Recorder: The Marion Stokes Project
Image courtesy of Carolyn Funk
“My First Studio, Commercially Made Film”: Ryūsuke Hamaguchi on Solaris, Asako I & II and Japanese Film School
May 22, 2019
“Filmmaking is Like Combat — 90% Boredom, 5% Panic and 5% Terror”: Ken Kelsch on Four Decades as a Cinematographer
May 22, 2019
Cannes 2019 Dispatch 4: Lux Æterna, Jeanne, Young Ahmed
May 22, 2019
48-Hour Flash Sale: Subscribe to Filmmaker at 50% Off!
May 22, 2019
“My Work Has Always Inhabited That Liminal Space Between Desire and Compulsion”: Five Questions for Michelle Handelman On Her New Installation at signs and symbols
May 21, 2019
Back to One, Episode 59: Lance Reddick
May 21, 2019
Cannes 2019 Dispatch 3: Little Joe, Liberté
May 20, 2019
IFP Announces 2019 Documentary Lab Fellows and Projects
May 20, 2019
“Talking About It is One Thing, Making a Movie About It is Something Else”: Abel Ferrara and Nicola Nicolaou Share Old-School NYC Movie Memories
May 18, 2019
Now that Roma is available for all on Netflix, it’s as good a time as any to revisit the earliest work of Alfonso Cuarón. Made in 1983, when he was a 22 year-old film student in Mexico City, Quartet for the End of Time bares a strong [...]
