Opening today in 20 markets across the United States is Tracy Droz Tragos’s Plan C, a documentary about social scientist Francine Coeytaux and her team’s work on expanding access to abortion pills online. With Atlanta, Chicago, Houston, Minneapolis-St. Paul opening today, and New York’s IFC Center run beginning October 13, we are reposting the director’s answer to our annual Sundance Question about the various challenges she faced while making the film. — Editor Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, […]
by Filmmaker Staff on Oct 6, 2023So I’m making my first short documentary. Tentatively titled Sole Doctor, it’s an observational-style film about George, an African-American cobbler who, after keeping shop for 50 years in Portland, Oregon, plans to retire and pass the business on to his son, Joshua. As I’ve chronicled in previous journals for Filmmaker, as a first-time filmmaker, I knew enough to seek advice from the pros before proceeding, and then I made sure to hire a good DP and sound mixer. But, of course, as much as I planned ahead, I still hit some bumps along the road — like our first shoot, when we planned to film […]
by Paula Bernstein on Nov 3, 2016Do women filmmakers need to wear certain clothes on set to be taken seriously? Is a female filmmaker’s wardrobe the real secret to success? When Refinery 29 recently posted a story, “How to Dress for the Job You Want” including “film director,” they inadvertently irked a number of actual female directors and producers with their career outfit suggestions. “You’ll likely be on your feet for long days on set, but still don’t want to look sloppy, so opt for a thick ‘grandma’-style heel that can last you the whole day through, along with some soft trousers and a stylish take on the […]
by Paula Bernstein on Oct 4, 2016Months ago, I got the crazy idea to write, produce and direct my first documentary. I wasn’t completely unrealistic — I knew enough to start small with a short, micro-budgetfilm. I also knew I could count on a supportive network of documentary filmmakers — including pros such as Doug Block, Marshall Curry, Laura Nix, Tracy Droz Tragos, Robert Greene, and others — to help guide me through the process. Later in this piece, I’ll share some of their invaluable wisdom. But first, here’s a bit about my film and my process so far. I had been on the lookout for a subject that […]
by Paula Bernstein on Aug 25, 2016Damien Chazelle’s Whiplash soared to victory in the major awards categories in the U.S. Dramatic Competition at the 30th Sundance Film Festival Saturday night. The picture, which was picked up for distribution by Sony Pictures Classics during the festival, took home both the U.S. Dramatic Competition Grand Jury Prize and Audience Award. Starring Miles Teller and J.K. Simmons, Chazelle’s second feature tells the story of an ambitious young jazz drummer and his unrelenting instructor in a no-holds-barred conservatory environment. The 28-year-old Chazelle first gained attention in 2009 when his feature directorial debut Guy and Madeleine on a Park Bench surfaced at […]
by Brandon Harris on Jan 25, 2014For their Op-Doc collaboration with Sundance Institute grantees, The New York Times tapped 25 New Face Andrew Droz Palermo and his cousin Tracy Droz Tragos, filmmakers behind the Sundance title Rich Hill, to produce a short profile of Sarah, a pregnant Midwestern teen, struggling to strike out against her familial trajectory. Sarah’s Uncertain Path acts as a microcosm for what Droz Palermo and Droz Tragos call “a myth in America.” “If you have a strong moral compass, work hard and make good choices, you will have equal opportunity,” they write of this unfulfilled promise. “But after two years of listening to and documenting low-income […]
by Sarah Salovaara on Jan 22, 2014Filmmaker: Why this movie? Why did you decide to do it? Tragos: I made my first documentary Be Good, Smile Pretty after discovering a picture of my father the day he was killed in Vietnam. The film was well received and won the Emmy Award for Best Documentary in 2004. It was difficult to find another film project with such a deep connection – and then came motherhood. I wanted to give my daughters a different childhood than I had had – with a mom who was fully present. That was my choice then – but sometimes I wonder if I […]
by Danielle Lurie on Jan 22, 2014Next week, we are off to IFP’s Spotlight on Documentaries, representing our work-in-progress, Rich Hill. It’s exciting and a bit daunting — as we haven’t shared much of anything with anyone yet. Neither of us relishes the notion of the “pitch,” but at the same time, we’ve been a two-person band, wearing many hats, for almost a year now, and we need to raise funds to complete production. We feel like we’re ready to bring on an executive producer, and, maybe even, to partner with a broadcaster. Will this be the week? We’re packing our bags, doing our research and, […]
by Andrew Droz Palermo and Tracy Droz Tragos on Sep 9, 2012