Tobias Lindholm
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TIFF 2022: The Fabelmans, The Good Nurse
After the first UFOs are sighted in Close Encounters of the Third Kind, a group of true believers gather and wait for more to arrive. A light appears over the horizon, excitement builds—but disillusionment sets in when the approaching vehicles turn out to be helicopters, and everyone scatters. The chopper beams briefly look like trainlights, echoing the mini-train track Roy Neary (Richard Dreyfuss) assembles in his family’s cramped living room and uses to try to demonstrate a math problem to son Barry by sending the train on a collision course towards a stalled miniature stockcar. The Fabelmans tells us where this image, […]
by Vadim Rizov on Sep 12, 2022 -
Flesh and Blood: A War
Written and directed by Tobias Lindholm (A Hijacking), A War — one of the five nominees for Best Foreign Language Film — examines the divide between the military and domestic spheres in the life of Claus Pedersen (Lindholm regular Pilou Asbaek). He is unit leader of a small Danish NATO contingent in Afghanistan; his wife, Maria (Tuva Novotny), tries her best to hold down the home front, a battleground of another sort in which their three young children are non-lethal combatants. The separation of these domains becomes more and more clouded; the occasional satellite phone call is about all that […]
by Howard Feinstein on Feb 10, 2016 -
Toronto, Camden and Venice
TORONTO by Scott Macaulay High Rise has long been considered one of the J.G. Ballard’s most “adaptable” books, with the author’s dispassionate meditations on disassociation, inner and outer space, and the psychologies and paraphilias unleashed by 20th-century life encased within the sturdy confines of a modern apartment building and a class-based tale of survival. Nonetheless, High Rise has taken decades to reach the screen, despite the attachments of numerous directors, including Vincenzo Natali, Bruce Robinson and, revealed producer Jeremy Thomas at a talk at this year’s Toronto International Film Festival, interest from Nicolas Roeg. Premiering at the festival in Platform, […]
by Filmmaker Staff on Oct 28, 2015 -
Halftime Disappointment at the Venice Film Festival
In its first half, the Competition of the 72nd Venice Film Festival has been a let-down, failing to present a single truly great title. The Orizzonti and Out of Competition selections have generally proved a safer bet, and of course the excellent Venice Classics program, which so far included screenings of restored masterpieces by the likes of Fellini, Melville and Hou Hsiao-hsien, has been a reliable and most welcome morale boost whenever necessary. Following Birdman and Gravity in the last two years, the festival extended its string of star-studded, big-spectacle openers with Baltasar Kormákur’s Everest, a fictionalization of an infamous 1996 commercial […]
by Giovanni Marchini Camia on Sep 8, 2015 -
“I Would Never Do This to a Friend”: Tobias Lindholm on A Hijacking
A Hijacking, Tobias Lindholm’s first feature as a solo director (his first film, 2010’s prison drama R, was co-directed with Michael Noer) begins before its title event, with cargo ship cook Mikkel (Pilou Asbæk) calling home to his wife, and it ends after it’s all over. But the bulk of the film is a two-setting procedural, radiating verisimilitude both on-board and in the corporate offices, where a CEO (Søren Malling) personally conducts negotiations with hijackers. During an interview with Filmmaker, Lindholm spoke about the production in all its preparatory and practical aspects. Filmmaker: When I heard the sound of the […]
by Vadim Rizov on Jun 13, 2013 -
Tobias Lindholm
A hit on last fall’s festival circuit was A Hijacking, writer/director Tobias Lindholm’s smart, gripping thriller about a Danish cargo ship captured by Somali pirates. (Writing about the movie in the previous issue of Filmmaker, Aaron Hillis called it “a tack-sharp, heart-in-the-throat Danish procedural,” while Adam Cook called it the best film he saw at the Abu Dhabi Film Festival.) The critical success of A Hijacking, released stateside by Magnolia on June 14, has brought some much-deserved international attention to Lindholm, who is a highly active and well-respected figure in Denmark. He made his feature debut in 2010 with the […]
by Nick Dawson on Apr 23, 2013 -
AFI Fest 2012: A Hijacking and Paradise: Faith
Between A Royal Affair, The Hunt, Eat Sleep Die, and now A Hijacking, it might be wise to start thinking of 2012 as something of a banner year for Scandinavian film—Denmark in particular. (Let’s call Klown the exception that proves the rule and leave it at that.) An impressively restrained thriller about a cargo ship commandeered by Somali pirates, Tobias Lindholm’s second feature has the kind of ripped-from-headlines premise one would expect Hollywood to have capitalized on by now. In an early sign of his rather un-Hollywood approach, however, the frequent Thomas Vinterberg collaborator shows us extremely little of the […]
by Michael Nordine on Nov 5, 2012
