Authors — Jim Hemphill
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“The Episodes Generate Their Own Lives”: John Peter Kousakis on Directing the “No-Rules” NCIS: Los Angeles
John Peter Kousakis began his career in 1979 as a production assistant on the television mini-series The French Atlantic Affair, which led to work as a second assistant director on CHIPS. From there Kousakis worked as an AD on some of the most popular series of the era, including The Greatest American Hero, The Fall Guy, and The A-Team, but he caught the directing bug during his first foray into features, working as a second AD on the Burt Reynolds-Hal Needham car chase extravaganza Cannonball Run II. Since then he has moved back and forth between production management positions and […]
by Jim Hemphill on Sep 21, 2018 -
Into the Spotlight: Bradley Cooper on A Star is Born, Consulting with Terrence Malick and Shooting his First Feature in 42 Days
Bradley Cooper’s directorial debut, A Star is Born, is the kind of movie that feels as though it contains decades’ worth of saved-up ideas and feelings, yet never strains under the weight of its ambition. It’s simultaneously sweeping in its scope and razor-sharp in its clarity, passionate and exuberant but restrained and confident. Although the tale has been told several times before, most memorably in George Cukor’s 1954 CinemaScope extravaganza, Cooper (who collaborated on the screenplay with Eric Roth and Will Fetters) makes it his own by using the basic premise as a springboard for a sophisticated meditation on fame […]
by Jim Hemphill on Sep 17, 2018 -
Scenes from a Marriage, Gloria and Rapid Fire: Weekend Blu-ray Viewing from Jim Hemphill
When Ingmar Bergman wrote the script for his six-part, five-hour miniseries Scenes From a Marriage in 1973, his wife told him that it was far too personal to connect with a wide audience. She was right about its specificity, but wrong about its appeal — when the show premiered on Scandinavian television it was a smash hit, leaving the streets deserted every night that it was on. Bergman re-edited the material into a feature film of around half the length for theatrical distribution in the United States, where it became a hit on the art house circuit on the heels […]
by Jim Hemphill on Sep 14, 2018 -
Buddies, Bound and First Reformed: Jim Hemphill’s Weekend Blu-ray Recommendations
One year before the release of Parting Glances and four before Longtime Companion, Arthur Bressan Jr. wrote, produced, directed and edited Buddies (1985), one of the first narrative feature films to put AIDS front and center as a subject. It might be the first, but the television movie An Early Frost aired at around the same time, and in any case, I’ve learned not to make claims for anything being the absolute first when it comes to film history since there are inevitably obscurities that elude even a guy like me who spends every waking hour watching and thinking about […]
by Jim Hemphill on Aug 24, 2018 -
“It Was No Gang, It Was One Guy, and He Wasn’t Really a Killer”: Producer and Star Edward James Olmos on The Ballad of Gregorio Cortez
One of the greatest and most criminally overlooked Westerns in the history of cinema arrives on Blu-ray and DVD this week in the form of the Criterion Collection’s release of Robert M. Young’s The Ballad of Gregorio Cortez. A landmark independent film that kicked off the Chicano cinema movement of the 1980s (a movement that would include movies as varied as El Norte, Stand and Deliver, and Born in East L.A.), it’s a genre piece without a shred of manipulation or sentimentality; director Young and producer Edward James Olmos, who also stars in the title role, tell their chase narrative […]
by Jim Hemphill on Aug 16, 2018 -
Jim Hemphill’s Weekend Home Viewing Recommendations: The Day After and NCIS: New Orleans — The Fourth Season
One of the bleakest, most affecting and most expertly directed movies ever made for television arrives on Blu-ray this week in the form of Kino Lorber’s special edition of Nicholas Meyer’s The Day After. When it first aired on ABC on November 20, 1983, Meyer’s harrowing vision of the impact of a nuclear war on a Kansas town was a phenomenon — over a hundred million people tuned in, making The Day After the highest rated TV-movie in history. It also happened to be one of the most powerful and sophisticated thanks to Meyer’s uncompromising approach to his material (an […]
by Jim Hemphill on Aug 10, 2018 -
“I Had a 40-Year Career That Was Mostly Just Riven with Existential Panic”: Two and a Half Men Co-Creator Lee Aronsohn on his Debut Doc, 40 Years in the Making: The Magic Music Movie
Lee Aronsohn was a college student in the early 1970s when he discovered Magic Music, an acoustic band based in Boulder, Colorado that attracted a devoted following thanks to their beautiful harmonies, memorable lyrics and bohemian lifestyle. In spite of flirtations with a number of record labels, the group never took off — they never even released an album — and by 1975 they broke up. Forty years later, Aronsohn — now one of the most successful writer-producers in the history of sitcoms thanks to his work on Murphy Brown, The Big Bang Theory and Two and a Half Men, […]
by Jim Hemphill on Aug 9, 2018 -
Classic 3D, the WW2 Doc Strange Victory and Billy Budd: Jim Hemphill’s Weekend Viewing Recommendations
If you’re in Los Angeles, this weekend offers a rare opportunity to see classic 3-D films projected in 35mm as the American Cinematheque and LACMA kick off their “Double Vision” series. Highlights include a screening of Friday the 13th Part III, which is perhaps the most shamelessly fun 3-D movie of all time as it exploits the technology to toss everything from yo-yos to eyeballs into the audience’s lap (it’s also the movie that introduced Jason’s iconic hockey mask); a double feature of the 1983 cult favorites Metalstorm and Rottweiler; and a presentation of Lamont Johnson’s criminally underrated Spacehunter: Adventures […]
by Jim Hemphill on Aug 3, 2018 -
John Carpenter, Stuart Gordon and Brian Yuzna, and an Obscure Discovery for Die-Hard Horror Fans: Jim Hemphill’s Weekend Viewing Recommendations
After writing and directing the most savage, uncompromising film of his career with the independently financed They Live (1988), John Carpenter made one last stab at big-budget studio filmmaking with the 1992 Chevy Chase vehicle Memoirs of an Invisible Man to disappointing commercial and critical results. In spite of its reception at the time, however, Memoirs is a fascinating film on a number of levels – more fascinating, perhaps, than Carpenter realizes. It’s one of his few movies on which he declined to take a possessory credit, but Carpenter’s signature is all over Memoirs in its deft juggling of emotions […]
by Jim Hemphill on Jul 27, 2018 -
“I Don’t Care If It Never Shows in a Theater”: Steven Soderbergh on sex, lies, and videotape, 4K HDR and the Studio System
Some films make a splash on their initial release and are largely forgotten just a few years later; others are ignored but rise in stature with the passage of time. Steven Soderbergh’s 1989 debut sex, lies, and videotape is one of those rare movies that was a phenomenon in its time and has only gotten better with age, a razor-sharp exploration of the ways in which we lie to each other and ourselves and an inquiry into what those lies say about our relationships, our desires, and our society as a whole. An extremely specific movie about a precise social […]
by Jim Hemphill on Jul 20, 2018
