Authors — Scott Macaulay
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Editor’s Letter
“Call me crazy, but I don’t think distribution is the greatest problem facing independent cinema right now,” wrote producer Mike Ryan in these pages back in 2010. In an opinion piece titled “Straight Talk,” Ryan railed against what he saw as an overemphasis in our community on business plans and online marketing at the expense of innovative filmmaking. “Developing content and nurturing auteurs should be our top concern, not figuring out distribution models or revenue schemes,” he continued. “The whole purpose of independent film is to make films that aren’t pre-fabricated to hit a target audience of someone else’s devising. […]
by Scott Macaulay on Jul 23, 2015 -
Parting Shot
Kentucky-born Michael Shannon has been appearing regularly in television, independent film and studio pictures since the mid-’90s, but it was his Oscar-nominated turn as a bracingly honest, if perhaps mentally unstable, mathematician in Sam Mendes’s Revolutionary Road that made directors see him as a potential leading man. In the years since, Shannon has fulfilled that promise, most notably as another unbalanced seer in Jeff Nichols’s Take Shelter. But it’s in the next 12 months that Shannon will truly explode onscreen in a succession of notable lead and supporting parts. First up is his turn in theaters as a rapacious repo […]
by Scott Macaulay on Jul 23, 2015 -
“I’m Always Attracted to the ‘Mutt’ Aspect of Sets”: Production Designer Michael Shaw on Orange is the New Black
Michael Shaw has had an illustrious career as a production designer, moving from some of the most notable independent films of the 1990s (Heavy, Boys Don’t Cry, You Can Count on Me) to a string of this decade’s top television shows (The Big C, Orange is the New Black). On Saturday, July 25, he’ll be leading a production design masterclass focused on Orange is the New Black at the IFP’s Made in New York Media Center. Shaw kindly took time out from designing the Wall Street environs of Showtime’s upcoming Billions to speak about his career as a production designer, […]
by Scott Macaulay on Jul 23, 2015 -
Several Kind of Funny Reasons Why You Probably Shouldn’t Upgrade to Apple Music Yet
I have a lot of positive things to write about Apple Music, but in the interest of not burying the lede, I’ll write this first: If you have a large, well-tended and carefully created iTunes Music Library, do not upgrade to Apple Music. Do not install the latest 12.2 version of iTunes and, most importantly, do not turn on iCloud Music Library on any of your devices. Or, if you decide to ignore the above advice, make sure you have a Time Machine backup of your iTunes library before you go ahead and do so. Why the alarm, you ask? […]
by Scott Macaulay on Jul 6, 2015 -
“Just Say No to Poverty Porn”: Maggie Steber on She Does Podcast
Maggie Steber is a prolific documentary photographer who has worked in 65 countries around the world focusing on humanitarian, cultural, and social stories. For over three decades, Maggie has worked in Haiti, an experience that has impacted her emotionally and personally and led to her book “Dancing on Fire.” She has received the Leica Medal of Excellence, and recognition from World Press Photo Foundation, the Overseas Press Club, Pictures of the Year, and the Medal of Honor for Distinguished Service to Journalism from the University of Missouri. Her work has been featured in National Geographic Magazine, The New York Times […]
by Scott Macaulay on Jul 1, 2015 -
Five Questions for Sabrina Dridje about the Creative>>Founder Lab
The Creative>>Founder Lab is the newest offering from the Made in New York Media Center by IFP, a eight-week program intended to help creative professionals develop the business skills required to see their projects to fruition. Design thinking, monetization, rapid prototyping, how to speak with developers, gamification and systems thinking will all be taught by a team of leaders in their fields. (Note: IFP is Filmmaker‘s parent organization.) The fee for the program is $1,200, and only 20 spots are available. Deadline is June 18 at 11:59PM. More information can be found here at the link. Below, we ask Sabrina […]
by Scott Macaulay on Jun 3, 2015 -
The Safdies + Karl Ove Knausgaard on the Film Society’s Close-Up Podcast
Over the last several months, the Film Society of Lincoln Center has launched one of the better film podcasts out there, with guests including Paul Thomas Anderson, Olivier Assayas and David Cronenberg. (The podcast can be subscribed to on iTunes or listened to on Soundcloud.) But today’s doubleheader is particularly great and more than worthy of its own post. Sharing the episode are Josh and Benny Safdie, whose Heaven Knows What is this weekend’s must viewing, and Karl Ove Knausgaard, who has just released the fourth volume of his autobiographical magnum opus, My Struggle, here in the States and who […]
by Scott Macaulay on May 27, 2015 -
“The Need to Crowdfund is a Major Curse, Indeed”: The Yes Men on the Changing Funding Landscape
Over at the Creative Capital blog, Andy Bichlbaum and Mike Bonanno of the Yes Men have posted a sober essay about the changes they’ve seen in the documentary funding landscape since 2000, when they received one of the organization’s first grants for their feature, The Yes Men. Two films and 15 years later, the two are still at it — creatively agitating for social change while producing actions and making documentary films. Their latest film, The Yes Men are Revolting, directed with Laura Nix, opens June 12, and it mixes their trademark anarchic political humor with more ruminative passages reflecting on […]
by Scott Macaulay on May 27, 2015 -
Artel Great Launches Project Catalyst at Cinema Research Institute Event
Project Catalyst, an “innovative transmedia initiative that fuses creative community building with cinema, art, music, and technology” and is aimed at multicultural communities was pitched at an NYU Cinema Research Institute event last month, hosted at AOL Build. In the video above, learn how Great intends this smartphone app to connect audiences with filmmakers in original ways and in order to support diverse content.
by Scott Macaulay on May 26, 2015 -
Jacques Audiard’s Dheepan Wins the Cannes Palme d’Or; Son of Saul, The Assassin, Rooney Mara Score Other Top Prizes
A jury headed by Joel and Ethan Coen awarded the Palme d’Or to Jacques Audiard’s immigrant drama Dheepan at the 2015 Cannes Film Festival, which concludes today. The film tells the story of a Tamil fighter fleeing the Sri Lankan civil war who improvises a family — a wife and daughter — in order to better seek asylum in what turns out to be an inhospitable France. The award was something of a surprise, with most English-language journalists pegging either Laszlo Nemes’ Holocaust drama Son of Saul or The Assassin, a period martial-arts picture from Taiwanese master Hou Hsiao-Hsien for […]
by Scott Macaulay on May 24, 2015
