Are you a good writer, knowledgeable about new developments in film and new media, and a reader of Filmmaker? Filmmaker is currently seeking a Contributing Web Editor. This is a paid, part-time position, averaging 10 hours per week, and it involves daily writing and posting to this site. In addition to possessing strong writing, reporting and editing skills, our ideal candidate will have experience with filmmaking itself, including production, post-production and business issues. Our Contributing Web Editor will report on developments of interest to our filmmaking audience, including reports on new equipment and technologies, software and events as well as […]
by Scott Macaulay on Oct 21, 2015
Miami-based filmmaker Carla Forte is one of the three filmmakers I’ll be speaking to tomorrow night at the Miami Beach Cinematheque, and our talk sits right in the middle of the Indiegogo campaign for her latest feature, Ann. Forte is a performer, screenwriter and director, as well as Executive Director of Bistoury Physical Theatre and Film. Read the information below, check out the video above and consider donating to her campaign. From Forte’s Indiegogo page: Ann is a feature film narrating the story of Ruben, a lower-class visual artist who has decided to abandon his tormented life by taking refuge […]
by Scott Macaulay on Oct 21, 2015
I’ll be moderating a Q&A tomorrow night, Thursday, October 22, in Miami with three of the city’s most compelling and original filmmakers: Jillian Mayer, Monica Pena and Carla Forte. It’s the closing night of this edition of the Miami Beach Cinematheque’s “Speaking in Cinema” series, and we’ll be discussing the individual works by these directors that have played at this series as well as the filmmakers’ general practice and thoughts on the Miami scene. Filmmaker readers will be familiar with Jillian Mayer’s work as she, along with partner Lucas Leyva, were selected for our 25 New Faces list in 2012. […]
by Scott Macaulay on Oct 21, 2015
On Wednesday, October 28, Filmmaker Magazine will be presenting at the IFP’s Made in New York Media Center a Master Class on filmmaking with the provocative Paris-based, Argentinian auteur Gaspar Noé. As his latest film, Love, a romantic melodrama with hardcore sex and shot in 3D, prepares to hit American screens, we’ll be screening Noé‘s first, rarely-screened picture, Carne, and then discussing his subsequent work. With its widescreen cinematography, William Castle-ish flourishes and spasms of ultra-violence, Carne, a tale of a racist horse-meat butcher in the South of France bent on avenging what he believes to be the rape of […]
by Scott Macaulay on Oct 20, 2015
Kentucker Audley might have been reading Mike Ryan’s “TV is Not the New Film,” in which the producer concedes that TV is dominating our cultural conversation right now. And he’s decided to do something about it. Audley has taken to Kickstarter to sell a simple item of apparel that will tell the world that, yes, you’re a movie fan.
by Scott Macaulay on Oct 16, 2015
Ben Weissner and the gang at Ornana — Filmmaker 25 New Faces in 2012 — have just passed along this video for “The Girl in the Yellow Dress,” a single from Pink Floyd guitarist/vocalist David Gilmour’s new solo album. Explains Weissner about the video’s hand animation: His creative team had seen Confusion Through Sand (which has been re-edited to play at his live concerts) and were drawn to the dimensionality and movement in that style, so they asked if we’d bring a similar technique to their song. The music video is made of about 9.000 frames of animation that were […]
by Scott Macaulay on Oct 13, 2015
Under the Skin filmmaker Jonathan Glazer and design hero Neville Brody, alongside creative agencies 4Creative and DBLG have “rebranded” iconic U.K. broadcaster Channel 4 with jagged new fonts and a deliriously weird, vaguely Kubrick-ian series of station IDs. Glazer’s four narratively-linked shorts fit more comfortably into his recent film work than they do any kind of television advertising, with their mysterious creatures, magenta rock formations and high-tech science laboratories. As for the fonts, well, back in the day, we at Filmmaker used to spend late nights with our late, great designer Wayne Van Acker geeking out over Brody’s work for […]
by Scott Macaulay on Oct 3, 2015
IFP Film Week 2015 has come to an end, and while the Filmmaker Conference, with its front-facing elements — all the panels, events and screenings — may have dominated ours and others’ home pages, the real action, arguably, was behind-the-scenes, at the Project Forum. That’s where filmmakers hustling the projects of tomorrow all convened, looking for the support that will enable them to bring their vision to screens in the years ahead. To call it a wrap on Film Week, we asked a number of directors, writers and producers attending the Project Forum to sum up their experience and, if they’ve […]
by Scott Macaulay on Sep 30, 2015
Miami-based filmmaker Monica Peña’s debut feature, Ectotherms, was a provocative discovery out of the Miami Film Festival that scored a great review in Variety from Guy Lodge and which announced Peña as someone to watch. Just dropped, then, is the teaser trailer to her second feature, Hearts of Palm. Suitably mysterious and with arresting imagery, it is described simply as “a love story told through science, literature, and music, invoking Miami’s mystical undercurrents.” For more on Peña, read her interview with Sarah Salovaara about the distribution of Ectotherms. And, if you’re in Miami, join me, Peña, Jillian Mayer and Carla […]
by Scott Macaulay on Sep 28, 2015
Leah Shore made our “25 New Faces” list in 2013 on the basis of her totally trippy animated short, Old Man, which traverses the entirety of 20th century history, from Hitler to Kennedy, the bomb to Michael Jackson, in a rapid-fire, image-morphing five minutes that’s voiced by imprisoned cult leader Charles Manson. The recordings came from a series of tapes Shore obtained by Marlin Marynick, a psychiatric nurse. Explains Sarah Salovaara in her Filmmaker profile on Shore: Marynick forked over approximately 10 hours of audio recordings, which resulted in Shore “sitting in a dark room for two months and going […]
by Scott Macaulay on Sep 28, 2015