This piece was originally printed in the Fall 2010 issue. 127 Hours is nominated for Best Picture, Best Actor (James Franco), Best Adapted Screenplay (Danny Boyle & Simon Beaufoy), Best Editing (Jon Harris), Best Original Score (A.R. Rahman) and Best Original Song. When director Danny Boyle first got in touch with d.p. Anthony Dod Mantle about 127 Hours, the film following their Academy Award-winning collaboration Slumdog Millionaire, Dod Mantle remembers him saying that “he was convinced that the only way to get through this [movie] would be to subject an actor to a pretty extraordinary physical experience in as intense […]
by Scott Macaulay on Nov 6, 2011I’ve been meaning to post notice of the other big camera announcement this past week — RED’S unveiling of the SCARLET-X. Over at his No Film School, Koo has been all over this camera, writing that instead of the Scarlet being what we once thought the Scarlet would be (“a 3K for $3K camera), “It is very, very close to being the same camera as the $28,000 EPIC-X — it’s the same size and weight, has the same large sensor, takes the same accessories, and maxes out at the same 5K resolution — except the SCARLET-X starts at under $10K.” […]
by Scott Macaulay on Nov 6, 2011At her Iva Asks blog, Iva Radivojevic looks at how the spreading Occupy Wall Street movement is inspiring a new protest culture at CUNY. “This is a document about the struggle of students and adjunct faculty at Cuny,” she writes. “This local struggle is part of an international student movement against neoliberal dictatorship. This is only the beginning. The time for action is now.” As she often does, Radivojevic writes on her blog the inspirations for her work. For this new video piece, one influence is a film by Jean Rouch and Edgar Morin. From the blog: And the latest […]
by Scott Macaulay on Nov 6, 2011In columns like “Platforms, PMDs and Perpetuating Obscurity” and “When Should You Call Bullsh#*t,” filmmaker Gregory Bayne has been one of our most provocative columnists on the site, incorporating the experience of making and distributing his own films into a larger commentary on the independent film business. Now it is time to help him out in the form of donating to the Kickstarter campaign for his new project, Bloodsworth: An Innocent Man.” It’s about the first man on death row to be released by DNA evidence. Bayne writes: Weaving together archival footage, Kirk Bloodsworth’s own compelling re-telling of his ordeal, […]
by Scott Macaulay on Nov 5, 2011One of the interesting tidbits in Walter Isaacson’s underwhelming bio of Steve Jobs is an account of the Apple CEO’s meeting with President Barack Obama. From the book: “You’re headed for a one-term presidency,” Jobs told Obama at the outset. To prevent that, he said, the administration needed to be a lot more business-friendly. He described how easy it was to build a factory in China, and said that it was almost impossible to do so these days in America, largely because of regulations and unnecessary costs. Distressingly, this thread is never picked up again in the book, which ignores […]
by Scott Macaulay on Nov 4, 2011At a press event in Los Angeles tonight, Canon announced two new digital cinema cameras aimed at filmmakers, the EOS C300 and the C300 PL (the latter differing by way of a PL mount). Canon CEO Fujio Mitarai said that the company wanted to “leave no story untold” as he unveiled a camera with a small form factor, an 8.3MP 2160 x 3840 Super 35 CMOS sensor with 4K resolution, and new lenses that resolve to this higher resolution. Martin Scorsese was on hand at the event to hail digital cinema and extoll the promise of the cameras. This promise […]
by Scott Macaulay on Nov 3, 2011Just hitting the wires is the word that Borderline Films, the team of Antonio Campos, Josh Mond and Sean Durkin, have signed a first-look deal with Fox Searchlight. Searchlight is currently distributing Durkin’s Boderline pic, Martha Marcy May Marlene. Both Campos and Durkin are Filmmaker Magazine “25 New Faces” selections, and in the current print issue Mond talks about how the company sustains itself in the independent filmmaking business. They’re a talented team and I’m glad to hear their future projects have a first-look home. The press release follows: LOS ANGELES, CA, November 3, 2011 – Fox Searchlight Pictures Presidents […]
by Scott Macaulay on Nov 3, 2011Originally posted on July 6, 2011. Terri is nominated for Breakthrough Actor. Azazel Jacobs’ idiosyncratic and homespun Terri is caring riff on the alienated teenager film, making its plus-size hero a stand-in for the trepidations we all fear when our slow-motion lives begin to move just a little too fast. Here, in this video shot at Sundance 2011, Jacobs discusses how he moved from his previous feature, Momma’s Man, to Terri, and why he’s not like Alfred Hitchcock. Photographed by: Jamie Stuart. Edited by: Daniel James Scott. Music: T. Griffin. For more, read Nick Dawson’s longer interview with Azazel […]
by Scott Macaulay on Nov 3, 2011Productivity systems are a booming cottage industry, and while the commercial ones are aimed at businesspeople, artists are fascinated with them just as much. I met an artist/writer/actress the other night and we more or less geeked out on what productivity system we favored, debating the merits of the Four-Hour Work Week vs. Getting Things Done. At the website Nowness today, Miranda July tackles the issue of productivity in a deleted scene from her most recent film, The Future. It’s been recut and newly scored by David Byrne, and it might offer you some insight into your own patterns of […]
by Scott Macaulay on Nov 3, 2011Okay, first the exciting news: Hal Hartley has made a new film! What’s the “but”? Well, it’s not ready quite yet. It’s in post, though, so it’s close. To help it get to the finish line, Hartley has launched a Kickstarter campaign for its final post-production. He’s also appealingly pitched his campaign as a “DVD Collector’s Edition Pre-Buy.” For $25 you’ll receive this limited edition when the film is finished. And there are other rewards too. For example, for $1,000 you can be a co-producer. That’s right, a grand gets you a very nice IMDb credit. Here’s what Hartley writes […]
by Scott Macaulay on Nov 2, 2011