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in Filmmaking
on Mar 27, 2007

In the current New Yorker, David Denby reviews Shooter and articulates a possible new action movie formula for the post-BushCo age:

On the surface, the movie offers liberal ideological sentiments: it condemns covert overseas operations controlled by oil interests; it’s angry at the higher-ups who escaped blame for Abu Ghraib; it exhibits a clear distaste for the person and values of Dick Cheney. But it places these sentiments within a matrix of gun culture and lonely-man-of-honor myths. Swagger is the latest incarnation of Rambo, the anti-government crazy. The filmmakers may be trying to appeal both to liberals and to the Pat Buchanan conservatives who hate big government and multinational corporations and want American warriors to stay home. The clash of political currents suggests the degree of confusion roiling Hollywood at the moment. How do moviemakers find military heroes in the midst of an unpopular overseas war?

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