The Sundance Institute today announced the 25 nonfiction films that will receive Documentary Fund and Stories of Change grants. The grants span all the way from initial project development to audience building, and the list includes custom grants from The Kendeda Fund, which supports projects dealing with environmental themes as well as gun violence. Stories of Change grants, a creative partnership with The Skoll Foundation, support social entrepreneurs and independent storytellers. Reports the Sundance Institute, “the supported projects come from Canada, Chile, China, Estonia, Hungary, Iran, Israel, Kenya, Mexico, Poland, South Africa and the United States. 21 projects, or 84%, […]
by Scott Macaulay on May 24, 20195/25/19 UPDATE: This flash sale is now over — that is, if you’d like to get our Summer issue, which is already at the printer. We’ll keep the coupon code alive for a while for stragglers who stumble on this post. Your subscription will start with our next issue. As we gear up to ship our Summer issue of Filmmaker to the printer, which includes our annual Film School guide, we’re offering a 48-hour flash sale that discounts our print edition by 50%. Get one year, four issues, as well as access to our print issue archive back to 2007, […]
by Scott Macaulay on May 22, 2019In its final week at Manhattan gallery signs and symbols is artist and filmmaker Michelle Handelman’s installation, LOVER HATER CUNTY INTELLECTUAL, a kind of remix of last year’s large-scale SFMOMA installation Hustlers & Empire for the smaller and more intimate studio space. The previous exhibition was centered around three archetypal characters — “real and imagined hustlers” drawn from three seminal works: Iceberg Slim’s Pimp (1967), Marguerite Duras’s The Lover (1984) and Federico Fellini’s Toby Dammit (1968). This new exhibition focuses solely on a character inspired by Duras and the semi-autobiographical protagonist of her novel and performed by queer Latinx artist […]
by Scott Macaulay on May 21, 2019IFP, Filmmaker‘s parent organization, has announced the 10 feature documentaries in post-production that will take part in its 2019 Documentary Lab, which begins today at the IFP’s Made in New York Media Center. They include films about Central American mothers searching for sons and daughters who vanished en route to the U.S., a man struggling to recover his life after being wrongfully imprisoned, and a group taking part in a year-long experiment simulating life on Mars. Commented IFP Executive Director Jeffrey Sharp, “The IFP Filmmaker Labs have a history of singling out unique voices and diverse approaches to storytelling from […]
by Scott Macaulay on May 20, 2019Film Independent announced today the six screenwriters selected for its 21st annual Screenwriting Lab. Mikki Crisostomo, Billy Luther, Haitham Dabbour, Anya Meksin, Sontenish Myers and Andrew Huang will all received story and career development from the non-profit organization’s annual program for their first fiction screenplays. Notes FIND in a press release, “One hundred percent of this year’s participants are from communities underrepresented in film and half the participants are women. This year’s projects, selected from 550 submissions, explore a range of compelling fictional topics from ancient magic to widespread pandemics and tiger spirits.” More from the press release: “Being a […]
by Scott Macaulay on May 14, 2019A Travis Bickle wannabe is shitkicked at a neon-streaked Parisian club — it’s the new video from Gaspar Noe, which brings a near-Irreversible level of violence and the director’s trademark twisting overhead camera to a club track by the French producer. Check it out above.
by Scott Macaulay on May 14, 2019One of the more hotly-awaited lists of the year has just dropped: the annual Sundance Institute Directors and Screenwriters Labs. Providing support and mentorship to filmmakers since 1981, the Labs boast alumni ranging from Boots Riley to Chloe Zhao, Quentin Tarantino to Ritesh Batra. This year’s labs take place from May 27 – June 18 (Directors) and June 20 – 24 (Screenwriters). Advisors for the month include Robert Redford, Gyula Gazdag (Artistic Director for the Directors Lab), Sandra Adair, Scott Z. Burns, Charlotte Bruus Christensen, Sebastian Cordero, Joan Darling, Suzy Elmiger, Rick Famuyiwa, Stephen Goldblatt, Keith Gordon, Randa Haines, Ed […]
by Scott Macaulay on May 10, 2019Amy Dotson, Deputy Director and Head of Programming at IFP, Filmmaker‘s publisher, will be leaving the organization to become the Director of Portland’s Northwest Film Center. She’ll begin this new position in September, when she will also become Film and New Media Curator at the Portland Art Museum, a connected entity and where the Film Center stages its annual Portland International Film Festival. From the press release issued by the Museum and Film Center: In her new role, which she begins in September 2019, Dotson will be responsible for the overall vision of the Film Center, including strategic planning, fundraising, […]
by Scott Macaulay on May 7, 2019Burning Cane, the Louisiana-set debut feature from freshman NYU film student Phillip Youmans, won three top prizes at the 2019 Tribeca Film Festival. At a ceremony last night at the Stella Artois Theatre at BMCC TPAC, Burning Cane scored the Founders Award for Best Narrative Feature, the Best Cinematography in a U.S. Narrative Feature Award (to Youmans as well), and the Best Actor in a U.S. Narrative Feature Award, to the film’s Wendell Pierce. Haley Bennett, star of another well received film at the festival, Swallow, won Best Actress in a U.S. Narrative Feature, while Bridget Savage Cole and Danielle […]
by Scott Macaulay on May 3, 2019New Jersey-born Kevin McMullin, a shorts and commercial director who runs the NYC production outfit Boy and Star, makes his feature debut in the Tribeca Film Festival’s Narrative Competition with the location-rich teen crime drama Low Tide. Alan (Keean Johnson), Red (Alex Neustaedter), and Smitty (Daniel Zolghadri) spend their summer breaking into houses along the Jersey Shore, an enterprise that escalates from youthful petty crime into something much darker when one particularly valuable score — a bag of gold coins — is discovered. The gang is fractured apart, a division exacerbated by the presence of the local beauty, Mary (Kristine […]
by Scott Macaulay on Apr 29, 2019