Authors — Scott Macaulay
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Deadline Approaching for Biennale College – Cinema Microbudget Production Program
The deadline of October 22 is fast approaching for the Biennale College – Cinema, a new initiative open to first and second-time directors that will lead to the production of three micro-budget films. In a program led by the Venice Biennale in partnership with Gucci, 15 producer-director teams will take part in a ten-day filmmaking workshop, after which three projects will be selected for further development and production funding in the amount of €150,000. Projects must be able to developed, produced and edited within five months, and they will then premiere at the 2013 Venice Biennale. The Call for Application […]
by Scott Macaulay on Oct 9, 2012 -
When Should You Give Up, a Postscript
Remember “When Should You Give Up?” It was one of our most commented upon posts here at Filmmaker, an extended conversation about the practicalities as well as psychological ramifications of quitting. Quitting a specific project, that is, not filmmaking in general. The post was inspired by a post by author Edan Lepucki over at the Millions titled “Shutting the Drawer: What Happens When a Book Doesn’t Sell?” Lepucki wrote about how, when the novel she had been working on for so long didn’t sell, she simply packed it in and started working on another. No flogging it for years, exploring […]
by Scott Macaulay on Oct 5, 2012 -
Is Creative Work Only for the Privileged?
J. Maureen Henderson at Forbes asks a question for these times: “Are Creative Careers Now Exclusively Reserved for the Privileged?” She primarily refers to writing and publishing jobs, but her question applies to the film world too. Henderson’s piece quotes from another by writer Alexandra Kimball, who writes at Hazlitt about breaking into publishing… when you can’t afford to be an intern. From Kimball: To be a writer in this market requires not only money, but a concept of “work” that is most easily gained from privilege. It requires a sense of entitlement, the ability to network and self-promote without […]
by Scott Macaulay on Oct 2, 2012 -
What’s So Controversial About Beasts and the SAG Awards?
I’m a little perplexed by the mini-controversy that has erupted over the Screen Actors Guild determination that the actors in Benh Zeitlin’s Beasts of the Southern Wild are ineligible to receive Screen Actors Guild Awards because the film was not made under a SAG contract. (In other words, the film did not employ professional actors.) From Scott Feinberg in the Hollywood Reporter: Director Benh Zeitlin, out of financial necessity (he had a budget of just $1.3 million) and a desire for the greatest possible sense of authenticity (his film revolves around eccentric characters who populate a remote part of America’s […]
by Scott Macaulay on Oct 2, 2012 -
Gordon Von Steiner and Steven Meisel Face the Future
I haven’t posted a great fashion film in a while because, well, I haven’t come across one. This, via Director’s Notes, is out-there enough to warrant placement here. It’s directed by Gordon von Steiner and was shot during Steven Meisel’s “Face the Future” photoshoot for Vogue.
by Scott Macaulay on Sep 27, 2012 -
5 Things to Know Before Submitting to The Tribeca Film Festival
Here’s Tribeca Film Festival Director of Programming Genna Terranova on her way to work while imparting some useful info about submitting to the 2013 edition. Early deadline, believe it or not, is October 19.
by Scott Macaulay on Sep 27, 2012 -
Swanberg Clobbers Faraci
Filmmaker Joe Swanberg clobbered Badass Digest critic Devin Faraci — in the ring, that is. I’ll leave it up to you to decide who scored more rhetorical points in their on-stage debate at Fantastic Fest. But after the verbal duel, the two climbed in the ring — literally — for a boxing match of which Swanberg emerged the victor. Indeed, Faraci’s haymakers were no match for Swanberg’s driving jabs. Matt Singer at Indiewire has the full transcript of the talk. An excerpt is below, as is a video of the fight. Devin Faraci: Joe, I want to thank you for […]
by Scott Macaulay on Sep 23, 2012 -
What’s New on Our Curated Kickstarter Page
Filmmaker has a curated page on Kickstarter, where we point you towards projects that we think are worthy of your attention. Here are our recent additions, and to read more about them visit them via Filmmaker Magazine on Kickstarter. Love Spasm: New York underground film icon Nick Zedd has just launched a campaign for what sounds like an ambitious feature set to shoot in Berlin. “The themes of this movie are love, sexual freedom, loyalty, human insecurity and the strategies people employ to survive and maintain relationships within the unnatural constraints imposed upon them by the economic pressures of capitalism, […]
by Scott Macaulay on Sep 23, 2012 -
Arthur “Sandy” Mandelberger, 1954 – 2012
I was very sorry to hear this week of the passing of Sandy Mandelberger, an indefatigable champion of independent film and independent film festivals. I first met Sandy almost two decades ago, when he was the Associate Market Director of the IFP’s Independent Feature Film Market. I remember him as a sunny, enthusiastic and engaged professional who thought very clearly about the ecosystem that supports independent film. He went on to form his own company, International Media Resources, where he consulted with both filmmakers and film festivals on their promotion and industry branding. He also organized the Independents Showcase at […]
by Scott Macaulay on Sep 19, 2012 -
“25 New Faces” Screen Tonight at IFC Center
If you’re in New York, please join us tonight at 8:00 PM at the IFC Center for a program selected from our 2009 “25 New Faces” list. Derek Cianfrance, director of Blue Valentine and a 2009 “25” alumni, will be hosting along with myself and Nick Dawson, and a panel discussion will follow after the screenings. The complete information is below, and tickets can be purchased here at the link. A special IFP Film Week showcases of work from members of Filmmaker Magazine‘s “25 New Faces of Independent Film” of 2012: The Gathering Squall (Hannah Fidell, 2012, 13 mins) Doubles […]
by Scott Macaulay on Sep 19, 2012
