The Mekons are the ultimate cult band. They may not have a huge audience, but their hardy host of admirers takes the British-born band and its three-and-a-half-decade history very seriously. The Mekons emerged as U.K. post-punk’s art-school pranksters in the late ’70s, and after major shifts in personnel and approach, eventually evolved into a sort of sonic polyglot encompassing folk, country, world music, and more. Throughout their rough-and-tumble career they’ve maintained a doggedly DIY modus operandi, eschewing complacency and creating more and more fodder for the intensity of their underground acclaim. At the start of 2008, another impassioned admirer, documentarian […]
by Jim Allen on Nov 14, 2013In 2000, IFC Films released Spring Forward, the first feature directed by actor Tom Gilroy. Starring Ned Beatty and Liev Schreiber, it’s a quiet, unassuming film full of carefully observed interpersonal intricacies, focusing on the growth of the two men’s relationship over the course of a year while they work for the Parks Department in a small Connecticut town. One of the smartest, subtlest indie films of its era, Spring Forward won awards and an impressive array of rave reviews. Nevertheless, it took Gilroy nearly a decade to get going on his second feature, The Cold Lands, which is only […]
by Jim Allen on Jun 18, 2013If you had an inside connection to a true-life tale in which sex, drugs, and rock & roll were part of the path to spiritual salvation for a ‘70s L.A. hippie cult group, wouldn’t you want to make a movie about it? Jodi Wille and Maria Demopoulos’s documentary, The Source Family, offers up an intimate history of the group led by Father Yod, A.K.A. Jim Baker. A successful, charismatic businessman, Baker had a late-1960s spiritual awakening leading to his establishment of a religious commune whose initial hub was his popular Sunset Strip health-food restaurant, The Source. After adopting his newly […]
by Jim Allen on Apr 30, 2013New Yawk New Wave has been running at Film Forum since January 11 but still has a couple of precious days of life left. In a way, it’s one of the more ambitious curatorial projects to emerge from the theater’s august archivists. The series isn’t bound to a single era (it encompasses the period from 1953 to 1973), genre (everything from madcap comedy to downcast drama makes an appearance), or even style (there’s New Wave, cinema vérité, post-noir, and whatever you want to call Robert Downey Sr.’s still-photos-plus-voiceovers oddity, Chafed Elbows). Besides New York origins, the main thing this wildly […]
by Jim Allen on Jan 30, 2013Dave Grohl has a history of fruitfully redefining himself. After Nirvana self-destructed, he went from being the former drummer for one the most momentous rock bands of the 20th century to being the frontman for one of the biggest acts of the 21st, Foo Fighters. So it shouldn’t seem too surprising to find him making a successful broad jump from musician to documentarian, especially with a project is as close to his heart as Sound City. Opening its doors in 1969, L.A.’s Sound City Studios was low on frills and gloss, but boasted an almost magical live-room ambience and a […]
by Jim Allen on Jan 18, 2013“On a set I feel like the strongest person in the world,” says Mikael Buch, quickly adding, “In real life, things are far more complicated!” Buch’s new film, Let My People Go!, is his first full-length feature. But in directing and co-writing this frisky combination of sexual farce, romantic comedy, and family drama revolving around a young, gay, Jewish Frenchman named Ruben (Nicolas Maury) and his international misadventures, Buch had some stalwart support, including co-writer Christophe Honoré and actor Carmen Maura (of Women on the Verge of a Nervous Breakdown fame). “All these people gave me the confidence I needed,” says […]
by Jim Allen on Jan 11, 2013In 1965, a rough-and-tumble band of rock ‘n’ roll upstarts called The Rolling Stones were just beginning to build their legend, when wily manager Andrew Loog Oldham engaged English documentarian Peter Whitehead to follow the band around for a couple of days during a short stint in Ireland. The result was Charlie Is My Darling, a cinéma vérité snapshot of an era when the cultural revolution was only just beginning to crack the façade of the Old World. We see the young Mick Jagger, Keith Richards, Brian Jones, Bill Wyman, and Charlie Watts (who gives the film its title) brainstorming […]
by Jim Allen on Nov 23, 2012In Fred Won’t Move Out, writer/director Richard Ledes digs into one of American film’s most fertile fields by tapping the improvisational abilities of Elliott Gould. Ledes last directed Gould for the 2008 corporate-crime thriller The Caller, but when he decided to do a smaller, more personal story inspired by his own family, Ledes turned once more to the veteran actor’s versatile skills. The impetus for the film came from the director’s own experience with his aging, infirm parents and their inability to maintain their lives in the house where Ledes had grown up. The characters were inspired by the members […]
by Jim Allen on Oct 4, 2012No one can say actor/musician Ryan O’Nan didn’t pull his weight in his directorial debut, Brooklyn Brothers Beat The Best, which makes its theatrical debut on September 21 via Oscilloscope Laboratories. Besides directing, writing, and starring in the film, O’Nan wrote and sang most of the songs on the soundtrack (album out 9/18 on ATCO Records). A 2011 IFP Narrative Labs project that premiered at Toronto last year, Brooklyn Brothers is the story of two ne’er-do-well musicians who make an unlikely alliance, embarking on the kind of quixotic journey that’s tailor-made for a buddy movie. But O’Nan’s film finds itself […]
by Jim Allen on Sep 18, 2012Boyd Tinsley’s name and face are known to millions of admirers all over the globe – but not for his film work. Tinsley has spent the past two decades of his life as the violinist for the Dave Matthews Band, going platinum dozens of times over. But with the release of Faces In The Mirror, Tinsley enters into the world of film for the first time, adding producer and screenwriter to his resume. Though the actors in Faces don’t sing, it’s almost a sort of cinematic opera. The film follows the personal odyssey of Ben (Ryan Orr), a man who […]
by Jim Allen on Aug 28, 2012