worst Movie is a hilarious and poignant celebration of not only the communal experience of making and watching movies but the sheer randomness of life itself. The doc is Stephenson’s attempt to find out why a seemingly execrable B-movie he made as a child actor, Troll 2, has garnered a cult following of viewers who not only get off on its badness but also find an odd kind of joy in its screwy storytelling. While Stephenson is present in the film, he smartly chooses as the doc’s […]
by Scott Macaulay on May 12, 2010 -
SXSW BLOG: “CANAL STREET MADAM” PRODUCER MRIDU CHANDRA, PART THREE
So I’ve been a little out of touch, I know. It’s taken some time to absorb what’s been going on since we premiered at the G-Tech 500 seat theater in the Austin Convention Center on Monday afternoon. Everything has been happening so fast. Jeanette Maier, the subject of our film, seemed pretty calm as we all had our photos taken in front of the step-and-repeat (the yellow SXSW logo wall) and there was a huge lineup before anyone got in. I realized this just after I sent a message to two colleagues who I’d been emailing with (but had never […]
by Filmmaker Staff on Mar 19, 2010 -
TIPS ON ATTENDING FESTS BY SXSW DIRECTORS
Heather Menicucci from Howcast, the online site that develops filmmakers by having them create its instructional training videos, was down at SXSW meeting filmmakers and interviewing them for Howcast and YouTube’s Creator’s Corner. She’s just posted this video with tips from directors on how to attend SXSW. SXSW may be winding down on the film side (the awards are over but films are still screening), but, needless to say, these tips hold true for independent filmmakers and fests in general. Heather says the series will continue in coming days so check back to her site.
by Scott Macaulay on Mar 18, 2010 -
SXSW BLOG: ANNA HIGGS, DAY 5
Today is the day our film screens at the gorgeous Paramount cinema in Austin. We were there opening night for the raucous screening of KICK-ASS and so it feels like we have big shoes to fill! However a quick glimpse at the theatre at lunchtime with a queue already forming despite the rain, we had some hope of at least filling the 600 seat stalls before we had to worry about the balcony. It ended up being better than we could have expected (I know I keep saying this, but SXSW keeps amazing me!) and we had lines all around […]
by Filmmaker Staff on Mar 17, 2010 -
THE SXSW 2010 WINNERS
The winners of the SXSW Film Festival in Austin, Texas were announced tonight. Here is a complete list of the awards: DOCUMENTARY FEATURE – Marwencol (Director: Jeff Malmberg) Runner-up: War Don Don (Director: Rebecca Richman Cohen) NARRATIVE FEATURE – Tiny Furniture (Director: Lena Dunham) Special Jury Award – Best Ensemble: Myth of the American Sleepover (Director: David Robert Mitchell) SPECIAL JURY AWARD – Best Individual Performance: Brian Hasenfus in Phillip the Fossil (Director: Garth Donovan) Feature Film Audience Awards DOCUMENTARY FEATURE – For Once in My Life (Directors: Jim Bigham & Mark Moormann) NARRATIVE FEATURE – Brotherhood (Director: Will Canon) […]
by Scott Macaulay on Mar 16, 2010 -
AARON KATZ’S “COLD WEATHER”|
By Scott Macaulay
The group of filmmakers dubbed “mumblecore” is known for many things, but visual resplendency is not one of them. In fact, some of the movement’s biggest names proudly announce their disinterest in design, careful framing, and the dramatic effects of controlled lighting. From the outset, however, Aaron Katz has been an exception. Even when operating on the tiniest of budgets — as he did when shooting Quiet City for $2,000 — he has paid careful attention to the expressive potential of his characters’ surroundings. The nighttime industrial Brooklyn streets of Quiet City are not the harsh jungle of much urban […]
by Scott Macaulay on Mar 16, 2010 -
SXSW BLOG: “THE WEIRD WORLD OF BLOWFLY” DIRECTOR JONATHAN FURMANSKI, PART TWO
THE PREMIERE. I’m not new to the film festival experience but because this is my directorial debut things have really ratcheted up emotionally this time. My sales rep, Josh Braun, and my publicist, Jessica Edwards, have both been working hard to make sure the world premiere of my film, The Weird World of Blowfly, goes as smoothly as possible and has all the right people in attendance. They’re also working hard to keep me from hyperventilating and passing out! It’s a very exciting moment, just before the premiere, filled with anxiety and catharsis. The film is premiering at the Alamo […]
by Filmmaker Staff on Mar 16, 2010
