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The Way It Is Now
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Latest News
Andrew Gillis in Werewolf (courtesy of La Distributrice
de Films)
Why I Am Hopeful: Programmer Eric Allen Hatch on the Future of Arthouse Programming
DP Larkin Seiple Breaks Down Every Shot from Childish Gambino’s “This Is America “
Adam Driver and John David Washington in BlacKkKlansman
Cannes Dispatch #5: BlacKkKlansman, The House That Jack Built
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Why I Spent Months Making An Archival Documentary about The Slenderman
Jun 19, 2018
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Diversity, Immersion and the Rise of Short-Form Content: A Report from the 2018 Sheffield Doc/Fest
Jun 19, 2018
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Unresolved Pain and the Spanish “Pact of Forgetting”: Almudena Carracedo and Robert Bahar Discuss The Silence of Others
Jun 19, 2018
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Back to One: Actor Glen Powell on Developing His Process and Starring in the Netflix Comedy, Set it Up
Jun 19, 2018
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Jim McKay on His Return to Feature Filmmaking, the Soccer-Themed Drama, En el Séptimo Día
Jun 18, 2018
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The Truth About Hollywood: On Ben Fritz’s The Big Picture: The Fight for the Future of Movies
Jun 18, 2018
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“The Film Became About What Growing Up in the Midst of a War Does to a Child… ”: Simon Lereng Wilmont on The Distant Barking of Dogs
Jun 18, 2018
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More American Graffiti and Spetters: Jim Hemphill’s Weekend Blu-ray Picks
Jun 15, 2018
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“Making a Good Movie Has to Come from the Heart, Not from a Mental Understanding of an Issue”: Matthieu Rytz on Anote’s Ark
Jun 15, 2018