With his features Home Sick, Pop Skull and A Horrible Way to Die, Adam Wingard is carving out a reputation as one of the most imaginative and visually sophisticated directors working in modern horror. His films are mindful of genre conventions, finding ways to subvert them through unexpected characterizations that have real psychological depth. His latest movie reinvents the home invasion thriller. We spoke to Wingard about blood, style and directing other directors. Filmmaker: Your previous film, A Horrible Way to Die, tweaked the serial killer genre by setting it within the world of addiction and recovery, and exploring those […]
by Scott Macaulay on Sep 10, 2011With Urbanized, filmmaker Gary Hustwit brings his celebrated documentary trilogy to a close. Beginning in the world of typography by exploring a single font in Helvetica, the series gained weight by moving to the world of objects in Objectified and now telescopes miles overhead to examine contemporary urban design. We spoke to Hustwit about what’s changed and what’s stayed the same as he has produced — and distributed — these stylish and intellectually engaging films. Filmmaker: Your previous two design oriented docs have wound up dealing with subjects other than the the explicit ones of their titles. For example, Helvetica […]
by Scott Macaulay on Sep 9, 2011The second shot of The Patron Saints is a slow pan across a wide swath of no-man’s land, the sad sound of a prairie wind reinforcing the impression of emptiness. Suddenly the camera stops moving at the sight of a building, several stories high, looking as if it were plunked down on Auntie Em’s farm in Oz after the tornado. There are no signs: This feels like the middle of nowhere. Thanks to five years of work by filmmakers Brian Cassidy and Melanie Shatzky, we are able to experience what is inside, meeting and observing the residents whose privacy, like […]
by Howard Feinstein on Sep 9, 2011After building a career as one of the wackiest comedians of the ’80s, Bobcat Goldthwait has spent the last decade redefining himself as a director making awkward satires like Sleeping Dogs Lie and World’s Greatest Dad while directing episodes of Chappelle’s Show. For God Bless America, his latest feature directing effort executive produced by Richard Kelly, Goldthwait looks at our obsession with Reality TV. Screening in TIFF’s Midnight Madness section, a 45-year-old man (Joel Murray) and a teenage girl (Tara Lynne Barr) go on a Bonnie and Clyde-esque rampage after the country unites in the ridicule of a simpleminded contestant […]
by Jason Guerrasio on Sep 9, 2011One of the more sobering and even painful short films of recent years is Bryan Wizemann’s Film Makes Us Happy. In the 12-minute documentary, Wizemann argues with his wife about his obsession with filmmaking, with her challenging him to give up on his dreams in order to focus on his family — including his new baby. Wizemann’s synopsis simply states, “Film Makes Us Happy documents the last fight my wife and I will ever have about making films.” I have no idea the aftermath of that film on Wizemann’s family life, but I am happy to report that the writer/director […]
by Scott Macaulay on Sep 9, 2011In this video TIFF co-director Cameron Bailey gives his movie picks. Go to the TIFF site for more daily picks.
by Jason Guerrasio on Sep 9, 2011Are you surprised that this year, some of the most anticipated films at the Toronto International Film Festival actually are by (gulp) Canadian filmmakers? Largely known to many for their solicitousness, their skills in the rink, and their charming way of saying the letter “o,” the Canadians often inspire jealousy in their film-loving neighbors to the south because of the wide-ranging institutional support that they provide for national filmmakers. The National Film Board of Canada, for instance, both produces films and distributes them to the far reaches of the country… and has been doing so for over 7o years, when […]
by Livia Bloom Ingram on Sep 8, 2011For Oscar-winning filmmaker Jessica Yu’s latest film, Last Call at the Oasis, she looks at the frightening realities of the current global water crisis. Produced through the social issue giants Participant Media, Yu’s film has the makings of a must-see like An Inconvenient Truth and Food, Inc. Filmmaker: Tell us a little about what your film is about? Yu: Last Call at the Oasis is about the water crisis, which is global and urgent, yet largely hidden here in the U.S. The film tells stories of people who are on the front lines in dealing with water shortage or contamination, […]
by Jason Guerrasio on Sep 7, 2011With the festival already upon us we probably don’t have to tell you that your chances to get tickets to this year’s TIFF are slim. But there’s no hurt in trying. In this video below, the folks at TIFF explain the easy ways you can purchase single tickets (which at this point are your best bet). And here’s an interactive festival ticket guide.
by Jason Guerrasio on Sep 7, 2011If you’re heading to TIFF in the hopes to partake in some star sightings but have no clue where the hot spots are in Toronto, here’s a top 10 list that will point you in the right direction. And check out indieWIRE’s annual Insider’s Guide for the best places to eat, drink and shop while in Toronto.
by Jason Guerrasio on Sep 7, 2011