Yorgos Lanthimos
-
The Search for Black Rock: Sam Kuhn’s Cannes Diary, Part Two
Director, screenwriter and boatbuilder (!) Sam Kuhn is in Cannes premiering his short film, Möbius — described as “a moth-eaten tale of magic and mutation half remembered by a teen poet who’s beloved lies lifeless in a stream” — in Critic’s Week. Filmmaker asked Kuhn, who hails from the Pacific Northwest, to keep a diary of his experiences, which rapidly went from jet-lagged to deeply strange. Here is his second entry; click here for them all. Day 3 I’m now feeling foolish, and looking foolish too with my cherry red nose. Without Black Rock things went from bad to — […]
by Sam Kuhn on May 23, 2017 -
Trailer Watch: Colin Farrell Seeks a Mate in the Absurdist Cannes Hit The Lobster
Greek auteur Yorgos Lanthimos (Dogtooth, Alps) makes his English-language debut with the absurdist comedy The Lobster, which premiered at Cannes 2015. The satire stars Colin Farrell as a newly single architect looking for love. The newly released trailer depicts a bizarro world in which a seemingly ordinary hotel serves as a twisted dating service of sorts. Unless guests hook up with a mate within 45 days, they’ll be turned into an animal of their choice and released into the wild (Farrell’s character chooses a lobster, thus, the film’s title). In his report from Cannes 2015, Filmmaker‘s Aaron Hillis called the film a “wickedly laugh-out-loud, quasi-dystopian […]
by Paula Bernstein on Mar 18, 2016 -
TIFF 2015 Critic’s Notebook #2: High-Rise, The Lobster and Anomalisa
Toronto seemed the perfect place for Ben Wheatley’s High-Rise to have its world premiere. The J. G. Ballard adaptation stages a class-war in an ultra-modern high-rise, and the theater where it played Sunday night is only about a mile from the luxury condo developments that tower over Toronto’s waterfront, which suggest a modern Eden in shiny glass and steel but have instead exacerbated the city’s homelessness problems and real-estate bubble. Another felicitous detail to the evening: the screening was sponsored by Visa and before you could take your seat to see Wheatley’s commentary on class and capitalism, there was a […]
by Whitney Mallett on Sep 16, 2015 -
Cannes 2015 Critic Notebook #1: Standing Tall, Tale of Tales, The Lobster
Could it be, six features deep at the most exalted film festival in the world, that this writer’s favorite film isn’t some scrappy Critics’ Week indie or an ennui-driven Eastern European drama of profound sociopolitical relevance — but rather, the $150-million studio juggernaut Mad Max: Fury Road? Nothing new needs to be said about the most inventive, thrilling, lyrical action flick in ages (considering it’s now opened worldwide) except that it’s radically more feminist than Emmanuelle Bercot’s Standing Tall. Cannes’ first opening night selection to be directed by a woman in nearly three decades, Bercot’s juvenile justice-system drama — a clumsy, histrionic […]
by Aaron Hillis on May 15, 2015 -
Five Questions with Alps Director Yorgos Lanthimos
Yorgos Lanthimos attained “one to watch” status as soon as his disturbing, divisive, and hilariously funny Dogtooth premiered at the 2009 Cannes Film Festival. That film — which went on to win the Prix Un Certain Regard and score an Oscar nomination for Best Foreign Language Film — has something of a companion piece in Alps, which opens this Friday at Cinema Village in New York City. Concerning a group of grief surrogates who help the bereaved by impersonating their recently-departed loved ones, the film is similar to its predecessor in its off-kilter tone and refusal to fit into any one genre or […]
by Michael Nordine on Jul 11, 2012 -
Attenberg — A Hammer to Nail Review
(Attenberg world premiered at the 2010 Venice Film Festival and is being distributed in America by Strand Releasing. It opens on Friday, March 9, 2012, at the IFC Center in NYC. Visit the film’s official page at the Strand website to learn more.) The world would be a much less grating place if certain cinematic sub-genres were to be banned from the table immediately. Reading a description of Athina Rachel Tsangari’s Attenberg, one might worry that she has committed the double-sin of embracing two of the more increasingly overused and deplorable ones: 1) the “stunted-to-the-point-of-retarded adult-child;” and 2) the “quirky […]
by Michael Tully on Mar 7, 2012 -
YORGOS LANTHIMOS’ “ALPS” GOES TO KINO LORBER
Kino Lorber has acquired U.S. rights to Greek filmmaker Yorgos Lanthimos‘ Alps, the follow-up to his Oscar-nominated cult hit Dogtooth. According to indieWIRE, the film will be released in the spring of 2012. Kino also released Dogtooth in the States. The fourth feature by Lathimos, Alps follows an unusual group who offers grieving family members the opportunity to have their troupe reenact and continue the lives of deceased loved ones. The film premiered at the Venice Film Festival, where it won Best Screenplay, and the Toronto International Film Festival. It will screen next at AFI Fest in L.A. If we […]
by Jason Guerrasio on Oct 17, 2011
