Authors — Mary Anderson Casavant
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IFP’s ANNUAL SCRIPT TO SCREEN CONFERENCE
Ah, there’s nothing quite like the smell of pitches in the morning. This past Saturday, the IFP kicked off its annual Script to Screen Conference with five brave writers pitching their scripts to a panel of producers and agents. Although all the panelists agreed that it was useful for writers to compare their projects to other films (a practice known as “using comps”) Peter Van Steemburg, the Director of Acquisitions at Magnolia Pictures, warned against using obvious ones such as “Juno or Napoleon Dynamite,” recommending that if you are pitching something that’s a lot like another movie, you should […]
by Mary Anderson Casavant on Mar 7, 2011 -
Resurrect Dead : The Mystery Of The Toynbee Tiles Director Jon Foy
There are few professions in the world that demand more from their practitioners than documentary filmmaking — most filmmakers spend years (if not lives) toiling away in obscurity, with little keeping them going beside the faith that theirs is a story worth sacrificing everything for. Sundance newbie, Jon Foy, is certainly a man of faith — his feature debut, Resurrect Dead, was entirely self-funded by a series of odd jobs. When he got the call that the film he’d been working on for five years was going to be at Sundance, he was working as a house cleaner. The […]
by Mary Anderson Casavant on Jan 24, 2011 -
“THESE AMAZING SHADOWS” DIRECTORS PAUL MARIANO & KURT NORTON
Although any cinephile worth his salt knows that movie watching is but a fleeting experience, few comprehend that it may be one they won’t be able to repeat. The studios who produce films aren’t museums — they’re in the business of protecting their own assets, not our cinematic history. Without intervention, scenes, moments and entire back catalogues might be lost to the inevitabilities of decay. Sundance newcomers Paul Mariano and Kurt Norton’s These Amazing Shadows tells the story of the National Film Registry, a government-appointed body that each year adds another 25 films it deems “culturally, historically or aesthetically significant” […]
by Mary Anderson Casavant on Jan 22, 2011 -
“BOBBY FISCHER AGAINST THE WORLD” DIRECTOR LIZ GARBUS
For the lucky few who get in, Sundance isn’t just a festival — it’s a resource. Over the years, the festival has nurtured the careers of a number of documentary filmmakers who went on to become what senior programmer David Courier recently termed “master filmmakers” — filmmakers so good and so respected that the festival had to create the out-of-competition category, “Doc Premieres,” to make sure their work didn’t overshadow the greener directors. It should come as no surprise to anyone in the documentary community to find Liz Garbus’ name in a category reserved for such filmmakers. Garbus’ history with […]
by Mary Anderson Casavant on Jan 21, 2011 -
“PROJECT NIM” DIRECTOR JAMES MARSH
During the past decade, some of the movies’ most crowd-pleasing moments can be found not in ballyhooed Hollywood blockbusters but in documentaries. Doc like Spellbound, Anvil: The Story of Anvil, and The King of Kong: A Fist Full of Quarters are best seen with an audience ready to cheer. The most dazzling example of this trend just might be James Marsh’s Man on Wire, the exhilarating story of Phillipe Petit, a small Frenchman with big dreams. Marsh recounts how the daredevil Petit strung a wire between New York’s Twin Towers and then proceeded to dance between the two skyscrapers — perhaps the […]
by Mary Anderson Casavant on Jan 20, 2011 -
“HOT COFFEE” DIRECTOR SUSAN SALADOFF
No political season is complete without politicians taking up the case of tort reform. Greedy litigants are blamed for everything from clogging up our justice system to running up our medical bills as tort reform advocates take advantage of the fact that everyone hates a lawyer until they need one. With so much misinformation out there, what’s a lawyer to do? Well, if you’re Susan Saladoff, longtime lawyer, first-time filmmaker, you pick up a camera. Using the infamous “McDonald’s coffee case” as her prime example, her debut feature, Hot Coffee, investigates how and why corporations spend millions of dollars drumming […]
by Mary Anderson Casavant on Jan 18, 2011 -
SUNDANCE PREVIEW: INTERVIEW WITH SENIOR PROGRAMMER DAVID COURIER
For the independent film industry, January isn’t just the start of a New Year, it’s also exam season. At this very moment, documentary filmmakers around the world are in edit rooms deep into the night, hoping to ace the Sundance finals. The reward for those late night cram sessions is certainly worth it: the most gifted alumni of previous festival’s have been awarded the best graduation gift of all — a career as a working filmmaker. To find out more about this year’s class, I spoke to David Courier, Senior Film Programmer at the Sundance Institute. Filmmaker: I noticed a lot […]
by Mary Anderson Casavant on Jan 18, 2011 -
“SURVIVING HITLER” AT STRANGER THAN FICTION
Documentary fans have survived many things — Academy shortlists that ignore the year’s best films, the end of the Stranger Than Fiction fall season — but few can claim to have survived as much as the subjects of either Letters Home or Surviving Hitler: A Love Story, the final films of programmer Thom Power’s IFC series. A nine-minute montage created around letters and archival materials, Letters Home tells the story of director Melissa Hacker’s great aunt Freda, a woman who traveled through Germany and Austria in 1945 as a member of the American Army Women’s Army Corps. Hacker, a longtime Stranger […]
by Mary Anderson Casavant on Dec 1, 2010 -
THANKS BE TO “MARLENE” AT STRANGER THAN FICTION
As inflatable stars arrive in Manhattan ready for their Macy’s close-up, one of the biggest stars in the history of film won’t be at the parade — she’ll be at the IFC Center. Tonight, Stranger Than Fiction will feature its penultimate screening, Marlene, a revival of the 1984 documentary about the reclusive film star Marlene Dietrich, directed by Maximilian Schell, an actor who appeared with Dietrich in Judgment at Nuremberg. Presented by John Walter, the director of How to Draw A Bunny and Theater of War, Marlene is partly the story of Dietrich and partly the story of Schell’s dogged […]
by Mary Anderson Casavant on Nov 23, 2010 -
“12TH AND DELAWARE” AT STRANGER THAN FICTION
When I was in a high school in Tennessee, a classmate of mine started crying while discussing a short story about Vietnam. Through her tears, she explained that the soldiers battling for their lives reminded her of all the unborn babies who’d been killed that week. What those of us not on the frontlines of the abortion battle often forget is that for those who feel passionately on the subject, abortion is not just an issue, it’s the only issue. In 12th and Delaware, last night’s entry into the Stranger than Fiction canon, directors Heidi Ewing and Rachel Grady take […]
by Mary Anderson Casavant on Nov 17, 2010
