Authors — Scott Macaulay
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A MOMENT OF SPIRITUALIZED
An amazing moment from Spiritualized’s performance at the Iceland Inspires concert. Spiritualized performs Ladies and Gentlemen We Are Floating in Space at Radio City Music Hall in New York on July 30.
by Scott Macaulay on Jul 22, 2010 -
“THE BUDGET IS THE AESTHETIC”
Great post by Ted Hope today, a reprint of the Good Machine “No-Budget Commandments” back from the early days of his and James Schamus’s production company. Go to Ted’s blog to read the full list, but in re-reading them I remembered the deep thinking we all did back then as to what a “no-budget movie” could and should be. There was a feeling that no-budget movies had to be deliberate in their representational strategies, uniting their budgets and artistic visions to produce works that wouldn’t strive for “production value” but instead would make their relative poverty an enabler of a […]
by Scott Macaulay on Jul 21, 2010 -
CHRISTINA HENDRICKS FELL TO EARTH
Via Pitchfork comes this video for Broken Bells’ “The Ghost Inside,” directed by Jacob Gentry and starring Mad Men’s Christina Hendricks. As part of their “Director’s Cut” series, they interview today the director of this haunting sci-fi critique of our glamour-obsessed culture. From the interview: Pitchfork: This looks like a pretty big production for a relatively small band like Broken Bells. Jacob Gentry: A lot of people say it looks big and expensive, but it wasn’t by any stretch. The special effects in the video were limited to things that could’ve been done in the late 70s or early 80s. […]
by Scott Macaulay on Jul 21, 2010 -
Bill Murray and Me
Bill Murray doesn’t do many interviews, so even if it wasn’t kind of awesome, Dan Fierman’s interview with the actor in GQ would be a must read. Fierman covers a lot of ground, particularly obsessing over Murray’s sole directing effort, the massively underrated Quick Change, so I don’t think I’m spoiling anything by quoting here the last exchange between the two: Last question. I have to know, because I love this story and want it to be true. There have been stories about you sneaking up behind people in New York City, covering their eyes with your hands, and saying: […]
by Scott Macaulay on Jul 20, 2010 -
NEW BREED L.A.: “NOTHING YOU HAVE TO HAVE”
Premiering below is the first of a seven-part series entitled “New Breed Los Angeles” presented by Filmmaker and the Workbook Project. Produced and directed by SABI Pictures, the series was shot at the Los Angeles Film Festival and features festival participants talking about their creative process. From the filmmakers: For the community of working-class filmmakers at New Breed a constantly evolving creative process of telling our stories is the one thing we can count on in these changing times. Embarking on journeys through deeper methods of collaboration & engaging with fans across various platforms is certainly exciting – but one […]
by Scott Macaulay on Jul 19, 2010 -
MICHELLE BYRD JOINS GAMES FOR CHANGE
Here’s news I’m just coming across — former IFP Executive Director Michelle Byrd has joined the non-profit Games for Change as Co-President. Congratulations to Michelle, and I look forward to following the organization’s next endeavors. From the press release: For Immediate Release – New York, NY (July 12, 2010) – The Board of Directors of Games for Change announced today the appointment of Asi Burak and Michelle Byrd as Co-Presidents of Games for Change, the leading global advocate for making and supporting digital social impact games. Mr. Burak and Ms. Byrd will work together on the strategic vision of the […]
by Scott Macaulay on Jul 18, 2010 -
WHAT’S IN MY INSTAPAPER (SUNDAY MORNING LINKS)
Here are articles of interest I’ve bookmarked over the last few days in my Instapaper. * In the Edmonton Journal, Atom Egoyan discusses the rise and what he sees as the slow decline of independent production, linking it to not only external forces (technology, economic cycles) but also the fusion of independent production with a particularly American urge for self-expression. Egoyan speaks in a matter-of-fact tone. Able to transcend the pettier concerns of a frequently petty industry, thanks to a sophisticated world view, trenchant sense of humour and healthy dose of Canadian humility, Egoyan sees the shifting business model as […]
by Scott Macaulay on Jul 18, 2010 -
Matt Porterfield
For decades John Waters has been the filmmaker who has sprung to mind when one thinks about Baltimore and the movies. But with the release of his exquisitely directed, formally rigorous second feature, Putty Hill, Matt Porterfield adds his name to the city’s cinematic honor roll. “For me, Baltimore — the physical environment and its people — is a real source of inspiration,” he says. “It’s a diverse but stratified city, an amalgam of the North and South, divided along race, class, and socioeconomic lines. I hope my films can perform some kind of social function by bridging gaps and […]
by Scott Macaulay on Jul 17, 2010 -
Arielle Javitch
For Arielle Javitch, whose first feature, Look, Stranger, is currently in post, moviemaking and movement have always been intertwined activities. She began her career as a dancer, and when a back injury sidelined her from performance, she began to make short dance films. “They started as pure movement, and then they began to get more narrative,” Javitch remembers. “One of my shorts was about refugees, and I used testimonies from different [refugee] stories, trying to make them visual through dance and other imagery. The film was beautiful, but it didn’t succeed, and then I knew I had to move into […]
by Scott Macaulay on Jul 17, 2010 -
Danfung Dennis
Danfung Dennis, who is self-lensing his first directorial effort, says he had never handled a video camera before starting production. But for Dennis, who made his name as a photojournalist covering strife in China, Iraq and Afghanistan, the transition was an organic one. “The Canon 5D Mark 2 came out,” he remembers, “and it was very similar to the cameras I had been using. With just one button push I was shooting HD video.” Dennis, who had been shooting in Kabul for Newsweek, thought he might make a short Web video about the conflict there. But soon Dennis upsized his […]
by Scott Macaulay on Jul 17, 2010
