Responding to recent articles in the New York Times and Salon, filmmaker Kentucker Audley has launched a Change.org petition asking “mediocre” independent filmmakers to stop making films. The articles blame overproduction and too many films achieving theatrical release for the economic and artistic issues facing independent film. For the New York Times’ Manohla Dargis — who herself asked distributors to “stop buying so many films” at Sundance — too many films in theaters produces a noise drowning out the virtues of the fewer good movies that deserve critical and public support. For Beanie Barnes at Salon, overproduction has led to […]
by Scott Macaulay on Feb 24, 2014Legendary film editor, sound designer, writer, translator, amateur astronomer and director Walter Murch needs no introduction. (Oh, what the hell, his credits include The Conversation, Apocalypse Now, The Talented Mr. Ripley, Tetro and more.) In addition to being a great filmmaker, he’s also a great teacher and talker about film. Here, at the 2013 Sheffield Doc Fest, where he accompanied the doc, Particle Fever, he gives an inspiring speech on film editing, technology, audience expectation, how film grammar is changing with digital technologies, and physics. Don’t miss this.
by Scott Macaulay on Feb 23, 2014Want horror-movie makeup tips from an Oscar-winning legend? Here, Rick Baker (An American Werewolf in London, Videodrome, Men in Black) offers DIY tips while demonstrating how to make “Miss Shock,” a gruesome character created by Bob Burns in 1959 for a live event with The Tingler director William Castle. In this fast-paced 15-minute clip, Baker starts off by making a mold of his daughter’s face and then moves on to the artistic detail work he’s revered for. (Hat tip: Mutiny Co.)
by Scott Macaulay on Feb 23, 2014Credit the Kickstarter-funded Veronica Mars movie with a distribution first: as the Wall Street Journal reports, the film will be the first major studio release to simultaneously premiere in movie theaters and on online platforms. Distributors like IFC and Magnolia have been doing such day-and-date releases for years, but Hollywood’s six major studios — under pressure from theater owners — have held tight to a “windowing” model by which films play exclusively in theaters for at least three months. For the Veronica Mars movie, Warner Bros. and AMC Theaters seem to be engaging in a bit of semantic sleight-of-hand to […]
by Scott Macaulay on Feb 22, 2014Noah Cowan, the founding Artistic Director of the Bell Lightbox, is leaving Toronto for the Bay Area, where he will take over as the Executive Director of the San Francisco Film Society. “I am grateful to the Board of Directors of the Film Society for providing this remarkable opportunity,” said Cowan in a press release. “The Bay Area has a storied relationship to cinema’s century-plus history and is currently home to the technology companies that will decisively influence the medium’s future. SFFS is uniquely positioned to work with filmmakers, educators and enthusiastic local audiences to embrace the dynamic and exciting […]
by Scott Macaulay on Feb 19, 2014And now for our feature presentation… the folks at Red Bull have posted online What Difference Does it Make: A Film about Making Music. It’s an energetic mash-up of the events occurring during Red Bull Music Academy’s festival last year in New York, and it contains moments from Brian Eno, James Murphy, Van Dyke Parks, Lee “Scratch” Perry, Philip Glass, Steven O’Malley and many more.
by Scott Macaulay on Feb 19, 2014“I am a Ukrainian, and this needs to go viral,” is the message in this video from a protestor in Ukraine, currently in the midst of violent government repression. As reported by Deborah Stambler in the Huffington Post, the video was “put together” by filmmaker Ben Moses, who is currently at work on a documentary, A Whisper to a Roar, about democracy activists around the world. The video, posted several days ago, has indeed gone viral, attracting almost one million views on YouTube. According to Stambler, there are some who dub it a hoax (one YouTube commenter accuses it of […]
by Scott Macaulay on Feb 19, 2014Epochal post-rock pioneers Slint are the subjects of a new documentary, Breadcrumb Trail, by Lance Bangs. In 1991, the Louisville-based band made the now-classic Spiderland for Touch and Go and, just before its release, promptly disbanded. In the years since, the album has remained enormously influential, making its mark on math rock, post-hardcore and various other sub-genres with out-of-date critical sobriquets. As Ron Kretsch notes at Dangerous Minds, one thing pops out of this trailer: these guys were young when they laid down this thing! “So, how’d YOU change the world before you finished school?” he asks. Here’s director Bangs […]
by Scott Macaulay on Feb 17, 2014The radical documentary, The Act of Killing, won yesterday the Best Documentary prize at the 2014 BAFTA Awards on Sunday night. In his speech, director Oppenheimer thanked his anonymous co-director, who is not able to publicly reveal his or her role in the film, and said the picture “is helping to catalyze a change in how Indonesia talks about its past…” But one section of Oppenheimer’s speech was omitted from the video, above, that BAFTA posted online. His acceptance speech also included this section: I urge us all to examine ourselves, and acknowledge that we are all closer to perpetrators […]
by Scott Macaulay on Feb 17, 2014Actress Ellen Page (Juno, X Men: Days of Future) came out as gay yesterday at the Human Rights Campaign’s inaugural Time to THRIVE conference in Las Vegas. “I’m here today because I am gay,” Page said in a moving speech at the conference dedicated to LGBT youth. “And because… maybe I can make a difference. To help others have an easier and more hopeful time. Regardless, for me, I feel a personal obligation and a social responsibility. I also do it selfishly, because I am tired of hiding and I am tired of lying by omission.” In the speech, in […]
by Scott Macaulay on Feb 15, 2014