We’re always happy to receive questions here at Filmmaker about filmmaking itself. One such question inspired one of our most-read posts, “15 Things to Do After You Finish Your Script,” and now a reader of that blog post has written in with a logical next question: How do you find a director for your screenplay?” Below, my response and, as I like to do, further comments from someone who might have more experience than me — in this case, screenwriter and Filmmaker reader (and writer), Marc Maurino. First, here’s the reader letter: Hello Scott: I’ve just read and thoroughly enjoyed […]
by Scott Macaulay on Aug 25, 2015
Filmmaker Ian Wood has posted his second overhead exploration of Los Angeles — its neighborhoods, landmarks, people and vistas. His footage is beautifully operated, color-corrected and edited, and amidst recent controversy over drone filmmaking comes with, on Wood’s Vimeo page, his personal rulebook for urban drone shooting: Droning For Good With all the controversy about drones, it’s important to remember that they can be (and often are) used responsibly. As with many emerging technologies, the laws struggle to keep up and we must employ a common sense approach to their use that is respectful to community, safety and the law. […]
by Scott Macaulay on Aug 16, 2015
“Remix culture applied to cinema” — that’s the elevator pitch for DJ Spooky’s latest release, Rebirth of a Nation, a multimedia work that uses remixing, original scoring and various DJ techniques to interrogate D.W. Griffith’s 1915 The Birth of a Nation. Collapsing the three hour film into an hour of sound and image, DJ Spooky’s project critically analyzes the film’s legacy on both film grammar and the depiction of race in the more than a century since. Originally commissioned by the Spoleto Festival, Rebirth of a Nation has been performed around the world and is now available on CD, with […]
by Scott Macaulay on Aug 16, 2015
Hilarious, confrontational and compellingly disorienting, John Magary’s The Mend is one of the most striking independent films of the past couple of years. A SXSW ’14 standout, it reaches theaters this week with a run at the IFC Center in New York. Check out the trailer for this comedy of dysfunctional siblings and lost weekends, and return later this week for more on the film.
by Scott Macaulay on Aug 15, 2015
What was that Godard (or Griffith) line, “All you need to make a movie is a girl and…”? Lana Del Rey’s latest music video, “High by the Beach,” has just dropped, and it’s got a kind of Zabriskie Point-era Antonioni meets Andy Sidaris thing going on, with lovely handheld camerawork, a trendily minimal beachside house location (“no” production design is the new production design) and a blast of a finish.
by Scott Macaulay on Aug 13, 2015
The following interview, in which producer and director Roger Corman broke down the filmmaking rules he lives by, was conducted in 2013 and is reposted today on the sad occasion of Corman’s passing last Thursday at the age of 98. R.I.P. Roger Corman. The legendary Roger Corman is America’s proto-independent filmmaker, having produced literally hundreds of films and directed dozens more, most of them genre films made under a “fast, cheap and profitable” model that still offers guidance for new filmmakers everywhere. And while Corman is best known for films made during an earlier independent era, one in which regional […]
by Scott Macaulay on Aug 10, 2015
Jake Mahaffy appeared on Filmmaker‘s 25 New Faces list in 2005 following his Tarkovsky-esque black-and-white (shot on a hand cranked camera, no less) tale of American collapse, War. His very different 2008 feature Wellness won the Grand Prize at SXSW and now, seven years later, Mahaffy is back with the Venice-premiering Free in Deed. Produced by Mike Ryan, it’s easily the film I’m anticipating most on the Fall festival circuit. From the film’s Facebook page: Set in the distinctive world of storefront churches and based on actual events, Free in Deed depicts one man’s attempts to perform a miracle. When […]
by Scott Macaulay on Aug 3, 2015
The Wire creator David Simon moves up the East Coast for his latest drama, Show Me a Hero, that’s set in Yonkers in the 1960s. Based on a true story, the six-part miniseries portrays a young mayor, played by Oscar Isaac, who, amidst the civil rights movements, fights local powers to build low-income housing in his borough. The cast is impressive and includes Alfred Molina, Bob Balaban and Winona Ryder. The series debuts August 16 on HBO.
by Scott Macaulay on Aug 3, 2015
From the copyright notice to the ominous voiceover, the latest trailer for Alex Ross Perry’s Queen of Earth plunges us into the world of ’60s/’70s arthouse psychological horror — mid-period Bergman, Polanski and Allen’s Interiors, for example. Here, Elizabeth Moss (Mad Men, Top of the Lake) retreats to the lakeside home of her best friend, played by Katherine Waterston (Inherent Vice), to recuperate after twin emotional jolts. There’s history, however — the lingering after effects of another weekend at this house spent one year earlier. Wrote Scott Foundas in Variety: The flashbacks in Queen of Earthh are like little Proustian […]
by Scott Macaulay on Jul 30, 2015
There are many places to find air conditioning in New York City this weekend, but, if you ask us, you should seek it at the Made in New York Media Center, where IFP’s Screen Forward is mounting a five-night Borscht Corporation retrospective. Borscht, if you don’t know, is the wildly creative, culturally prescient and litigation-inviting collective of Miami filmmakers (and their friends) who are behind some of today’s best short films and certainly one of our best film festivals. Headed by Lucas Leyva and Jillian Mayer, Borscht produces a semi-annual Miami festival centered around commissioned short films as well as […]
by Scott Macaulay on Jul 30, 2015