The following article on film-set COVID-19 safety departments was originally published in Filmmaker‘s Fall, 2020 print issue.  When Heather Drake-Bianchi landed her first job as a COVID-19 compliance supervisor, the New York–based set medic didn’t realize the gravity of the responsibility she’d been given. “At first, I thought I was just going to be like a ’set medic plus,’ Drake-Bianchi said. “Then, on day one of the shoot, when we did the first morning safety briefing, one of the producers said, ’Just so everybody knows, whatever Heather says goes. She has the capacity to shut this entire shoot down.’” Drake-Bianchi’s […]

Folks who go to artist residencies fall into one of three categories. There are the artists for whom the time and space is more an experiential tool (we’re looking at you, social practitioners), those who strike a healthy balance between socializing and accomplishing an elevated amount of creative work, and those who disappear into an antisocial work bunker, popping up only for communal feedings, knowing upon exiting into the real world they’ll be back in the trenches of freelance gigs, copyediting, teaching work and the reply-all emails that accompany them. I fall into the latter category. Not long ago, I […]

Despite its ironically inviting title, Welcome to Chechnya, a new documentary by director David France, depicts a harrowing tale of escape. The film, which is being released by HBO on June 30, follows a group of Russian activists working to rescue LGBTQ people from a vicious anti-gay government campaign in Chechnya. Beginning in 2017, Chechen authorities detained, tortured and, in some cases, forcibly disappeared more than 100 (likely many more) members of the gay community, according to reports by journalists and human rights groups. Paced like a spy thriller, the documentary captures the Chechens’ perilous journey, aided by the Russian […]

Just as the marketplace for independent features is shifting on the distribution side, so is the world of film financing. Since 2009, raising financing for low- to mid-budget films has been in a state of flux, a series of changes now culminating in the dominance of streaming platforms, which are disrupting traditional territory-based sales models while also employing inscrutable algorithmic methods to guide their purchasing decisions.  “The middle has dropped out, and budgets are getting smaller,” says Matthew Helderman, partner in BondIt Media, which provides credit financing for film and television productions. Projects that a few years ago might have […]

“We tried to do everything we could.” “What do you mean?” “You know what I mean. He’s gone. And we couldn’t do nothing about it.” So kicks off an iconic sequence in Martin Scorsese’s Goodfellas, the emotional summit of a movie that’s basically one iconic sequence after another: the moment on the pay- phone when Jimmy “The Gent” Conway (Robert De Niro) hears his old friend Tommy DeVito (Joe Pesci) has just been whacked. Jimmy doesn’t just hang up — he bashes the phone into the receiver, finally stomping the booth into the ground between muffled sobs while the film’s narrator, […]