Authors — Scott Macaulay
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Trailer Watch: Me and Earl and the Dying Girl
I love this movie and just finished editing a great conversation with director Alfonso Gomez-Rejon and screenwriter Jesse Andrews for the next print issue of Filmmaker. It won Sundance, you probably heard, and, if you’re a Brian Eno fan, well, it’s got a lot of his best songs in it. (And two in the trailer!) For now, I’m not going to say much more than that, but check it out.
by Scott Macaulay on Apr 8, 2015 -
How Stanley Kubrick Shot Barry Lyndon Using Natural Light
Earlier this week we posted this video with Joe Dunton discussing the lenses used by Stanley Kubrick in his films. (Note: unfortunately, that previous video has been removed by the uploader.) Here’s the next in a Kubrick cinematography playlist: various cinematographers on his use of the BNC camera and Zeiss f/0.7 lenses to shoot Barry Lyndon in natural light. (As a reader below notes, this is an excerpt from Stanley Kubrick: A Life in Pictures, which is recommended viewing.) Previously at Filmmaker, Jim Hemphill sat down with three of the film’s actors for a discussion of the making of that […]
by Scott Macaulay on Apr 3, 2015 -
Five Questions for The Girl is Trouble Director Julius Onah
One of Filmmaker‘s 25 New Faces, Julius Onah sees his first feature, a twisty neo-noir set in the immigrant cultures of Manhattan’s Lower East Side, reach theaters today via eOne. The Girl is Trouble stars Columbus Short (Scandal, and pictured above) along with Wilmer Valderrama, Jesse Spencer and, as the femme fatale, Alicja Bachleda. Spike Lee executive produced this tale involving an innocent DJ drawn into intrigue connecting a missing drug deal to the high-finance world of Wall Street. Below, I ask Onah about working with Spike, the film’s noir references, and a few of the things we talked about […]
by Scott Macaulay on Apr 3, 2015 -
Trailer Watch: Julius Onah’s The Girl is Trouble
Executive producer Spike Lee’s name is all over this trailer, but I’m excited to finally see The Girl is Trouble because of its writer/director, Julius Onah, who I selected as one of our 25 New Faces way back in 2010. At the time of his selection, Onah was prepping this movie, and since its shooting, he became attached to a David Koepp-scripted thriller starring Jared Leto. The trailer seems a bit of a standard issue “guns and a girl” thriller, but I read the original script, which married a film noir storyline with a smart take on the Lower East […]
by Scott Macaulay on Mar 29, 2015 -
Short Film: Run the Jewels/A.G. Rojas Collaboration, “Close Your Eyes (And Count to F*ck)”
A.G. Rojas, who two years ago we put in our 25 New Faces list, directs this provocative video from Run the Jewels depicting a prolonged, punch-drunk, balletic street fight between a cop (Shea Whigham) and a young black man (Keith Stanfield). Without dialogue, and just through the subtleties of their choreographed movement, the piece moves away from realism and towards a theatrical space, adding new levels of complex meaning to the track’s outraged aggression. If you start watching, then make sure to watch until the end. From The Skinny: Explaining the clip, Rojas said: “When Run The Jewels sent me […]
by Scott Macaulay on Mar 26, 2015 -
“Getting Funded is Only Part of the Story”: Kickstarter Embraces Timeline Film Pages with Spotlight
Kickstarter has rolled out today Spotlight, a very clever new design option for their project pages. On first glance it seems simple — sort of like Facebook’s Timeline, Spotlight turns your Kickstarter page into a reverse chronological story of your project’s inception, development, successful funding (you hope) and afterlife. By organizing your updates and milestones in the form of a clean narrative scroll, it encourages you to continue that story long after your campaign ends — making Kickstarter a stickier site. (More traffic for Kickstarter!) To make it worthwhile to filmmakers, as the video below shows, you’re given a prominently […]
by Scott Macaulay on Mar 25, 2015 -
Why Kurosawa Was a Master of Movement
Here’s another masterful film essay by Tony Zhou, this time on Akira Kurosawa’s use of movement in his films. Movement, you ask? Aren’t movies motion pictures and, thus, constructed around movement? Well, as a comparison scene from The Avengers shows, there is movement in the form of listless dolly moves and diffident head tilts, and then there is movement — elegant, multi-point master shots, vibrant background elements like wind and rain, and outsized expressions from actors that can replace pedantic dialogue. I especially like Zhou’s discussion of how Kurosawa cuts from stillness to movement. His appreciation here of Kurosawa has […]
by Scott Macaulay on Mar 22, 2015 -
Fifteen Projects Selected for Tribeca Film Institute All Access Grants
Fifteen works — scripted, documentary and interactive — were selected today for the Tribeca Film Institute‘s All Access program, which offers grant monies and other non-monetary support to projects by creators from statistically underrepresented communities. The projects were chosen from a submission pool of 710 entries. In addition to the 15 projects, two filmmakers from the LGBT community were chosen to take part in TFI Network Market, a one-on-one industry meeting forum, with their feature films. They are Ingrid Jungermann, a 25 New Face appearing with her project Women Who Kill, and Hernando Bansuelo, with Martinez, CA. The complete list […]
by Scott Macaulay on Mar 19, 2015 -
Elizabeth Giamatti on her SXSW-Winning Collaboration with Alex Sichel, A Woman Like Me
Winner of a Special Jury Award for Directing at the 2015 SXSW Film Festival, Alex Sichel and Elizabeth Giamatti’s A Woman Like Me is a frankly disarming and emotionally piercing hybrid doc as well as a necessary directorial collaboration. Filmmaker Alex Sichel’s 1997 debut feature, All Over Me, was an important entry in the decade’s New Queer Cinema, a scrappy teen lesbian drama that, in the L.A. Weekly, critic Manohla Dargis wrote “comes closer to unlocking the secret lives of girls than any other recent American movie.” In the years following that film, Sichel taught directing at NYU, raised a […]
by Scott Macaulay on Mar 18, 2015 -
Krisha, Peace Officer Top SXSW Film Festival Awards
Krisha, Trey Edward Shults’ drama of an older alcoholic woman attempting to reconcile with her family one holiday weekend, won the Narrative Feature Grand Jury Prize last night at the 2015 SXSW Film Festival. At an awards ceremony at the Paramount Theater hosted by Trainwreck co-star Vanessa Beyer, the Documentary Grand Jury Prize went to Peace Officer, Scott Christopherson and Brad Barber’s expose of militarized police. Special Jury Prizes were given to two films. Benjamin Dickinson’s dramatic feature Creative Control — a social satire set in New York’s advertising world of the near future — was cited for “Visual Excellence.” […]
by Scott Macaulay on Mar 18, 2015
