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Julie Kirkwood on set with Nicole Kidman (photo: Sabrina Lantos)
“This Was Like Designing for Six Different Leads and Six Different Backgrounds”: Costume Designer Mary Zophres on The Ballad of Buster Scruggs
Jan 15, 2019
“There is a Misconception that Cutting Action is not an Intellectual Endeavor”: Debbie Berman on Editing Black Panther
Jan 15, 2019
Back to One, Episode 41: First Reformed‘s Ethan Hawke
Jan 15, 2019
Can Critics’s Awards and Top Ten Mentions Boost Revenues for Independent Films?
Jan 14, 2019
“Lights are Your Friends, but Sometimes They Don’t Need to Come Around to the Party”: Cinematographer Robbie Ryan on Shooting Yorgos Lanthimos’s The Favourite
Jan 12, 2019
Steve Bannon, Michael Jackson Docs Added to the 2019 Sundance Film Festival
Jan 9, 2019
Grappling with “Insider” and “Outsider” Documentary Filmmaking: Sally Rubin on hillbilly
Jan 9, 2019
Made Visible: The 2018 Hawai’i International Film Festival
Jan 8, 2019
Back to One, Episode 40: Aidan Gillen
Jan 8, 2019
Now that Roma is available for all on Netflix, it’s as good a time as any to revisit the earliest work of Alfonso Cuarón. Made in 1983, when he was a 22 year-old film student in Mexico City, Quartet for the End of Time bares a strong [...]
