Today the IFP Gotham Independent Film Awards (presented by Filmmaker Magazine‘s parent organization IFP) announced three additional tributes to be presented at this year’s 25th anniversary awards ceremony. In addition to previously announced director honoree Todd Haynes, Actor and Actress tributes will be presented to Robert Redford and Helen Mirren, and Anonymous Content founder and CEO Steve Golin will be awarded the Industry Tribute. The awards will take place Monday, November 30. For more information, click here for the full press release.
by Filmmaker Staff on Sep 15, 2015Here’s the first teaser for Todd Haynes’ Carol, the Cannes hit starring Cate Blanchett and Rooney Mara as star crossed lovers in 1950s Manhattan. Conveyed through glimpses and gestures, the trailer boasts the characteristically stunning cinematography of Ed Lachman and Haynes’ deliberate direction. Carol opens from The Weinstein Company on November 30.
by Sarah Salovaara on Aug 18, 2015Via a press release from IFP: The Independent Filmmaker Project (IFP), Filmmaker‘s parent organization, announced today that Todd Haynes will be presented with this year’s Director Tribute at the 25th Annual IFP Gotham Independent Film Awards. Signaling the official kick-off for the film awards season, the Gotham Awards is one of the leading honors for independent film and provides critical early recognition to worthy independent films and their writers, directors, producers, and actors. Anchoring the evening’s competitive awards are tributes to film community icons, including the Director Tribute, as well as an Industry tribute and an Actor/Actress to be announced. […]
by Filmmaker Staff on Aug 6, 2015Cannes by Aaron Hillis The same way New Yorkers love to bitch about living in what they also proclaim to be the world’s greatest city, the Cannes-accredited can spend nearly two weeks in the south of France watching nothing but prestigiously vetted films and have the nerve to call it a “so-so year.” But if that was a too-common sigh, it’s partly because the festival’s main competition had few unanimous hits, which is neither unusual nor taking stock of the parallel pleasures within the Un Certain Regard, Directors’ Fortnight and Critics’ Week sections, or out-of-competition premieres of innovative multiplex fare […]
by Filmmaker Staff on Jul 23, 2015Todd Haynes reteams with Cate Blanchett, after 2007’s I’m Not There, for his latest Palme d’Or contender Carol. Based on Patricia Highsmith’s semi-autobiographical novel The Price of Salt, Rooney Mara plays shopgirl Therese, who falls in love with the older, married Carol (Blanchett) in the ’50s. The two embark on a road trip, which culminates in Carol’s husband blackmailing her with the liaison to prevent her from having custody over their daughter. Edward Lachman’s cinematography is rich in period detail. And two masters at their craft bring the challenging characters to life, ending the film in a final wordless scene […]
by Ariston Anderson on May 18, 2015Christmas cometh early now that the formerly out of print masterclass Safe is available from the Criterion Collection. To promote its release, director Todd Haynes sat down with star Julianne Moore to discuss the film’s forebears in female alienation (Red Desert, Jeanne Dielman, and DeLillo’s White Noise), as well as its unexpected Sirkian underpinnings. Moore also talks Safe‘s larger context, as a harbinger of the ’90s independent film boom, and how her first collaboration with Haynes ultimately defined the trajectory of her career.
by Sarah Salovaara on Dec 16, 2014Portland-based Jon Raymond has four screenplay credits, all in the last decade, to his name, but his iMDB page only tells half the story. Raymond began his career and is still well known as a writer of novels and literary short fiction, and his film career has come not from the usual Black-Listed spec script but from adaptations of his work co-authored by a director/collaborator/friend, Kelly Reichardt. Two stories from his short story collection Livability, “Old Joy” and “Train Choir,” became Reichardt films (Old Joy and Wendy and Lucy, respectively), with the two co-authoring their scripts. That work, and the […]
by Scott Macaulay on May 31, 2014“I’ve been around so long that I’ve seen the ‘death’ of independent film at least three times” – Christine Vachon, Producing Masterclass Widely regarded as one of the key figures in American independent cinema, Christine Vachon is now well into her fourth decade of film production. Her first feature film as a producer was Todd Haynes’ corrosive, Jean Genet-inspired Poison (1991), which set the tone for the host of fearlessly confrontational films that followed, including Tom Kalin’s Swoon (1992) and Larry Clark’s Kids (1995). In 1996, alongside Pamela Koffler, Vachon co-founded the NYC-based production company Killer Films, which has been […]
by Ashley Clark on Nov 21, 2013Composer James Bennett, who brought musical wit and a lyrical touch to his work in film and theater, died in New York this week of a heart attack. He was classically trained on piano and later was a member of the BMI Lehman Engel Musical Theater Workshop, an innovative New York City program known for training composers, lyricists and librettists. His work in theater includes collaborations with Charles Horne on the scores for the Off-Broadway shows Eva Braun and Dogs. Though Jim composed music for only two feature films — Todd Haynes’ Poison and my film Swoon — he brought […]
by Tom Kalin on Jun 8, 2012Here’s the trailer for Todd Haynes’s five-part HBO miniseries, “Mildred Pierce,” that played tonight in front of the premiere of Boardwalk Empire. (Click on the headline if the trailer does not appear.)
by Scott Macaulay on Sep 19, 2010