Authors — Scott Macaulay
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I Want to Take You Higher: Josh and Ben Safdie on Heaven Knows What
New York these days: There’s a chain store on every corner, Times Square is a paved-over pedestrian mall with $6 hot dogs and, if you want voyeuristic thrills, you peer into the bedrooms of the luxury condos flush against the beautifully manicured, elevated High Line that’s transformed the West Side. No one wants to reflexively cling to a misplaced nostalgia, but given the blanding of the city’s physical landscape it’s not hard to imagine that the number of urgently jaw-dropping stories in the Naked City is decreasing daily. Fortunately, for those of us who associate New York with subcultural energies, […]
by Scott Macaulay on Apr 28, 2015 -
Parting Shot
There’s a great tradition of acclaimed French actresses crossing over into larger budget Hollywood films, both good and bad: Isabelle Huppert in Heaven’s Gate; Catherine Deneuve in Hustle; Audrey Tautou in The Da Vinci Code. And while there’s a tradition too of French actresses appearing in American independent films — Huppert again in Hartley’s Amateur and, more recently, Adèle Exarchopoulos in, briefly, Matt Porterfield’s I Used to Be Darker — French stars appearing in such uninhibited, ultra-low budget comedies as Patrick Brice’s The Overnight, a Sundance premiere headed to theaters via The Orchard this June, are a far rarer occurrence. […]
by Scott Macaulay on Apr 28, 2015 -
Editor’s Letter
If you’re a regular Filmmaker reader, you know that we’re obsessed about how the world of film is changing. But sometimes whatever is new and upcoming on the horizon has actually already arrived. Have you noticed? All those things that we chatter about here in our line items and articles and in these Editor’s Letters, well, they are almost old news. That is, if you’re not up on the new landscape, you’re not in the game. Compile a list of funders and distributors these days, and you’ll include alongside all the usual suspects Netflix and Amazon, who are now not […]
by Scott Macaulay on Apr 28, 2015 -
I’ll Come Running: Alfonso Gomez-Rejon and Jesse Andrews on Me and Earl and the Dying Girl
Those are people who died, died! They were all my friends, and they died! — Jim Carroll Do you remember your first experience with death? Most likely it was a grandparent passing. Or maybe a parent? Or, quite possibly, someone you knew at school, whether or not that person was a close friend. I remember mine — the younger brother of an elementary school classmate. He’d always prank on his older brother in the line to get into school each day, sneaking up on him from behind and then grabbing his lunch bag. A tug of war would ensue, the […]
by Scott Macaulay on Apr 28, 2015 -
Kickstarter: An Exclusive Clip from Laundry Day
Director Randy Mack is quoted in my “How to Find a Producer” article, discussing the production scene in his hometown, New Orleans. Now, he’s on Kickstarter raising funds for the completion of his dark comedy, Laundry Day. Set over the course of 24 hours in a New Orleans bar, the film is, says Mack, a something cross between Magnolia and Barfly. In an email, he writes, “Laundry Day is a feature-length dark comedy about a bar fight in a 24-hour bar/laundromat/night club between a musician, a gutter punk, a drug dealer, and a bartender. The nonlinear story explores the incident […]
by Scott Macaulay on Apr 27, 2015 -
Gregory Bayne and Christian Lybrook on their Tribeca N.O.W. Series, Zero Point
Screening in the Tribeca Film Festival’s Tribeca N.O.W. section (as in, “new online work”) is Gregory Bayne and Christian Lybrook’s Zero Point, a 45-minute independently-produced pilot for what the two Idaho-based creators hope will be full-on television series. Director, producer and screenwriter Bayne is well known to Filmmaker readers by virtue of his various documentaries (Jens Pulver Driven, Bloodsworth) and opinion pieces, and he’s been at the DIY distribution forefront long before it was in vogue. So, perhaps its appropriate, then, that he and producer and screenwriter Lybrook are now early adopters of a new indie model: rather than make […]
by Scott Macaulay on Apr 25, 2015 -
Jennifer Phang, Nicole Beckwith and Stewart Thorndike Receive Inaugural SFFS Women Filmmaker Fellowships
The San Francisco Film Society announces today three women filmmakers as recipients of its SFFS Women Filmmaker Fellowships, a program supporting women making their second or third features in the genres of science fiction, comedy, action, thriller and horror — areas in which women are traditionally under-represented. Supported by the Kenneth Rainin Foundation, the fellowships are run by Filmmaker360, the Film Society’s filmmaker services department, and they include financial support, programs and events, mentorship services and more. “We’re thrilled to be kicking off this new initiative with such talented individuals, and to help bridge the support gap we have seen […]
by Scott Macaulay on Apr 20, 2015 -
Five Questions for Applesauce Writer/Director Onur Tukel
Onur Tukel’s Summer of Blood was a hit of the 2014 Tribeca Film Festival, a work that saw the Brooklyn filmmaker venture from the relationship comedy drama of his previous pictures towards a sly, anarchic genre tale — in this case, a vampire story. Far from a generic riff on the genre, it contained all of Tukel’s typical emotional queasiness and edgy humor while adding quite a bit of the red stuff. With Applesauce, his latest, Dylan Baker plays the role of a man coaxed into recounting a story from his past on a radio show one day. He probably […]
by Scott Macaulay on Apr 20, 2015 -
Alma Har’el on her Work-in-Progress LoveTrue at the Tribeca Film Festival
Alma Har’el’s 2011 Bombay Beach is one of the most striking feature debuts of any sort, fiction or doc, in recent years. In writing about the film and Har’el for our 25 New Faces of 2011, I called it “not only a loving, deeply empathetic portrait of the diverse characters who make up the town” (a small burg in the Salton Sea) “but also a beautifully poetic cinematic essay on the power — and necessity — of play and self-invention.” Bombay Beach, shot largely by Har’el herself on a handheld, $600 Canon consumer video camera, had style to burn, and […]
by Scott Macaulay on Apr 17, 2015 -
The Power of Story: Previewing the 2015 Tribeca Film Festival
Story. Storytelling. Experience. Community. Story, story, story! Talk to the heads of the Tribeca Film Festival and its programmers, and you’ll soon pick up on the event’s messaging this year. A festival that, as Robert DeNiro said at yesterday’s press lunch, was originally intended to be a “one-time thing” is now something of a New York institution. But it continues to evolve. At a sit down earlier in the week, Festival Director Geoff Gilmore, Tribeca Enterprises Executive V.P. Paula Weinstein and senior programmer Cara Cusamano spoke of today’s film viewing and festival landscape — how we are in, as Tribeca […]
by Scott Macaulay on Apr 16, 2015
