We’re All Going to the World’s Fair
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Cinema Is Dead and We’re All Its Ghosts: 2022 at the Movies
“User-generated content” is the future of the moving image, and the present as well. A less sentimental look back at 2022 in film would probably take the measure of TikTok trends, Instagram Reels, Twitch streams, YouTube reaction videos and OnlyFans porn. Before cinema dies, you see the Ring Video Doorbell surveillance footage repackaged, America’s Funniest Cops–style, in the syndicated Ring Nation, which premiered this year (coproduced by Ring and MGM Television, both subsidiaries of Amazon). The overwhelming proliferation of digital images, recorded by consumer-grade digital cameras with ever-greater resolution, storage capacity, and ubiquity, is the story of the century. Such […]
by Mark Asch on Dec 19, 2022 -
Hit & Misses: The 2022 Releases of Six Recent Sundance Features
In just three (admittedly, very momentous) years, the marketplace for independent films has completely changed. During previous turning points over the decades, executives would use words like “waves” or “cycles” to describe instances of upheaval, but what’s happening now is more like a comprehensive reset. In a recent online article titled “The Sky is Falling, Take Shelter,” producer Rebecca Green wrote, “This year is unlike anything I’ve seen in the 20 years I’ve been working in this business.” If Sundance and its films are a barometer for the independent film industry, consider this comparison: The pre-pandemic class of Sundance 2019 […]
by Anthony Kaufman on Dec 15, 2022 -
Portal to Portal: Jane Schoenbrun on We’re All Going to the World’s Fair
The central promotional image for We’re All Going to the World’s Fair is of a young girl, covered in glow-in-the-dark paint, holding up a googly eye to her face as she barrels toward a laptop camera. This is Casey: She is a kid, and she is on the internet and she is in her bedroom, alone. The film takes its name from its own invented World’s Fair Challenge, an internet myth that causes something dark to alter within its participants. Sources vary on what exactly happens: Some people appear to be sucked into their computers, some turn to plastic, some […]
by Sam Bodrojan on Apr 14, 2022 -
Sundance 2021 Critic’s Notebook 4 (Abby Sun): R#J, We’re All Going to the World’s Fair, Rich Kids: A History of Shopping Malls in Tehran
As I hinted in my first entry on Sundance 2021, I’ve spent a couple hours a day on the festival’s browser-based New Frontier space, which houses all 14 projects in the New Frontier selection, a space for watching select films in VR and Film Party, an online proximity-based video and audio chat space. There’s also a digital ferry from the Gallery to IDFA DocLab’s do {not} play platform, which was for IDFA (the world’s largest documentary festival and marketplace, held in Amsterdam in November of every year) what Film Party is to Sundance. Navigating the Sundance digital platform through my […]
by Abby Sun on Feb 3, 2021 -
“I Think I was Just Hip to Loneliness Before Everyone Else Was”: Writer/Director Jane Schoenbrun and Composer Alex G on the Sundance-Premiering We’re All Going to the World’s Fair
She’s turning into plastic. He feels like his body is being taken over by an indescribable entity. Another discovers grotesque clusters of gray pustules suddenly colonizing the terrain of their body. These individuals are documenting themselves in the throes of The World’s Fair Challenge, an online role-playing game that dares those bold enough to participate to draw blood, watch a neon-soaked strobing video and record the ensuing horror that eventually consumes their corporeal vessels. Casey (played by Anna Cobb in her debut role), a nondescript yet quietly rebellious teenager living in a perfectly captured amalgamation of American suburbia, becomes the […]
by Natalia Keogan on Jan 31, 2021 -
“Without Realizing it, I Made a Movie That Obeyed the Rules of Social Distancing”: Director Jane Schoenbrun | We’re All Going to the World’s Fair
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? My film was shot just before the pandemic (wrapped March 1 2020—what luck!), which is a fact that the few people who have seen it so far sometimes find hard to believe. The movie is quite concerned with isolation. It is about characters who never leave the house, whose main form of social connection happens through screens, who exist in a virtual realm that is sort of real and sort of unreal. While writing […]
by Filmmaker Staff on Jan 31, 2021
