Authors — Scott Macaulay
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Astonishing Surfing Video Shows Power of Camera Drones
The technology cited by Filmmaker‘s Michael Murie in his 2013 Camera Tech Year-End Review is behind a beautiful surfing video by Eric Cheng that seems to be embedded on just about every site this morning. Five minutes of surfing bliss captured at Steamer Lane in Santa Cruz, California, the video features aerial shots of surfers, singly and in formation, that previously would have required expensive helicopter shoots. According to Cheng’s Tumblr, the footage was “taken with a DJI Phantom quadcopter, GoPro HERO3 Black edition camera, Rotorpixel HERO3 gimbal (http://rotorpixel.com), ReadyMadeRC FPV transmitter, receiver, and remote monitor, and modified DJI Phantom […]
by Scott Macaulay on Jan 15, 2014 -
What’s Ego Got to Do With It? At Sundance’s Arthouse Convergence, Ira Deutchman Imagines the Future of Specialty Exhibition
Just delivered in Utah at Sundance’s pre-festival 2014 Arthouse Convergence — where specialty exhibitors gather to discuss and debate trends, developments and threats to their collective business model — Ira Deutchman’s keynote is a witty and forward-thinking speech that looks to the past to consider reshaping the future. In his opening, Deutchman cites two truths he learned early on in his career: First, I learned that Business is dominated by people who are driven, sometimes myopic, and willing to do almost anything to succeed. The second thing I learned is that the Film Business, specifically, is driven more by ego […]
by Scott Macaulay on Jan 14, 2014 -
Thom Powers Curates Distribution Advice for Filmmakers
Toronto International Film Festival and Stranger than Fiction programmer Thom Powers is well known for his curation of documentary film, but with the New Year he’s offering something more: documentary film distribution guidance. For filmmakers entering the festival circuit, his “Distribution Advice for 2014” is a must read. In a detailed intro, Powers discusses various distribution options, ranging from traditional to hybrid to DIY strategies. Then, he gathers specific advice from filmmakers, journalists, producers, publicists and sales agent. Below are three of those recommendations, and check out the entire post at the link to read many more. DAN COGAN (CO-FOUNDER, […]
by Scott Macaulay on Jan 9, 2014 -
Sundance Offers 2014 Artist Merch, Including Miranda July Scarf
At Filmmaker we are lousy with merch. We used to have t-shirts and tote bags, and they sold okay. But supplies dwindled, they were discontinued, and a more ambitious array of Filmmaker-branded collectibles is just another item on our escalating to-do list. (Filmmaker, by the way, is not alone in our merchandizing malaise. Elsewhere on this site, Sarah Salovaara notes the scarcity of indie film consumer swag in general.) Perhaps when we do get our merch store together we’ll look to Sundance for inspiration. The Sundance Film Festival’s Artist Editions line includes Shirin Neshat t-shirts, Susan Sarandon dessert plates, and […]
by Scott Macaulay on Jan 7, 2014 -
Day 2 of 19: Zach Clark and White Reindeer
In an independent landscape of shaky, handheld cinematography, loose improvisation and bare-bones sets, the precise and punchy dark comedies of Zach Clark stand out. Recalling the days in which low budgets meant inventive art direction, heightened emotions and a rebellion against a default naturalism, Clark’s third movie, White Reindeer modulates the director’s deadpan, quasi-Sirkian camp into something more delicately bittersweet. Anna Margaret Hollyman plays a suburban real estate agent who returns home one holiday season to find her husband murdered. Learning he had a mistress, an African-American stripper, she journeys into a world where kinky fantasy is really just another […]
by Scott Macaulay on Jan 7, 2014 -
Iggy Pop, Jim Jarmusch, Sleep and Script Development
Originally discovered by E.V. Grieve and reposted by Gothamist, this short video of Iggy Pop touring the East Village in 1993 contains an interesting nugget of script development wisdom. I was watching the video this morning purely nostalgically — checking out my neighborhood 20 years ago — when I came across, at around the 10-minute mark, a short bit about the shooting of Jim Jarmusch’s Coffee and Cigarettes. Pop says his segment with Tom Waits — a one-day, 16-hour shoot — was his best shooting experience ever. When the interviewer asks if the shoot was improvised, Pop says there was […]
by Scott Macaulay on Jan 5, 2014 -
What Richard Stanley Learned from the The Good, the Bad and the Ugly
Along with Sidney Lumet’s Making Movies and Andrei Tarkovsky’s Sculpting in Time, a book — an essay comprised of diary excerpts, actually — I recommend to all aspiring directors is Richard Stanley’s “I Wake Up Screaming.” It originally appeared in the 1994 third edition of the film anthology Projections, and it’s now published (with permission, the site claims) at the director’s unofficial website, Between Death and the Devil. “I Wake Up Screaming” documents Stanley’s attempt to make an ambitious Namibia-shot art horror-thriller called Dust Devil years after an earlier production fell apart. The movie Stanley went on to make instead, […]
by Scott Macaulay on Jan 3, 2014 -
Why Your Film Needs a Good Gaffer: Watch How Lighting Changes a Face
Here’s a hypnotic video showing the importance of film lighting. Watch as this woman — yes, this is just one woman — finds her features altered as the lighting shifts around her. The plans of her face move, the vibe she projects alters, and the genre of film she’s in morphs from drama to horror to comedy. (Hat tip: Sploid at Gizmodo.) The video, “Sparkles and Wine,” features music from the band Opale and was directed and produced by Nacho Guzman. According to Petapixel, the video was shot “using a Canon 5D Mark II DSLR and two lenses (a Canon […]
by Scott Macaulay on Dec 31, 2013 -
Samah Tokmachi Finds Creativity at the Sundance New Frontier Story Lab
Launched in 2011, the Sundance New Frontier Story Lab is an intensive program for artists working “at the convergence of film, art, media, live performance, music and technology.” This Fall, it completed its third Lab, bringing together artists with an impressive variety of mentors from all of these fields. Among the folks traveling to the Sundance Resort was filmmaker Samah Tokmachi (Living in a Global Society) in the role of Creative Observer. Sundance invited him to make a short video, posted above, “in hopes that his reflections would enrich the wider discourse about media innovation and the future of storytelling.” […]
by Scott Macaulay on Dec 31, 2013 -
Will Film Production Tax Incentive Section 181 Die?
Tonight at midnight film investors and producers will be faced with a familiar uncertainty. Section 181, the portion of the American Jobs Creation Act of 2004 incentivizing U.S.-based film production, is set to expire, and independent filmmakers will lose a powerful tool in their fundraising arsenal. Section 181 encourages film investment by allowing investors to write off the complete cost of a qualified film in the first year. (Normally, this write-off is amortized, occurring in future years as a film demonstrates that it is money-losing. If and when profits then occur, they are treated as ordinary income by investors.) Scheduled […]
by Scott Macaulay on Dec 31, 2013
