Authors — Scott Macaulay

EVOLUTIONARY THINKING

I just caught up with Nicholas Carr’s thoughtful and resonant “Is Google Making Us Stupid” in the July/August issue of The Atlantic. His initial description of a new kind of malady will strike a chord with many who spend a good deal of time on the ‘net: Over the past few years I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory. My mind isn’t going—so far as I can tell—but it’s changing. I’m not thinking the way I used to think. I can feel it most strongly […]
by Scott Macaulay on Aug 10, 2008
TRANSITIONING VETERANS TO CIVILIAN LIFE

Filmmakers Amy Seimetz and Kelly Parker have created a short video for the nonprofit organization Veterans in Transition. Here’s an email we received from Amy, and the video is embedded below. Kelly Parker and I made a video for a nonprofit called The VET Foundation. It is an organization that helps soldiers returning from the war transition back into civilian life. Whether you are for the war or against it, the fact is their are men and women coming back either injured physically, suffering from a traumatic brain injury and/or coping with PTSD. The government does not have and effective […]
by Scott Macaulay on Aug 10, 2008
BATMAN FIGHTS THE NEO-CONS

I was late to see Chris Nolan’s The Dark Knight, only catching up to this astonishing and unexpectedly grim film this past week. It’s probably the first action film I’ve ever seen that’s exhausted me not by the intensity of its fight sequences but by its embedding of specific moral and philosophical dilemmas in all of its significant set pieces. Because I hadn’t seen the film, I avoided reading a lot about it, which means I missed the various pieces that have either celebrated (as in Andrew Klavan’s Wall Street Journal piece) or decried (as in Dave Kehr’s review) the […]
by Scott Macaulay on Aug 9, 2008
25 NEW FACES UPDATE #4

Here’s the fourth of our catch-ups with previous “25 New Faces” filmmakers. If you’ve been on the list and haven’t sent us an update, you can still email one to editor.filmmakermagazine AT gmail.com.Laura Colella, writer/director, 2000: In 2000, I was gearing up for the Sundance Directing & Screenwriting Labs with my 2nd feature project Stay Until Tomorrow. After the amazing lab experience, I spent over a year trying in vain to get a company or established producer behind the project. Amy Geller, a great young producer, signed on. We set a date, were offered many substantial donations of equipment and […]
by Scott Macaulay on Aug 9, 2008
HOW TO GET YOUR INDIE FILM ON iTUNES

…the short answer provided by Scott Kirsner at his CinemaTech blog: “It’s not easy.” Still, Kirsner lays out the options in a comprehensive blog post in which he names all the various aggregators who sell content on Apple’s market-leading download service, discusses their various terms, and provides contact info links. Essential.
by Scott Macaulay on Aug 9, 2008
EBERT SMILES ON FROWNLAND

Ronnie Bronstein’s Frownland opens this weekend at Facets Cinematheque in Chicaco, and Roger Ebert has written an extraordinary review in the Chicago Sun Times. After opening graphs where he describes the uncompromising nature of the film and the storyline, he ends with this: Now why would you want to see this film? Most readers of this review probably wouldn’t. I’m writing for the rest of us. It is a rebirth of the need for expression that inspired the American independent movement in the first place, 50 years ago. It was written, directed and edited by Ronald Bronstein, who had a […]
by Scott Macaulay on Aug 8, 2008
SEEING RED

Directors Bradley Rust Grey and So Yong Kim just directed a short film for the Museum of Chinese in America Chinatown Film Project. Grey also acted as d.p. and shot the film on the new Red camera — the same camera Steven Soderbergh used to shoot his recent CHE. Grey plans to use the Red to shoot his next feature, which should begin this fall, and was kind enough to send us this entry for the blog in which he quickly summarizes his impressions of the experience. I haven’t written a blog before. So I’m just sort of thinking of […]
by Scott Macaulay on Aug 7, 2008
THE ROOTS OF THE DARK KNIGHT?

After seeing Christopher Nolan’s dark and philosophically nimble The Dark Knight, I went back to our Winter, 2001 issue and read again Chuck Stephens’ cover interview with Nolan and his screenwriter brother Jonathan on the eve of the release of their breakthrough film, Memento. I was struck by how some of the same issues that elevate the latest Batman movie — its cinematic capturing of everyday dread, its interrogation of the role of the hero, and its clever use of film noir tropes — are discussed within the context of this earlier film. If you are a Nolan fan, check […]
by Scott Macaulay on Aug 6, 2008
PENNIES AND EYEBALLS

Producer Noah Harlan of 2.1 Films just came back from the Sundance Producer’s Lab and forwarded these comments about some of the topics discussed there. Like every producer, Harlan is trying to figure out what the new digital distribution landscape will look like for independents. I particularly responded here to his attempt to parse the revenue possibilities for the streaming and ad-supported models — a topic you’ve read about on this blog previously. For now, though, here’s Harlan. I just got back from the Sundance Producer’s Conference and had a few thoughts that I wanted to share with some of […]
by Scott Macaulay on Aug 5, 2008
CREATIVE CAPITAL AND WARHOL FOUNDATION ANNOUNCE GRANTS FOR ARTS WRITERS

Since stories about declining staff opportunities for professional film critics seem to appearing all over, I thought I’d post this notice from Creative Capital and the Warhol Foundation announcing grants ranging up to $50,000 to arts writers. Although the focus is on the visual arts, the site says, “By ‘contemporary visual art,’ we mean visual art made since World War II. We will also consider projects on post-War work in adjacent fields – architecture, design, film, theater/performance, sound, etc.- if they significantly engage the discourses and concerns of contemporary visual art.” Take special note: this round of proposals specifically excludes […]
by Scott Macaulay on Aug 4, 2008

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