Authors — Brandon Harris
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Last Dance Before Trumpism: Eastern Oregon, Park City (Virtual) and Rotterdam
In retrospect, it seems like it was the last glimmer of something. We were all in Eastern Oregon again, the loose circuit of folks who gather annually for the tiny two-and-a-half day, two-venue film festival that takes cinephilia to the reddest corner of a blue state. The election was just a few weeks off. No one seemed particularly bothered about it, seeing as the weekend before all the talk had been about the #BillyBushTapes and how could an admitted sexual assailant become the President anyway, puhleeze? It wasn’t hard to encounter a Trump/Pence sign in La Grande, though. It’s a largely […]
by Brandon Harris on Feb 4, 2017 -
Fear and Loathing and Black Rebels in Rotterdam
Being an American in rainy, gray Holland now, one feels compelled to apologize all the time. The 46th International Film Festival Rotterdam is halfway through and during the days I’ve been here, the 70-year-old old post-war liberal order seems to be collapsing all around us. It’s hard not to feel the twinge of embarrassment and guilt. That liberal order, one which has been enforced as often by violently repressing ostensible threats to its hegemony as by “spreading democracy and economic growth,” in the insufficient neoliberal sense, is finally being done away with, not by guerrillas and communist radicals but by the […]
by Brandon Harris on Jan 30, 2017 -
Inside Looking Out: Barry Jenkins on Moonlight
Occasionally a movie has the look and feel of something totally original, immediately allowing one to see the protean leap its maker has taken from novice to master. Someday, when the American movie landscape is no more, simply the purview of art historians who live on Mars or on ocean front property in what we used to call Indiana, people will still regard Barry Jenkins’s startlingly effective Moonlight as a unique and supple flower, the kind of heartrending experience that gives rise to the notion that motion pictures can be a lasting, emotionally resonant art form. Drawn from MacArthur “genius” […]
by Brandon Harris on Oct 20, 2016 -
On the Southern Circuit in the Time of October Surprises: Sidewalk, Third Horizon Caribbean and Hot Springs Film Festivals
Birmingham, tucked right in the middle of Alabama, is easily the biggest city in “the heart of Dixie”; its 1.1 million-person metropolitan area dwarfs the populations of Huntsville and Mobile, Montgomery and Tuscaloosa. The central business district, like that of many American cities that haven’t gentrified after white flight, can feel eerily vacant on the weekends or at night. But during the Sidewalk Film Festival, whose 18th edition was held on the final weekend of August, the center of its modest downtown contains many wonders. Sidewalk knows how to throw a party; in front of the historic Alabama theater, the street is […]
by Brandon Harris on Oct 20, 2016 -
Summer Festivaling, Part 1: On Seattle, BAMCinemaFEST, Oak Cliff
By the time most of the prominent guests, critics and industry hangers-on arrive at the Seattle International Film Festival every year, the show is almost over. The red carpet is rolled out for “gala” screenings during each of its four weekends, but the well-orchestrated influx of movie business types occurs only at the end of the affair. To say, as a visiting film critic — one who might enjoy the luxury of the Kimpton hotel guest lodging, or the effortless springtime beauty of the Emerald City — that you have any handle on the entirety of programming director Beth Barrett’s […]
by Brandon Harris on Jun 24, 2016 -
Primary Colors: On the Sun Valley and Miami Film Festivals in the Hour of Republican Reckoning!
Despite the complete lack of interest from much of the population — and assuredly the tax incentive and rebate-averse Idaho State Legislature, the same one chronicled by Frederick Wisemen a decade ago in one of his lengthy, late-career epics — film culture is thriving in the Gem State. There’s no more evidence of this than the fifth annual Sun Valley Film Festival, directed by Ted Grennan in a relaxed, welcoming style and inventively programmed by Laura Mehlhaff. And while the absence of incentives might hamper both Hollywood and indie productions from coming here — during the Q&A for a local […]
by Brandon Harris on Mar 24, 2016 -
The Origins and Challenges of Cartel Land, Amy, What Happened, Miss Simone? and Winter on Fire
Few festivals do a better job of rounding up the year’s most enticing documentaries than the always charming Savannah Film Festival. During its 18th edition last fall, the festival — largely curated by publicist Steven Wilson and entertainment reporter Scott Feinberg on behalf of the Savannah College of Art and Design — brought many of the leading lights in documentary filmmaking to the northeastern corner of Georgia for its second annual “Docs to Watch” sidebar. The culmination of the program is a panel, moderated by Feinberg, that includes a smorgasbord of directors whose movies will figure prominently in the award season races to […]
by Brandon Harris on Feb 22, 2016 -
Park City Critic’s Notebook: Suicide Watch
Sundance went into a frenzy over the weekend over flatulent corpses and new corporate money. While the rash of walkouts that greeted the world premiere of Swiss Army Man, in which the remains of Harry Potter pass gas and gets a boner for a significant amount of the running time, was the festival’s peak viral moment thus far, on the business end of things Amazon Studios and Netflix are proving to be the most muscular and hungry distributors at the festival. Amazon acquired well received new films from indie film veterans Kenneth Lonergan (Manchester By the Sea, of which early notices have made […]
by Brandon Harris on Jan 25, 2016 -
Park City Critic’s Notebook: Mermaid Feelings
On the first day of the 2016 Sundance Film Festival, before the Opening Night films — a seemingly lukewarm cancer movie and the newest from the ever-prolific Rachel Grady and Heidi Ewing — Robert Redford couldn’t help himself. Although the 79-year-old actor offered boosterism for almost every aspect of the global brand that is Sundance, he was less rosy when discussing the business and culture of independent film itself, which his visionary endeavor has helped popularize for four decades. In 2007, when the specialty divisions of big studios had yet to collapse, or be folded into the larger corporate apparatus […]
by Brandon Harris on Jan 23, 2016 -
“As Far as I’m Concerned, We Are Making the Movie Version”: Sam Esmail on Mr. Robot
It remains unclear at what point this century cyberpunk — a science-fiction subgenre that emerged largely from the pens of William Gibson and Philip K. Dick — leapt from the realm of speculative to historical fiction; everywhere one looks, it seems that moment has arrived. Many (if not most) westerners live connected to a cyberpunk meta-narrative of their own making these days. We can all be certain, in the era of Edward Snowden, that our digital lives are being recorded. A dystopian view of computing and information technology’s potential, along with a skeptical eye toward vision of “technological as social progress” that corporate propagandists hurl […]
by Brandon Harris on Nov 24, 2015
