Since the mid-1980s, when his serial performance work, Chang in a Void Moon, ran at New York’s Pyramid Club, John Jesurun has explored on stage characters and stories mediated by the images technology throws back at us. His formally ambitious plays use theater, music, and projection to tell narratively fractured tales that are both spellbindingly eerie as well as, sometimes, hilariously funny. His latest play, Stopped Bridge of Dreams, is running now at La Mama in New York City through February 5. As I’m traveling from Sundance to Rotterdam, I’m sad I’m going to miss it. But perhaps some of […]
by Scott Macaulay on Jan 26, 2012“A “distributed film festival” is what BLDGBLOG’s Geoff Manaugh is calling “Breaking Out & Breaking In,” a series of screenings and discussions centering around cinematic prison breaks and bank heists. Or, more accurately, the festival is about space — the architectures of these films’ settings, and the varying space between you and other viewers as you watch at home, discuss online at BLDGBLOG, and then venture to Studio-X in New York City for a panel discussion on April 24. “Breaking Out & Breaking In” is sponsored by BLDGBLOG, Filmmaker and Studio-X NYC, and it begins tomorrow, Friday, January 27, with […]
by Scott Macaulay on Jan 26, 2012Here outside Zoom following BMI’s annual seat-switching dinner are elusive rock icon Rodriguez and Malik Bendjelloul, the director of his doc, Searching for Sugar Man. At the dinner, I asked Bendjellaul whether he was a fan of Rodrgiuez’s before the film. No, he said. He was looking for a story and hear about the Rodriguez saga from a private detective. The film was acquired at Sundance by Sony Pictures Classics. Left behind after the Sundance premiere of Exit to the Gift Shop was this Banksy artwork, nicely framed by the good folks in Park City. Caught checking out the artwork […]
by Scott Macaulay on Jan 26, 2012One of the hits of the 2012 Sundance Film Festival has been Robot and Frank, Jake Schreier’s tale of a retired jewel thief and the caretaker robot his kids purchase to assist him in his final days. In addition to Frank Langella, the film costars James Marsden, Susan Sarandon and Liv Tyler, and it was jointly acquired at the festival by Sony Pictures Worldwide Acquisitions and Samuel Goldwyn in a deal reported at over $2 million. In addition to being a great actor, Langella is a great sport. Here he is being interviewed by the National Film Society.
by Scott Macaulay on Jan 26, 2012I first met Bingham Ray in 1992, when I interviewed him and October Films partner Jeff Lipsky about their company’s expansion and move to New York. It was for Filmmaker‘s second issue, and in our talk, Bingham was all the things he’s now being remembered for — committed, combative, intelligent and garrulous. He was pitching me on his upcoming slate, a diverse lot that included Alain Corneau’s Tous Les Matins Du Monde, Mike Leigh’s Life is Sweet, and a shorts package that included Michael Moore’s Pets or Meat. The ostensible hook for the article, though, was Ray and Lipsky’s move […]
by Scott Macaulay on Jan 24, 2012The following statement was issued by Joana Vicente, Executive Director of the IFP: The board of directors and the staff of the IFP are shocked and extremely saddened by the death of indie veteran Bingham Ray. Bingham was a stalwart champion of independent film throughout his lifetime. He was an honorary board member of the IFP and was honored with a career tribute at the 2002 Gotham Awards. Bingham brought the independent film community together and always reminded us of the highest standards we should pursue as filmmakers with vision. He was not only an extraordinarily passionate figure, with an […]
by Scott Macaulay on Jan 23, 2012“Work from your most generous place,” producer and keynote speaker Sarah Green advised during today’s annual Sundance Producers Brunch at the Sundance Film Festival. Green has had an amazing year, producing the works of masters old and young (Terrence Malick’s Tree of Life and Jeff Nichols’ Take Shelter), but her speech focused not on her accomplishments but on the sustenance provided by her web of professional associates and collaborators. She laughingly described her own beginnings, watching “Maggie Renzi get City of Hope financed over lunch. I thought it was easy.” She talked about mentoring the producer Georgia Kacandes from APOC […]
by Scott Macaulay on Jan 22, 2012“When we started Bloody Disgusting back in 2002, we were the only ones doing it daily,” says Bradley Miska about the origins of his all-horror site. Sites like Ain’t It Cool News, Dark Horizons and Jo Blo were around too, but as its name would suggest, Bloody Disgusting hammered a wooden stake in the burgeoning field of online horror coverage and now, 10 years later, it is reaping the rewards. Management company The Collective “bought into” Bloody Disgusting five years ago, says Miska, and today the co-owned website is just one part of a gory mini-empire that also includes a […]
by Scott Macaulay on Jan 22, 2012Here’s the just-posted trailer for Stephen Elliott‘s Berlin-bound Cherry, the debut feature of the author (The Adderall Diaries, Happy Baby) and Rumpus website founder. It stars Ashley Hinshaw, James Franco, Lili Taylor, Jonny Weston, Dev Patel and Heather Graham. From the film’s website: Cherry is about Angelina (Ashley Hinshaw), an 18-year-old girl on the verge of finishing high school. Angelina’s family life is difficult. Her mother (Lili Taylor) is an alcoholic and her step-father is violent and unpredictable. One morning her boyfriend (Jonny Weston) suggests she take naked pictures for money. She balks at first but then does the photo […]
by Scott Macaulay on Jan 22, 2012Yesterday I posted Ira Glass’s amazing rant about producing Mike Birbiglia’s debut feature, Sleepwalk with Me, premiering here at the 2012 Sundance Film Festival. Now, here’s Birbiglia himself discussing the medical condition that prompted the film, the challenges of transferring material from his comedic monologues to film, and pizza…
by Scott Macaulay on Jan 22, 2012