The Blue Velvet Project: A Confession
As author of The Blue Velvet Project—which owes a moral debt to the Dogme 95 movement, whose practice of constraint was an inspiration—I feel obligated to make this public statement of confessions regarding the rigors of the project. This is done in the spirit of Thomas Vinterberg’s confession regarding his film The Celebration.
Despite the fact that I promised Mr. Macaulay, Filmmaker Editor-in-Chief, that I would compose each entry “well ahead of time,” I confess that the following posts were composed the day of posting:
I confess to posting—out of unreasonable affection for the frame in question—on the same frame twice, concocting the flimsy ruse of “part 2” as a means to justify this selfish act.
I confess to the desire to “step frame” the DVD forward to avoid Jeffrey’s eyes being closed in post #73. However, I resisted this temptation.
I confess to knowing well ahead of time that I would use the Comolli and Narboni quote in post #25. In fact, no matter what frame post #25 would have revealed, I was prepared to use that quote, thereby jeopardizing the spirit of surprise and spontaneity that characterize the project.
I hereby declare that all previous Blue Velvet Project entries up to this point have been created following both the letter and the spirit of the agreement between myself and Mr. Macaulay, and that I will endeavor to remain faithful to this agreement for the remainder of the project.
Pleading for absolution, I remain
Over the period of one full year — three days per week — The Blue Velvet Project will seize a frame every 47 seconds of David Lynch’s classic to explore. These posts will run until second 7,200 in August 2012. For a complete archive of the project, click here. And here is the introduction to the project.