A role reversal so outrageous it could only be a work of nonfiction, the story of Csanad Szegedi, an infamous member of Hungary’s conservative Jobbik party, is as preposterously true as they come. A former Holocaust denier and anti-Semite, Szegedi now lives as a practicing Orthodox Jew determined to honor his familial past (his grandparents were Jewish). Fascinated by this turnaround, filmmakers Joseph Martin and Sam Blair created Keep Quiet, an in-depth study of the new life of Szegedi and co-lead Rabbi Boruch Oberlande, as a portrait of internal religious tension and the endless trying struggle to right one’s wrongs. As Keep […]
by Erik Luers on Apr 25, 2016Tribeca is still a young festival — its fifteenth edition just wrapped last week — and though originally traditional films constituted its entire focus, soon transmedia, interactive work, and then virtual reality gained enough prominence that by 2016 they were as integral a part of the proceedings as the film screenings. This year more VR was on view than ever before at Storyscapes, the Interactive Playground, and the Virtual Arcade that together ran the length of the entire festival. By and large, the breadth and quality of the projects testify to the burgeoning craft of VR artists as the medium continues to […]
by Randy Astle on Apr 25, 2016While there have been several documentaries exploring the inner-workings of the Gray Lady, the life and challenges of a New York Times obituary writer is a profession that has yet to receive its due. Working on strict deadlines that arrive at a moment’s notice (such is life and, in effect, death), these obit writers have to be on call to craft a minimal but effective summation of character while working with limited time and limitless resources. A fascinating subject that immediately evokes a plethora of questions (what’s the criteria for determining who gets a Times obituary? How quick is a […]
by Erik Luers on Apr 22, 2016Patrick Osborne came to national attention with his animated short Feast, a delightful film about a food-loving dog that screened with Disney’s Big Hero 6 and won the Academy Award for Best Animated Short for 2014. It dealt with family, loyalty, and growth and change over time, particularly the strain and eventual reward as new loved ones enter the circle of a previously cohesive relationship: it’s initially difficult for Winston, the dog, to accept his owner’s new girlfriend, but ultimately it is he who makes the decision to save the relationship and he enters a much wider and more loving world as a […]
by Randy Astle on Apr 22, 2016The wide-ranging 15th edition of the Tribeca Film Festival feels more screen-agnostic than ever, with films, television, VR, and interactive projects expanding across two weeks of downtown-centric programming. While resisting the urge to identify an all-encompassing theme that sloppily groups all these works into a State of the Union address, the shorts I viewed provided an appropriately hefty sampling of independent cinema comfortably outside the margins. Famous faces, small budgets, issue-driven calls-to-action, oddball foreign comedies, intriguing student work, and throwbacks to pop cinema were all accounted for. Given the scope and depth of the films being offered then, take the following as […]
by Erik Luers on Apr 19, 2016In their impressively fleet debut All This Panic, the personal/professional partnership of Jenny Gage (director) and Tom Betterton (DP) train their gaze on a group of teenage girls growing up in Brooklyn. Tracking Lina, Ginger, Dusty and Delia as they transition from 16 to 19 (with older and younger outliers), the film unfolds in a 79-minute blast, articulately speeding through years of teen not-quite-turmoil. Impressively locked in, edited for speed and emotional impact, and exponentially more complex than most depictions of contemporary teen girls in either fiction or non-fiction filmmaking, All This Panic is an empathetic rush translating their experiences into something […]
by Vadim Rizov on Apr 18, 2016Last year, David Byrne — capable of developing a deep enthusiasm for and knowledge of seemingly anything — held four concerts at Brooklyn’s Barclays Center. Ten color guard troops from across the country performed routines to songs written just for them by ten artists; performance highlights include Byrne himself, St. Vincent and Tuneyards. The Ross brothers’ Contemporary Color is a documentary of this unusual performance that refuses to just be a concert movie. The film regularly skips away from the arena altogether, lurking backstage with waiting performers or cutting back to individual performers seen, in dreamy almost-flashbacks, in their hometowns. Performances themselves are […]
by Vadim Rizov on Apr 14, 2016The first half of Tribeca’s feature film slate was announced last week; now we’ve got the second part. Regular contributor Noah Buschel is in there with his new film The Phenom, although the big marquee title is probably the spectacle of Michael Shannon as Elvis Presley. CENTERPIECE Elvis & Nixon, directed by Liza Johnson, written by Joey Sagal, Hanala Sagal, and Cary Elwes. (USA) – World Premiere, Narrative. In 1970, a few days before Christmas, Elvis Presley showed up on the White House lawn seeking to be deputized into the Bureau of Narcotics and Dangerous Drugs by the President himself. Elvis & Nixon, starring […]
by Filmmaker Staff on Mar 8, 2016The Tribeca Film Festival (TFF) doesn’t take place until April 13-24, 2016, but the festival is already planning ahead. Today TFF announced that it will launch a new platform, Tribeca Talks: Storytellers, a series of in-depth conversations with leading creators, during next year’s festival. Tina Fey and Tom Hanks are the first two creators announced. The panel series will take place at the Tribeca Festival Hub, which will return to Spring Studios this year and will host a series of virtual reality and immersive storytelling experiences, panel discussions and musical experiences. On April 19, Imagination Day, powered by the Hatchery, will […]
by Paula Bernstein on Dec 16, 2015Waiting to see TransFatty Lives at the Tribeca Film Festival, I was in line behind a woman who didn’t know what she was waiting to see. The couple in front of her were filling her in, telling her all about the filmmaker/subject of the film, Patrick O’Brien (once known as DJ TransFatty), his “journey” with ALS (Amyotrophic Lateral Sclerosis) and how the terrible disease had affected their own lives. It wasn’t a downbeat conversation in the slightest. They had discovered O’Brien through his online videos, posted over the course of ten years, documenting his worsening condition not with depression and […]
by Peter Rinaldi on May 28, 2015