“All it takes is one good egg.” This refrain is uttered more than a few times throughout the course of Tamara Jenkins’s Private Life, her first feature since 2007’s The Savages. A meditation on marriage, middle age and the haves and have-not’s of fertility, the film stars Kathryn Hahn and Paul Giamatti as an artist couple—she’s a writer, and he runs both a theater group and an artisanal pickle company—desperate to conceive in their 40s. While the pair loads up on IVF hormones and diminishing hopes, they must also make room in their realistically cozy East Village apartment for their […]
by Sarah Salovaara on Sep 17, 2018The unofficial centerpiece of Berlin’s Xposed International Queer Film Festival, Drew Lint’s M/M takes a decidedly unique approach to the identity-swapping thriller. Somewhat reductively categorized as a gender-reversed Single White Female, Lint’s feature debut is a near dialogue-less delve into the darkest recesses of obsession. Matthew (Antoine Lahaie) is a French-Canadian new to Berlin who becomes increasingly fascinated with Matthias (Nicolas Maxim Endlicher). The Berlin-based, Ontario-bred Lint interrogates Matthew’s subsequent identity assumption with hypnotic and occasionally fantastical vignettes, set to the thrums of appropriately dissociative techno. Where films of a similar set-up may stop short of any sort of thesis, […]
by Sarah Salovaara on Jul 10, 2018Keeping on top of the media conversation in 2017 has begun to feel more like an exercise in self-harm than consumption. The dirty laundry is exhaustive and exhausting; we are quick to expose and defile, but quicker to move onto the next victimizer, leaving little lasting resolution in the wake of the penultimate upheaval. At the movies, we look for meaning where we can get it. Plots are politicized to the point where the once ghettoized “issue film” is mutating into standard grade. Even if the latest Thor joint is raking it in at the box office, cotton candy escapism […]
by Sarah Salovaara on Nov 21, 2017At today’s IFP Film Week panel, “Musical Approach to Visual Storytelling,” filmmakers Zia Anger, Celia Rowlson-Hall, Ashley Connor and David Svedosh will discuss their varying approaches to the medium of music videos; collaborations with the likes of Jenny Lewis, Angel Olsen, Mitski, MGMT, and Elliott Moss; and the benefits of working in a pipeline that’s a bit more streamlined than feature filmmaking. Prior to the discussion, the four shared a few thoughts on the experimental tendencies of the medium, its release strategies and much more. As a filmmaker, music videos can afford the opportunity to experiment with images and sound […]
by Sarah Salovaara on Sep 18, 2016With his second feature, How Heavy This Hammer, Toronto-based filmmaker Kazik Radwanski tackles the trope of the seemingly soulless main-child with a formal intensity that is at once casual and rigorous, and all the more unnerving as a result. Erwin (Erwin Van Cotthem) is unable to find anything of value in his life beyond the mental and emotional respite of fantasy computer games and the brutish diversions of rugby matches. His wife and two sons are nothing more than grating obligations, whose needs nearly drive him to the brink of an all out crisis. Radwanski renders these quotidian frustrations – […]
by Sarah Salovaara on Feb 17, 2016Back in 2011, around 50 percent of the films that played the Sundance Film Festival went on to receive distribution. “That was an unacceptable violation of our mission as a nonprofit to connect audiences and artists,” recalls Chris Horton, director of Sundance’s Artist Services, which was founded that same January in an effort to help filmmakers navigate the changing landscapes in funding, marketing and distribution. For the subsequent three years, Artist Services partnered with content aggregator New Video to distribute over 100 Sundance pictures, working with the filmmakers to determine the best possible release and windowing strategies. When Sundance’s deal […]
by Sarah Salovaara on Oct 28, 2015It’s easy to take Frederick Wiseman for granted when he churns out nonfiction masterpieces at such a hair raising clip, but his latest, In Jackson Heights, is not to be missed. At once a paean and an elegy to the Queens neighborhood, Jackson Heights tracks the gentrification of the historically multicultural area, and the grassroots resistance among its immigrant and queer communities. It opens at New York’s Film Forum on November 4.
by Sarah Salovaara on Oct 14, 2015From its opening frames, Isiah Medina’s first feature 88:88 announces itself as a torrential carousel of images and sounds, with one seemingly independent from the next even as they teeter along the same line of questioning. Loosely described as a personal meditation on poverty, friends and family in his hometown of Winnipeg (with scant commonalities to Guy Maddin’s characterization), Medina uses a variety of camera technologies to interrogate a specific situation of young adulthood that nonetheless consumes the viewer in its visceral flashes of intimacy. Filmmaker spoke to Medina about democracy in filmmaking, his concept of the cut, and whether or not he considers his work documentary. 88:88 […]
by Sarah Salovaara on Oct 9, 2015This morning, Vimeo announced a new slate of “Vimeo Originals,” serialized and short form content available for purchase exclusively on the streaming platform. Now that their first Original, High Maintenance, has moved to HBO, Vimeo is going beyond the web series, and into comedy specials and short films. Bianca del Rio’s Rolodex of Hate Comedy Special will premiere in December, while The Outs and Aidy Bryant’s Darby Forever will follow early next year. As much as Vimeo is pushing the envelope in its embrace of different formats and particular demographics, the selections corroborate comedy as internet king. Via Vimeo, below is a rundown of each of the three Vimeo Originals on the […]
by Sarah Salovaara on Oct 8, 2015The great director and artist Chantal Akerman has died in Paris. Filmmaker will have more on Akerman in the days ahead, but here are several of her short(er) films, with the hope that you will all take to Hulu/Criterion, Fandor or even a video store to seek out her feature length masterpieces, a description that doensn’t begin to cover the work of one of the 21st century’s most significant artists. Her final feature, No Home Movie plays tomorrow and Thursday at the New York Film Festival. Lastly, a word from J. Hoberman on his quest to cover Jeanne Dielman for The Village Voice — it didn’t arrive […]
by Sarah Salovaara on Oct 6, 2015