Authors — Natalia Keogan
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Art School Hangover: Director Martine Syms on The African Desperate
LA-based digital artist and filmmaker Martine Syms makes her feature debut with The African Desperate, a deeply funny and unflinching survey of the embedded racism within what the artist classifies as “elite spaces.” Syms previously made 2017’s Incense, Sweaters & Ice, a 69-minute art installation that depicts three generations of Black women and the nature of their surveillance. With The African Desperate, Syms vies for a more personal angle by centering her film on Palace (frequent collaborator Diamond Stingily), a Black MFA student who’s finishing her degree at Bard College, where the director received her MFA in 2017. While the […]
by Natalia Keogan on Jul 14, 2022 -
Film Streams See Change Fundraiser Spotlights Women Documentary Filmmakers
On July 16, the Omaha, Nebraska based non-profit Film Streams is hosting a local celebration for See Change, the organization’s initiative that strives for gender parity in their programming. The fundraiser will spotlight four women documentary filmmakers, featuring a discussion moderated by Film Streams’ artistic director, Dr. Diana Martinez. The four visiting filmmakers are Ramona Díaz (A Thousand Cuts), Grace Lee (American Revolutionary), Yoruba Richen (The New Black) and Lucy Walker (Waste Land). The event will be held at Film Streams’ Dundee Theater, the longest-surviving cinema in Omaha. Film Streams Executive Director Deirdre Haj, who took on the title last […]
by Natalia Keogan on Jul 13, 2022 -
Watch: Matt Wolf’s 2012 Short I Remember: A Film About Joe Brainard
Filmmaker Matt Wolf has made his 2012 documentary short I Remember: A Film About Joe Brainard available to watch on Vimeo. The film utilizes archival recordings of Brainard reading his seminal 1970 memoir-poem I Remember, as well as videos and photos from the artist’s childhood and NYC exploits. Brainard’s artistic legacy is expansive and multi-disciplinary, encompassing collages, assemblages, paintings and drawings, among other art forms. He was also a prolific writer, often using hand-drawn comics to accompany his poetry and prose. Brainard died in 1994 of AIDS-related complications. Wolf, who was one of Filmmaker’s 25 New Faces of Film in […]
by Natalia Keogan on Jul 13, 2022 -
Trailer Watch: Jeff Baena’s Spin Me Round
With a cast featuring an array of director Jeff Baena’s frequent collaborators, Spin Me Round is likely to fit right in with the filmmaker’s established quirky canon. The trailer shows Alison Brie (who co-wrote Baena’s previous directorial effort, 2020’s Horse Girl) as a woman who wins a company retreat to a so-called “institute” on the outskirts of Florence, Italy—and eventually falls for the extremely Italian CEO. Of course, this idyllic Mediterranean romance quickly gives way to a web of secrets and illusions. Also starring are Aubrey Plaza (Baena’s wife and collaborator since 2014’s Life After Beth), Alessandro Nivola, Molly Shannon, […]
by Natalia Keogan on Jul 12, 2022 -
Trailer Watch: A24’s Bodies, Bodies, Bodes
A new trailer has been released for A24’s forthcoming slasher comedy Bodies, Bodies, Bodies, which is set to hit theaters later this summer. Directed by Dutch actor/filmmaker Halina Reijn with a script by playwright Sarah DeLappe (and based off a story by “Cat Person” writer Kristen Roupenian), the film follows a “nihilistic” friend group that decides to play the titular murder-mystery game on a stormy night in one of their lavish mansions. What starts as a drug-fueled party game soon morphs into a real-life witch hunt when one of the friends is viciously murdered. Frantic to find the killer and […]
by Natalia Keogan on Jul 12, 2022 -
Apply for the Lynn Shelton “Of a Certain Age” Grant
The Lynn Shelton “Of a Certain Age” Grant is now accepting applications. The unrestricted $25,000 cash grant will be offered to a woman, non-binary or trans filmmaker 39 years or older who has not yet helmed a narrative feature. The grant was established by Northwest Film Forum alongside Duplass Brothers Productions in 2020 after Lynn Shelton’s untimely passing. Some of the late, Seattle-based director’s films include We Go Way Back (her 2006 debut feature), Humpday (2009), Laggies (2014) and Sword of Trust (2019). Shelton was inspired to make her first film at age 39 after learning that French auteur Claire […]
by Natalia Keogan on Jul 12, 2022 -
“The Collaboration Process Is What Makes Filmmaking Feel Like Home”: Anpa’o Locke on Sundance Native Lab 2022
With the Sundance Native Lab having returned to a (hybrid) in-person model for the first time in two years, Filmmaker asked 2022 fellows to reflect on their recent experiences through short diary entries. Read the rest of the 2022 cohort’s responses. Before the fellowship, I was feeling anxious. It’s a new environment with new people, cool people. I consider myself introverted, and thus out of my comfort zone. I was still in disbelief that I got chosen for the Full Circle Fellowship; I couldn’t believe that people would want to listen to me. I wasn’t sure of my voice as an […]
by Natalia Keogan on Jul 12, 2022 -
“Have I Mentioned I’m Working on a Sequel?” Leslie Harris on Her Groundbreaking 1993 Film Just Another Girl on the I.R.T.
In 1993, director Leslie Harris had an enormous breakthrough. Her debut feature Just Another Girl on the I.R.T., a coming of age story about a Black teenager named Chantel (Ariyan A. Johnson) who becomes unexpectedly pregnant, premiered at Sundance to overwhelming critical acclaim. The film won the festival’s special jury prize and was picked up by Miramax for distribution, making history as the first film directed by a Black woman to receive a wide-release deal. For Harris, it appeared her burgeoning career was off to an exciting start. However, despite multiple fundraising efforts and a veritable trove of screenplays she’s […]
by Natalia Keogan on May 27, 2022 -
Revolutionary Song: Saul Williams and Anisia Uzeyman on Their Afrofuturist Musical, Neptune Frost
Love and revolution fuel Neptune Frost, an Afrofuturist musical that condemns injustice as much as it inspires joy. The project is a co-directing effort between American poet, musician and actor Saul Williams and Rwandan playwright, actress and filmmaker Anisia Uzeyman—the film’s DP and also Williams’s wife. Chronicling the passionate union of Neptune, a runaway intersex hacktivist (played alternately by Elvis Ngabo and Cheryl Isheja), and coltan miner Matalusa (Burundian-born, Rwandan refugee rapper Kaya Free, credited in the film as Bertrand Ninteretse), the film takes place entirely in Rwanda (the world’s largest coltan exporter) and also features actors from the nearby […]
by Natalia Keogan on Apr 14, 2022 -
“African Spirituality Has a History of Being Demonized in Cinema”: Nikyatu Jusu on Nanny
West African mythology is an integral facet of Nikyatu Jusu’s filmmaking. Whether in her directorial stint on an episode of The CW’s Two Sentence Horror Stories or the melanated day-walking vampires in her short film (and 2019 festival circuit hit) Suicide by Sunlight, the Sierra Leonean-American writer/director has made it her mission to introduce American audiences to the folklore of her heritage. If she also manages to revamp tired (and overly Eurocentric) monster tropes while she’s at it, then so be it. It’s fitting, then, that Jusu’s feature debut Nanny manages to do a little bit of both. When a […]
by Natalia Keogan on Jan 26, 2022
