Kyle Patrick Alvarez did something many, many writers and filmmakers have never been able to do. He attained the rights to a David Sedaris short story. Alvarez’s second feature film, C.O.G, is the first film adaptation of Sedaris’ work. Perhaps somewhat unexpectedly, C.O.G wanders from Sedaris’ narrative and is instead imbued with Alvarez’s own personal experiences, which is what attracted him to adapting the story in the first place. The movie follows David, Jonathan Groff (Spring Awakening), as he spends the summer in Oregan on an apple farm. While David has high expectations for his time in this rural area, he ends up […]
by Alexandra Byer on Jan 20, 2013On January 1, 2009, a Bay Area Rapid Transit officer shot and killed unarmed 22 year-old Oscar Grant, who was being detained on the BART train’s platform for alleged fighting. With the help of cellphone cameras, witnesses filmed the officer shooting Grant and both the footage and news went viral. When the officer was convicted of only involuntary manslaughter instead of second degree murder or voluntary manslaughter, peaceful protests turned violent and riotous throughout the Bay Area as the city made its anger known. Raised in the Bay Area himself, Ryan Coogler tackles the sensitive topic of Oscar Grant’s life […]
by Alexandra Byer on Jan 19, 2013I don’t have a film premiering at Sundance this year, though not for the lack of trying. I don’t have an awesome, all inclusive ticket package or badge, and my name doesn’t pop up on guest lists at premiere parties. I am a young producer hustling my way through the arduous independent film landscape and lucky to be at the Sundance Film Festival. I’m here with my film collective, The Spirit Farm, and with a few projects on my slate. I’ve decided to catalog my time at Sundance bouncing between movies and meetings, cocktail parties (that I can squeeze my way […]
by Alexandra Byer on Jan 19, 2013Cutie and the Boxer functions as a love story about a couple and their devotion to their individual art. Zach Heinzerling’s directorial debut concerns itself with the difficulties of marriage, but also the trials of being an artist. After meeting Ushio and Noriko Shinohara in Brooklyn through a friend, Heinzerling was immediately fascinated by their relationship and lifestyle – two extremely different artists in attitude, age, and craft who have been married and lived together for over 40 years. Cutie and the Boxer came together over five years. Two or three years spent solely on getting to know Ushio and Noriko […]
by Alexandra Byer on Jan 19, 2013James Ponsoldt is no stranger to the Sundance Film Festival. His last two feature films, Smashed and Off the Black, both premiered in Park City, with Smashed winning a Special Jury Prize in 2012. The Spectacular Now, Ponsoldt’s third film, premieres today. Working from the novel by Tim Tharp of the same name, (500) Days of Summer‘s screenwriters Scott Neustadter and Michael H. Weber adapted the story about a popular high school boy with an emerging drinking problem who finds himself drawn to a girl of a lesser social status. Miles Teller (Project X) and Shailene Woodley (The Descendants) star […]
by Alexandra Byer on Jan 18, 2013After premiering his short film at the Sundance Film Festival in 2002, director John Krokidas vowed to be back two years later with his first feature film. Krokidas found that it took a bit longer than anticipated to get his film to Park City, but eleven long years later, Kill Your Darlings premieres in competition today at Sundance. The Beat generation has been a popular subject of films lately, but rather than adapt a Kerouac book or Ginsberg poem, Krokidas follows the nascent writers during their days at Columbia University and one particular event that shaped their future work and careers. In 1944, […]
by Alexandra Byer on Jan 18, 2013Emanuel and the Truth About Fishes is Francesca Gregorini’s second feature film, but her first solo directorial undertaking. Influenced strongly by surrealism and her own personal struggles with loss, Gregorini’s film, which she also wrote, follows a teenage girl, Emanuel (Kaya Scodelario, Wuthering Heights), who struggles to comprehend her mother’s death. When a woman eerily similar to her deceased mom moves in next door, Emanuel finds ways to interact with her and develop a new relationship, learning they have more in common than anticipated. Emanuel and the Truth About Fishes explores how both children and adults cope with death and […]
by Alexandra Byer on Jan 18, 2013This Friday, Roadside Attractions releases Nicholas Jarecki’s debut feature, Arbitrage. The following interview was originally published on the eve of the film’s Sundance Film Festival premiere. Currently best known for his documentary The Outsider, Nicholas Jarecki is poised for reevaluation with Arbitrage, his narrative directorial debut. Jarecki spent a long time ruminating over what kind of story he wanted to tell, ultimately deciding on a thriller set within a world he knew quite a bit about. Set amidst today’s tumultuous economic terrain, Arbitrage considers the ethics of a hedge-fund mogul. The film has already garnered attention thanks to its A-list ensemble, […]
by Alexandra Byer on Sep 11, 2012Tomorrow Tribeca Film releases So Yong Kim’s latest feature, For Ellen. The following interview was originally published on the eve of the film’s Sundance Film Festival premiere. After winning over half a dozen festival prizes for her first two feature films, So Yong Kim has spent the last few years producing for her husband, Bradley Rust Gray (The Exploding Girl), and developing and writing her newest movie, For Ellen. Similar to her previous films, For Ellen’s narrative derives from Kim’s own experiences growing up. Brought together through the character of a young man traveling to see his daughter for the […]
by Alexandra Byer on Sep 6, 2012Bart Layton’s excellent The Imposter, one of the most inventive and cinematic documentaries of recent years, opens theatrically today. The following interview was originally published on the eve of its Sundance Film Festival premiere. More and more often different mediums and genres of filmmaking are being meshed together and Bart Layton’s newest documentary The Imposter is no different. The film’s official synopsis declares, “Documentary meets Film Noir in this astonishing true story which has all the twists and turns of a great thriller.” But this is not just a hoax to get people into the theatre. Based on an extremely […]
by Alexandra Byer on Jul 13, 2012